The Bridewell Taxis

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The Bridewell Taxis
Wiki Corn Exchange group.jpg
Background information
Origin Leeds, West Yorkshire, England, UK
Genres Indie rock, baggy
Years active1987–1993
LabelsStolen Records, Expression Records
Past membersMick Roberts
Chris Walton
Sean McElhone
Simon Scott
Glenn Scullion
Gary Wilson
Carl A. Finlow
Alaric Neville
Keith Manasseh Jackson
Michelle Jasmin
Chris Harrop
Andrew Stocks

The Bridewell Taxis (later The Bridewells) were an English, Leeds-based indie rock group, active from 1987 to 1993. [1] The Bridewell Taxis were briefly known as one of the few bands from east of the Pennines to make an impact on what was to become known as the Madchester scene.

Contents

Early years

The group came together in Leeds during 1987 and were originally called Morality Play. Their first public performances were at an Unemployed Music project in Leeds that also helped launch other contemporary Leeds collaborations including Nightmares on Wax and Demo. At that time, Mick Roberts had been working on song lyrics and ideas with childhood friend John Halnon and Marcus Waite. After Mick Roberts joined, the band changed its name to The Bridewell Taxis, a nickname for local police vans.

Their first gig was in 1988 at the Royal Park, with support from Pale Saints. Whilst the band members all hailed from East Leeds, they had more in common with the growing northern music scene in Lancashire featuring Liverpool-based bands such as The La's, The Real People and The Farm and the early Inspiral Carpets, The Stone Roses and Happy Mondays from Manchester.

The band's first release was a blue flexi-disc, "Lies" c/w "Just Good Friends", which was given away for free with a local fanzine. London-based publishers, Empire Music, part of China Records, offered the band a publishing deal in late 1989.

Releases

Their first EP, Just Good Friends, was released on their own Stolen Records label in autumn, 1989. It reached number 18 on the UK Indie Chart. [1] Their second single was "Give In" c/w "Whole Damn Nation" which featured a dance remix of the latter track. The band started headlining their own gigs and became regulars at venues such as the Warehouse in Leeds, The Boardwalk in Manchester and The Leadmill in Sheffield.

Their debut LP "Invisible To You" was a collection of previous Stolen Records releases with two new tracks. It was launched at a home town concert at Leeds Town Hall on 5 July which was also filmed for a video release. Despite its relative lack of new material, "Invisible" sold well and remained in the indie charts for six weeks.

Despite guitarist Sean McElhone announcing he was leaving, a pre-Christmas concert was booked at the Warehouse, Leeds on 11 December. The concert was poorly attended and beset with technical problems. The band left the stage to boos from their home town audience and split up that night. [2]

The Bridewells

The Bridewells' final performance at the Warehouse, Leeds, March 1993. Warehouse-Bridewells-1.jpg
The Bridewells' final performance at the Warehouse, Leeds, March 1993.

After the breakup of the original line up, Mick Roberts, Carl A. Finlow and Alaric Neville continued to write and play together. Following a request for a Motown cover version from Imaginary Records Chris Walton re-joined. Marvin Gaye's Inner City Blues was demoed along with a handful of new songs. A cassette of the session found its way to Phil Manzanera, Roxy Music guitarist, studio and label owner.

The Bridewells played their first gig at the Warehouse, Leeds on 17 February 1992. An EP, "Smile I Still Care" was recorded at Phil Manzanera's studio in Chertsey, West London and was released on Expression Records on 15 June. The album "Cage" was also released by Expression on 19 October.

It had become apparent during the recording of the album that Mick's loss of hearing was having an adverse effect on the volume he needed for monitoring and live gigs were becoming difficult. This combined with financial troubles at Expression effectively brought the band to a halt. Their final performance was filmed at the Warehouse for ITV featuring the album title track, "Cage" and a new song "World Stop Turning", taped on 23 March 1993.

Discography

Singles and EPs

Albums

Videos

Compilation appearances

TV appearance

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References

  1. 1 2 Lazell, Barry (1997). Indie Hits 1980–1999. Cherry Red Books. ISBN   0-9517206-9-4.
  2. The Expression She Pulled Vol 8, Leeds (1991)