Author | Poul Anderson |
---|---|
Language | English |
Genre | Fantasy |
Publisher | Abelard-Schuman |
Publication date | 5 November 1954 |
Publication place | United States |
Media type | Print (hardback) |
Pages | 274 |
ISBN | 0-575-07425-6 |
OCLC | 59499019 |
The Broken Sword is a fantasy novel by American writer Poul Anderson, originally published on 5 November 1954. [1] It was issued in a revised edition by Ballantine Books as the twenty-fourth volume of their Ballantine Adult Fantasy series in January 1971. The original text was returned to print by Gollancz in 2002. [2] The novel is set during the Viking Age and the story contains many references to the Norse mythology. [3]
The book tells the story of Skafloc, elven-fosterling and originally son of Orm the Strong. The story begins with the marriage of Orm the Strong and Aelfrida of the English. Orm kills a witch's family on the land and later half-converts to Christianity, but quarrels with the local priest and sends him off the land. Meanwhile, an elf named Imric, with the help of the witch, seeks to capture the newly born son of Orm. In his place, Imric leaves a changeling called Valgard. The real son of Orm is taken away to elven lands and named Skafloc by the elves who raise him. As the story continues, both Skafloc and Valgard have significant roles in the war between the trolls and the elves.
Anthony Boucher praised the original edition as "a magnificent saga of the interplay of gods, demigods, faerie, heroes and men." [4] Groff Conklin described the novel as "a rip-snorting, bloody, imitation-Norse epic containing all the elements of faerie". [5] E. F. Bleiler, commenting on the 1971 revised edition, declared that "The first portion of this novel is perhaps the finest American heroic fantasy, with good characterizations, excellent surface detail, good plotting, and an admirable recreation of the mood of the Old Norse literature. But the story ends in a mad scramble and unconvincing slaughter". [6]
British fantasy writer Michael Moorcock has written that The Broken Sword greatly influenced his stories; Moorcock's Elric of Melniboné series features a magic sword, Stormbringer, which has many similarities to Skafloc's sword. [7] Moorcock further declared The Broken Sword superior to Tolkien, calling it "a fast-paced doom-drenched tragedy in which human heroism, love and ambition, manipulated by amoral gods, elves and trolls, led inevitably to tragic consequences." [2] Despite his admiration of the original 1954 edition, Moorcock criticized the revised 1971 text, stating that the revised edition "weakened" the novel. [2]
Diana Paxson stated that reading The Broken Sword as a teen "changed [her] life", and led to her involvement in fantasy as a genre. [8]
The original 1954 text is known for its unique prose styling which makes liberal use of archaic words, spellings and phrasings. [9] Examples include spelling "fairy" as "faerie", the word "glaive" in place of "sword", and archaic phrasing such as the word "will" in place of "want". [9] The 1971 revised text frequently replaces and at times altogether removes some of these stylings. [9] Author Poul Anderson explained these alterations in the introduction to the 1971 edition, referring to his younger self in the third person:
A generation lies between us. I would not myself write anything so headlong, so prolix, and so unrelievedly savage. This young, in many ways naive lad who bore my name could, all unwittingly, give readers a wrong impression of my work and me. At the same time, I don’t feel free to tamper with what he has done.
A partial adaptation of the novel, done as a serialized black-and-white graphic novel, was adapted by fantasy writer Tom Reamy and illustrated by professional fantasy artist George Barr. This was published during the mid-to-late 1960s over several issues of Reamy's twice Hugo Award–nominated science fiction fanzine Trumpet; the adaptation was never completed, though there were revived plans underway to do so at the time of Reamy's death in late 1977. [10]
Michael John Moorcock is an English–American writer, particularly of science fiction and fantasy, who has published a number of well-received literary novels as well as comic thrillers, graphic novels and non-fiction. He has worked as an editor and is also a successful musician. He is best known for his novels about the character Elric of Melniboné, which were a seminal influence on the field of fantasy in the 1960s and 1970s.
The Lord of the Rings is an epic high fantasy novel by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit, but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.
The Hobbit, or There and Back Again is a children's fantasy novel by the English author J. R. R. Tolkien. It was published in 1937 to wide critical acclaim, being nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction. The book is recognized as a classic in children's literature and is one of the best-selling books of all time, with over 100 million copies sold.
Elric of Melniboné is a fictional character created by English writer Michael Moorcock and the protagonist of a series of sword and sorcery stories taking place on an alternative Earth. The proper name and title of the character are Elric VIII, 428th Emperor of Melniboné. Later stories by Moorcock marked Elric as a facet of the Eternal Champion.
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A half-elf is a mythological or fictional being, the offspring of an immortal elf and a mortal man. They are often depicted as very beautiful and endowed with magical powers; they may be presented as torn between the two worlds that they inhabit. Half-elves became known in modern times mainly through J. R. R. Tolkien's Middle-earth writings but have origins in Norse mythology. A half-elf appeared in Lord Dunsany's 1924 book The King of Elfland's Daughter.
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Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author. Works in which the marvels were not necessarily believed, or only half-believed, such as the European romances of chivalry and the tales of the Arabian Nights, slowly evolved into works with such traits. Authors like George MacDonald (1824–1905) created the first explicitly fantastic works.
The Ballantine Adult Fantasy series was an imprint of American publisher Ballantine Books. Launched in 1969, the series reissued a number of works of fantasy literature which were out of print or dispersed in back issues of pulp magazines, in cheap paperback form—including works by authors such as James Branch Cabell, Lord Dunsany, Ernest Bramah, Hope Mirrlees, and William Morris. The series lasted until 1974.
The elf is a humanoid race in the Dungeons & Dragons fantasy role-playing game, one of the primary races available for player characters, and play a central role in the narratives of many setting worlds of the game. Elves are described as renowned for their grace and mastery of magic and weapons such as the bow and sword. Becoming physically mature by the age of 25 and emotionally mature at around 125, they are also famously long-lived, capable of living more than half a millennium and remaining physically youthful. Possessed of innate beauty and easy gracefulness, they are viewed as both wondrous and haughty by other races in-universe; however, their natural detachment is seen by some as introversion or xenophobia. They were usually portrayed as antagonistic towards dwarves.
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