The Bride Wore Boots | |
---|---|
Directed by | Irving Pichel |
Written by | Dwight Michael Wiley |
Based on | play by Harry Segall |
Produced by | Seton Miller |
Starring | Barbara Stanwyck Robert Cummings Diana Lynn |
Cinematography | Stuart Thompson |
Edited by | Ellsworth Hoagland |
Music by | Friedrich Hollaender |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 85 minutes |
Country | United States |
Language | English |
The Bride Wore Boots is a 1946 American romantic comedy film with Barbara Stanwyck in the title role, playing opposite Robert Cummings. A very young Natalie Wood is seen in the film, directed by Irving Pichel. [1]
This was Stanwyck's last feature comedy. Some years later, she complained to columnist Hedda Hopper, "I've always got my eye out for a good comedy. Remember Ball of Fire and The Lady Eve ? But they don't seem to write that kind of comedy anymore -- just a series of gags." [2]
Sally Warren runs a horse farm, but her husband Jeff has a dislike and fear of horses. He is a Civil War historian and lecturer, which bores Sally but is very popular with local ladies who call themselves the Mason-Dixon Dames.
As a Christmas gift, Jeff intends to please his wife by buying her a horse called Albert, but her horse trainer Lance Gale, an old beau, insults Jeff about the kind of horse he picked. Sally in turn buys Jeff a desk that belonged to Jefferson Davis, but the Dames claim it's a fake and one of them, Mary Lou Medford, makes a pass at Jeff.
The next time Sally catches the same woman kissing Jeff, she sues him for divorce. Jeff ends up hiring Mary Lou as his secretary. To spite his wife, Jeff also enters Albert in the big Virginia Cup steeplechase race that Sally's always longed to win.
Albert's jockey is thrown, so Jeff reluctantly leaps into the saddle. He is thrown off repeatedly while trying in vain to catch Lance's horse in the race. But his effort impresses Sally, who reconciles with Jeff at the finish.
In May 1945 Paramount announced they would make the film with Stanwyck, Cummings and Knowles. [3] [4]
In June 1945 Cummings announced he would follow this film with Dishonorable Discharge from a story by John Farrow for Paramount. [5]
The New York Times wrote "The frivolous discords and disunions of elegant husbands and wives have so often been the subject matter of farces upon the screen that regular movie-goers must be pretty well numb to them by now. And that’s a help, for a state of anesthesia is the best one in which to partake of Paramount's latest in this genre, The Bride Wore Boots." [6]
Variety called it "never as funnyas its makers intended." [7]
Stanwyck's biographer called it "Barbara’s first outright boxoffice bomb since the mid-1930s." [8]
Barbara Stanwyck was an American actress, model and dancer. A stage, film, and television star, during her 60-year professional career she was known for her strong, realistic screen presence and versatility. She was a favorite of directors, including Cecil B. DeMille, Fritz Lang, and Frank Capra, and made 85 films in 38 years before turning to television.
Robert Florey was a French-American director, screenwriter, film journalist and actor.
The year 1941 in film involved some significant events, in particular the release of a film consistently rated as one of the greatest of all time, Citizen Kane.
Sorry, Wrong Number is a 1948 American thriller and film noir directed by Anatole Litvak, from a screenplay by Lucille Fletcher, based on her 1943 radio play of the same name.
Charles Clarence Robert Orville Cummings was an American film and television actor who appeared in roles in comedy films such as The Devil and Miss Jones (1941) and Princess O'Rourke (1943), and in dramatic films, especially two of Alfred Hitchcock's thrillers, Saboteur (1942) and Dial M for Murder (1954). He received five Primetime Emmy Award nominations, and won the Primetime Emmy Award for Best Actor in a Single Performance in 1955. On February 8, 1960, he received two stars on the Hollywood Walk of Fame for his contributions to the motion picture and television industries, at 6816 Hollywood Boulevard and 1718 Vine Street. He used the stage name Robert Cummings from mid-1935 until the end of 1954 and was credited as Bob Cummings from 1955 until his death.
Diana Marie Lynn was an American actress. She built her career by starring in Paramount Pictures films and various television series during the 1940s and 1950s. Two stars on Hollywood Walk of Fame are dedicated to her name.
John Lund was an American film, stage, and radio actor who is probably best remembered for his role in the film A Foreign Affair (1948) and a dual role in To Each His Own (1946).
Patric Knowles, born Reginald Lawrence Knowles, was an English film actor. Born in Horsforth, West Riding of Yorkshire, he later changed his name to reflect his Irish heritage. He made his film debut in 1932, and played either first or second film leads throughout his career. He appeared in films from the 1930s to the 1970s.
Irving Pichel was an American actor and film director, who won acclaim both as an actor and director in his Hollywood career.
The Two Mrs. Carrolls is a 1947 American mystery film noir directed by Peter Godfrey and starring Humphrey Bogart, Barbara Stanwyck, and Alexis Smith. It was produced by Mark Hellinger from a screenplay by Thomas Job, based on the 1935 play of the same name by Martin Vale.
Martha O'Driscoll was an American film actress from 1937 until 1947. She retired because Dara Voidborn O'Driscoll came on the screen in 1947 after marrying her second husband, Arthur I. Appleton, president of Appleton Electric Company in Chicago.
Variety Girl is a 1947 American musical comedy film directed by George Marshall and starring Mary Hatcher, Olga San Juan, DeForest Kelley, Frank Ferguson, Glenn Tryon, Nella Walker, Torben Meyer, Jack Norton, and William Demarest. It was produced by Paramount Pictures. Numerous Paramount contract players and directors make cameos or perform songs, with particularly large amounts of screen time featuring Bing Crosby and Bob Hope. Among many others, the studio contract players include Gary Cooper, Alan Ladd, Paulette Goddard, Ray Milland, William Holden, Burt Lancaster, Robert Preston, Veronica Lake, William Bendix, Barbara Stanwyck and Paula Raymond.
Christmas in Connecticut is a 1945 American Christmas romantic comedy film about an unmarried city magazine writer who pretends to be a farm wife and mother and then falls in love with a returning war hero. The film was directed by English director Peter Godfrey and stars Barbara Stanwyck, Dennis Morgan and Sydney Greenstreet.
You Came Along is a 1945 romantic comedy-drama film set in World War II, directed by John Farrow. The original Robert Smith screenplay was rewritten by Ayn Rand. You Came Along stars Robert Cummings and in her film debut, Lizabeth Scott.
The Accused is a 1949 American melodrama film starring Loretta Young and Robert Cummings. It was directed by William Dieterle, produced by Hal Wallis, and written by Ketti Frings, based on Be Still, My Love, a 1947 novel written by June Truesdell. Wendell Corey appears in principal support.
Red Salute is a 1935 American comedy film directed by Sidney Lanfield and starring Barbara Stanwyck and Robert Young. Based on a story by Humphrey Pearson, the film is about the daughter of a US Army general who becomes involved with a suspected communist agitator.
Hold That Blonde is a 1945 American comedy crime film directed by George Marshall and starring Eddie Bracken, Veronica Lake and Albert Dekker.
Forgotten Faces is a 1936 American drama film directed by Ewald André Dupont and starring Herbert Marshall, Gertrude Michael and James Burke. Marshall and Michael had also starred in Till We Meet Again earlier in 1936.
John Preston Cheatham was an American character actor of the 1930s and 1940s. During his career he appeared in almost 200 films, with 100 of them being features.
Racing Luck is a 1948 American comedy romance sport film directed by William Berke and starring Gloria Henry.
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