Related Research Articles
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
Sundazed Music is an American independent record label founded in Coxsackie, New York and currently based in Hillsborough, North Carolina. It was initially known as a 60's centric Surf, Garage, and Psych label, over time with the additions of imprints such as Modern Harmonic, Americana Anthropology, Beat Rocket, Dot Matrix Recordings, and Liberty Spike Recordings, their reach spans most genres and many decades while still firmly rooted as an archival label.
The Outsiders were an American rock and roll band from Cleveland, Ohio, that was founded and led by guitarist Tom King. The band released the hit single "Time Won't Let Me" in early 1966, which peaked at No. 5 in the US in April. The band had three other Hot 100 top 40 hit singles in 1966, but none on the Hot 100 afterwards, and released a total of four albums in the mid-1960s.
The Remains were a mid-1960s American garage rock group from Boston, Massachusetts, led by Barry Tashian. Although the Remains never achieved national success, they were very popular in New England, and were one of the opening acts on the Beatles' final US tour in 1966.
The Choir was a garage rock band largely active in the greater Cleveland area from the mid-1960s into the early 1970s. Originally called The Mods, their largest commercial success came with the release of their first single "It's Cold Outside" in December 1966. The song, considered to be a classic of the garage rock era, was featured on Pebbles, Volume 2, one of the earlier garage rock compilation LPs. The flipside, "I'm Going Home" was included as a bonus track when the Pebbles album was reissued as a CD, and it can also be found on a garage rock compilation LP on Ohio bands, Highs in the Mid-Sixties, Volume 9. The Choir is well known for containing three of the four original members of Raspberries.
Pebbles is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979. It was followed by several subsequent Pebbles compilations and albums. This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on Nuggets: Original Artyfacts from the First Psychedelic Era, a similar, groundbreaking compilation from 1972.
Pebbles, Volume 6: Chicago Pt. 1, also known as Chicago 1, is a compilation album featuring American garage and psychedelic rock musical artists from the 1960s that were associated with the Chicago music scene. It is a compact disc installment of the Pebbles series, and was released on AIP Records in 1994.
The Human Expression was an American garage and psychedelic rock band from Los Angeles that released three well-regarded singles, and made additional demo recordings between 1966 and 1967.
Highs in the Mid-Sixties, Volume 18 is a compilation album in the Highs in the Mid-Sixties series, featuring recordings that were released in Colorado. This is the only state featured in this series that is limited to only one LP.
Joseph Delia is an American singer, musician, multi-instrumentalist, composer, and arranger. He is the lead vocalist and keyboardist of the eponymous blues rock band Joe Delia & Thieves, after previously touring as a session and studio musician with Chuck Berry, Pat Benatar, and Stevie Wonder. He is also prolific composer of film and television scores, best known for his long-running collaborations with filmmaker Abel Ferrara on films like Ms. 45, King of New York, Bad Lieutenant, Body Snatchers and Zeros and Ones.
We the People was an American garage rock band from Orlando, Florida, that was formed in late 1965 and professionally active between 1966 and 1970. Although none of their singles charted nationally in the U.S., a number of them did reach the Top 10 of the local Orlando charts. The band are perhaps best remembered for their song "Mirror of Your Mind", which reached the Top 10 in a number of regional singles charts across the U.S. during 1966. The song has subsequently been included on several compilation albums over the years.
"Talk Talk" is the debut single of American garage rock band The Music Machine. It was released in November 1966, and produced the band's only Top 20 hit on the Billboard Hot 100. The song was included on their debut album, (Turn On) The Music Machine.
The Banshees were an American garage rock band formed in Chicago, Illinois, in 1966. The group is best remembered for its sole single, featuring the dissonant proto-punk anthem, "Project Blue". The song has become a classic of the musical genre of garage rock and is featured prominently on several compilation albums.
The Bad Seeds were an American garage rock band formed in Corpus Christi, Texas, in 1964. Musically influenced by traditional blues and the raw recordings by the Rolling Stones, the group's sound was marked by primal proto-punk instrumental arrangements and vocals. The band released three singles, mostly originals penned by guitarist Mike Taylor, that have since become classics of garage rock, and have the Bad Seeds considered forerunners in popularizing the subgenre in Texas.
Back from the Grave, Volume 1 is the first installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records and released in 1983 on LP. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Rockin' 1966 Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting a revivified "rock and roll" zombie who, along with his macabre cohorts, has just emerged from the grave to "bury" all specimens of supposedly "heretical" pop and progressive music which have come to prominence over the years, such as disco music and MTV.
Back from the Grave, Volume 2 is the second installment in the Back from the Grave series of garage rock compilations put together by Tim Warren of Crypt Records on LP. It was released in 1983. In keeping with all of the entries in the series, and as indicated in the subheading which reads "16 Garage Punkers," this collection consists of songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. The set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. The packaging features well-researched liner notes written by Tim Warren which convey basic information about each song and group, such as origin, recording date, and biographical sketches, usually written in a conversational style that includes occasional slang, anecdotes, humorous asides. The liner notes are noticeably opinionated, sometimes engaging in tongue-in-cheek insults directed at other genres of music. The packaging also includes photographs of the bands, and the front cover features a highly satirical cartoon by Mort Todd depicting revivified "rock and roll" zombies who have just emerged from the grave to "burn on a skewer" all adherents of supposedly heretical pop and progressive music which have come to prominence over the years, such as disco.
Raw 'n' Alive at the Cellar, Chicago 1966! is a live album by the American garage rock band the Shadows of Knight, and was released on Sundazed Records in 1992. The album consists of recordings from the band's appearance at the Cellar in Arlington Heights, Illinois in December 1966. Although the tapes were never anticipated to be released publicly, Raw 'n' Alive at the Cellar is commended for its good sound quality, and represents one of the better live concert recordings to emerge from the garage rock era.
The Groupies were an American garage rock-psychedelic rock band from New York City who were active in the 1960s and are known for an innovative approach to primal blues-based rock exemplified in such songs as "Primitive". They were a popular fixture in the New York club scene and recorded for Atco Records, later venturing to Los Angeles. Due to their uncompromising stance the Groupies failed to attract a wider audience outside of their local enclaves. They have come to the attention of garage rock and psychedelic enthusiasts and their work has been included on various compilations such as the 1998 Nuggets four-CD box set, which was released on Rhino Records. Their material has been re-issued on other garage rock and psychedelic compilations such as the Pebbles, Volume 10 LP.
The Bare Facts were an American garage rock band formed in Portsmouth, Ohio, United States, in 1966. Immensely popular in Ohio, the group earned a regional hit with their catchy blue-eyed soul-influenced tune "Georgiana", and the equally popular B-side "Bad Part of Town". The single the songs were featured on briefly entered the Billboard Hot 100. Though the Bare Facts could not replicate their success, the band's recordings have appeared on several compilation albums, preserving interest in the group's music.
Francis Delia is an American filmmaker, photographer, writer and musician, at times credited as Francis X. Wolfe or F.X. Pope
References
- 1 2 3 4 5 6 7 Unterberger, Richie. "The Bruthers – Artist Biography". AllMusic. Retrieved July 20, 2015.
- 1 2 3 Pyro, Howie (December 24, 2014). "Garage Rock Madness with the Muppets First Ed Sullivan Appearance, 1966". Dangerous Minds. Retrieved July 20, 2015.
- ↑ "What Did the Muppets Have to Do With Smokin' Hot '60s Garage Rock? This!". Popthomology. Marianne Spellman. November 15, 2012. Retrieved July 19, 2015. – Written (uncredited) by Marianne Spellman.
- ↑ Leggett, Steve. "Garage Beat '66, Vol. 6: Speak of the Devil". AllMusic. Retrieved July 20, 2015.
- ↑ albumdujour (April 3, 2009). "The Bruthers – Bad Way To Go". Album de Jour. Album de Jour. Retrieved July 19, 2015.