Bread is the self-titled debut album by soft rock band Bread, released in 1969.
Eloy Fernando Fritsch is an electronic musician, keyboard player and main composer of Brazilian progressive rock band Apocalypse. As a solo artist he creates cosmic new-age music.
Apocalypse is a progressive rock band from Brazil that plays symphonic rock with strong electronic keyboard orientation.
Perto do Amanhecer is the second studio album by Brazilian progressive rock group Apocalypse. The compositions are in the symphonic prog rock way with influences of progressive British bands such as Yes, Marillion, IQ, Genesis and Emerson, Lake & Palmer. Keyboardist Eloy Fritsch's Minimoog solos and synthesizers are present on all tracks of this CD. The album has some classical moments and even hard rock passages. The lyrics are in Portuguese and deal with several themes, such as existentialism, nature, science fiction, and mysticism. Musea invited the band to perform at a compilation, which came later as Le Melleur du Progressif Instrumental. This CD was edited in the end of 1995 with several European bands and Apocalypse representing Brazil with the song "Notre Dame".
Aurora dos Sonhos is the third studio album by the Brazilian progressive rock group Apocalypse. One year after Perto do Amanhecer, Apocalypse released Aurora dos Sonhos through Musea Records. The album dealt with different issues like conservation of nature, science fiction and spirituality. The tracks scan the fields of Neo Prog and Symphonic Rock with comfort, most of the guitar melodies are fantastic, while Eloy Fritsch seems to be another talented keyboard wizard, torturing his minimoog synthesizer with easiness. Many shifting moods and diverse textures guarantee another enjoyable release by the band.
A Song for Me is the third album by the British progressive rock band Family, released on 23 January 1970 on Reprise Records.
Chronicles I is the first of a two-part compilation of re-recorded hits by German rock band Eloy released in 1993. The second part, Chronicles II was released the following year.
Frevoador is the twelfth solo album by Brazilian musician Zé Ramalho. It was released in 1992, after a four-year gap with no albums. When promoting his next album Cidades e Lendas, he said he wasn't satisfied with the final result of Frevoador, suggesting the repertoire and the session musicians weren't the right ones.
Silent Cries and Mighty Echoes is the seventh studio album by German rock band Eloy, released in 1979. It is the third and last studio album with the line-up of Frank Bornemann, Detlev Schmidtchen, Klaus-Peter Matziol and Jürgen Rosenthal.
Lendas Encantadas is the fourth album by Brazilian progressive rock band Apocalypse. It's a reissue of their first work with all lyrics in Portuguese. The difference is that one track was completely re-recorded and the guitar parts are added to this CD. Three bonus tracks recorded in 1992–1993 were also included.
Apocalypse Live in USA is the first live album by Brazilian progressive rock group APocalypse. The Rock Symphony Record Company release the band's double-live album recorded at North Carolina including a multimedia track with the band's history, discography, video clips, and photos. The tracks were taken from their previous CDs released by Musea Records, but there are also the Refúgio album tracks "América do Sul," "ProgJazz," and "Toccata." There is also a track called "Clássicos," which features rock versions of songs by Grieg, Beethoven, Bach, Mozart, and Tchaikovsky. Also, "Paz da Solidão" features Ravel ("Boléro").
Refúgio is the fifth studio album by Brazilian rock band Apocalypse released in 2003 and the second under Rock Symphony Record Company. Musically, Refúgio features symphonic rock with complex arrangements for keyboards, including organ, piano, digital synthesizer, analog minimoog synthesizer, drums and electric guitar. Refúgio album contains some fan favorites such as the album’s title track and the two progressive epics Cachoeira das Águas Douradas and América do Sul. The band included two bonus tracks from the USA Live recordings Último Horizonte and Terra Azul. The album was to be the last recordings with the band's original lineup.
Apocalypse is the self-titled debut album by the Brazilian progressive rock band founded by Eloy Fritsch and friends to participate in a student festival in 1983, though with a different lineup. The trio of musicians signed with Acit Records in 1990 and traveled to Porto Alegre to record their first release. The material on Apocalypse was written mostly by keyboardist Fritsch. Fritsch's songs were generally longer and more elaborate and featured mystical lyrics which reflected his interest in science fiction, cosmos and nature. At the time of their first self-titled LP release, they interrupted the traffic in their town's main street and gave a concert for over 2,000 people.
Verde paisaje del Infierno is the sixth album by Argentine rock band Los Piojos, released in 2000.
Genesis Revisited II is the 22nd studio album by musician Steve Hackett, released on 22 October 2012 by Inside Out Music label. It is a sequel to his 1996 album Genesis Revisited and largely consists of reworked versions of songs originally by Genesis with a variety of guest vocalists.
The Best of Apocalypse is an album by the Brazilian rock band Apocalypse.
In September 2005, Apocalypse was invited to the Rock Symphony for the Record Festival at the Teatro Municipal de Niterói, Rio de Janeiro, Brazil. The band's concert, on 8 September, was taped for posterity and released in DVD and CD format. In this project the Apocalypse band recorded some of their old hits in English language.
Magic Spells is the third live album from the Brazilian progressive rock band Apocalypse released on Financiarte label. The album is part of the Apocalypse 25th Anniversary Box Set and was recorded during the Apocalypse tour.
2012 Light Years from Home is the seventh studio release by Brazilian progressive rock Apocalypse.
The Beach Boys with the Royal Philharmonic Orchestra is a 2018 album of remixed Beach Boys recordings with new orchestral arrangements performed by the Royal Philharmonic Orchestra. It was produced by Nick Patrick and Don Reedman, who conducted similar projects for Roy Orbison and Elvis Presley.
