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The Buggs was the name of two short-lived soundalike bands of the mid-1960s inspired by The Beatles craze. One group had a single on Soma Records of Minnesota, and the other group (whose actual name was the Coachmen V) had a full album on Coronet Records.
In 1964, a single credited to The Buggs was released on Soma Records. This group, actually a band called Andy & the Manhattans, [1] hailed from Omaha, Nebraska, and the single was recorded at Amos Heilicher's Kay Bank Studios in Minneapolis, Minnesota. [2]
The single, "Buggs Vs. Beetles (I Want To Hold Your Hand)", is not a straight cover, but is instead a parody mocking the Beatles. The B-Side, "She Loves Me", is a straight cover of "She Loves You" despite the title change.
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The album credited to the Buggs, The Beetle Beat, was released in February 1964. It consisted of covers of Beatles songs ("I Want To Hold Your Hand", "She Loves You") with some originals, many written by Lor Crane & Joan Kingsbury ("Big Ben Hop (Sassy Sue)", "Liverpool Drag (Why Won't You Leave That Man?)", "Teddy Boy Stomp ("I'll Never Never Never Leave You)", "Mersey Mercy (You Got Me Bugged)", "Swingin' Thames (That's For Sure)", "London Town Swing (Why Can't You Love the Boy Who Loves You)", "East End (Since You Broke My Heart)", and a cover version of "Just One Look" (as "Soho Mash"). [4]
Despite the cover displaying "The original Liverpool sound" and claiming to have been "Recorded in England", The Buggs hailed from New Jersey and the album was actually recorded in the New York/New Jersey area.
The Buggs were never a real band; rather, the album was recorded by a group named the Coachmen V from Bergen County, New Jersey, under the impression that it would be released under that name. The album was produced by Goldie Goldman, who hired a songwriter to write the original tracks. Some rehearsing of the material was done in Nyack, New York at Scotty's Bar, after which the album was recorded. Band personnel included Bill Omolski on bass, Gary Wright (later to have a successful solo career with hits such as "Dream Weaver") on organ and vocals, Frank Zillitto (1942 - December 2017) on guitar, Steve Bogue on drums, and either Eddie Brick or Jimmy Carrol on lead vocals. Brick and Carrol both worked as lead vocalist for the Coachman V at different times, and it is not known which one sang on the Buggs album. Studio musician Trade Martin also played on album.
Band members were surprised (and unhappy) when they discovered that album had been released under a different band name, under false pretenses, and with models representing the band members. No royalties were ever paid, and The Buggs ceased to exist. In 1966, Coronet released Boots a Go-Go (Coronet, CX-212-A: 1966) repackaging the same Beetle Beat album from two years earlier, now with a go-go music storyline on the back cover and a picture of a go-go dancer on the front and back covers. According to the back cover, the Buggs' "go go sound" was "grown up rock 'n' roll" played at discotheques and on Hullaballoo. Cleverly, no song titles were featured on the album's front or back cover so that unaware buyers would not know that this was exactly the same Buggs' music from their previous and, technically, only release. As a result, the record's label did not reference the "Boots a Go-Go" title as the original unsold Beetle Beat vinyl was simply repurposed inside.
Their influence may have been limited, but Devo's Mark Mothersbaugh said that Beetle Beat was his first album purchase, thinking it was a Beatles album. Mothersbaugh said, "One track pissed me off so much it eventually inspired the nasty Devo song, 'U Got Me Bugged'." [5] In 2009, reissue label Master Classics brought Beetle Beat to iTunes Store and other online music services, including Spotify.
Devo is an American new wave band from Akron, Ohio, formed in 1973. Their classic line-up consisted of two sets of brothers, the Mothersbaughs and the Casales, along with Alan Myers. The band had a No. 14 Billboard chart hit in 1980 with the single "Whip It", the song that gave the band mainstream popularity.
Mark Allen Mothersbaugh is an American musician and composer. He came to prominence in the late 1970s as co-founder, lead singer and keyboardist of the new wave band Devo, whose "Whip It" was a top 20 single in the US in 1980, peaking at No. 14, and which has since maintained a cult following. Mothersbaugh was one of the primary composers of Devo's music.
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
Freedom of Choice is the third studio album by the American new wave band Devo, released in May 1980 on Warner Bros. Records. The album contained their biggest hit, "Whip It", which hit No. 8 and No. 14 on the Billboard Club Play Singles and Pop Singles charts, respectively. Freedom of Choice peaked at No. 22 on the Billboard Pop Albums chart.
Introducing... The Beatles is the first studio album released by the English rock band the Beatles in the United States. Originally scheduled for a July 1963 release, the LP came out on 10 January 1964, on Vee-Jay Records, ten days before Capitol's Meet the Beatles! The latter album, however, entered the U.S. album chart one week before the former. Consequently, when Meet The Beatles! peaked at No. 1 for eleven consecutive weeks, Introducing...The Beatles stalled at No. 2 where it remained for nine consecutive weeks. It was the subject of much legal wrangling, but ultimately, Vee-Jay was permitted to sell the album until late 1964, by which time it had sold more than 1.3 million copies. On 24 July 2014 the album was certified gold and platinum by the RIAA.
Oh, No! It's Devo is the fifth studio album by American new wave band Devo, released in 1982 by Warner Bros. Records. The album was recorded over a period of four months, between May and September 1982, at Cherokee Studios in Hollywood, Los Angeles, and was produced by Roy Thomas Baker.
"Whip It" is a song by American new wave band Devo from their third studio album Freedom of Choice (1980). It is a new wave and synth-pop song that features a synthesizer, electric guitar, bass guitar, and drums in its instrumentation. The apparently nonsensical lyrics have a common theme revolving around the ability to deal with one's problems by "whipping it". Co-written by bassist Gerald Casale and lead vocalist Mark Mothersbaugh, Devo recorded "Whip It" with producer Robert Margouleff at the Record Plant in Los Angeles.
New Traditionalists is the fourth studio album by the American new wave band Devo, released in 1981 by Warner Bros. Records. The album was recorded over a period of four months between December 1980 and April 1981 at the Power Station in Manhattan, New York City. It features the minor hits "Through Being Cool" and "Beautiful World".
"Mongoloid" is the first single released by American new wave band Devo in 1977, on the Booji Boy Records label. It was backed with the song "Jocko Homo". "Mongoloid" also had one of the first music videos made using collage. "Mongoloid" would later be re-recorded by Devo and appeared on the album Q: Are We Not Men? A: We Are Devo! in 1978. It is also a staple of Devo's live shows.
Q: Are We Not Men? A: We Are Devo! is the debut studio album by the American new wave band Devo. It was originally released in August 1978 on Warner Bros. in the North America and Virgin Records in Europe. Produced by Brian Eno, the album was recorded between October 1977 and February 1978, primarily in Cologne, West Germany.
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Shout is the sixth studio album by American new wave band Devo, released on October 8, 1984 by Warner Bros. Records.
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Ain't She Sweet was an American compilation album featuring four tracks recorded in Hamburg by The Beatles in 1961 and 1962. Cover versions of Beatles and British Invasion-era songs recorded by the Swallows complete the tracklist.
Stay with the Hollies, also known by its American release title Here I Go Again, is the debut album by the British rock band the Hollies and was released in January 1964 on Parlophone Records. In Canada, it was released on Capitol in July 1964, with a different track listing. In the US, Imperial Records issued the album under the title Here I Go Again in June 1964 to capitalize on the moderate success of the singles "Here I Go Again" and "Just One Look". It also features covers of well-known R&B songs, not unusual for Beat groups of the day.
The Beatles experienced huge popularity on the British record charts in early 1963, but record companies in the United States did not immediately follow up with releases of their own, and the Beatles' commercial success in the US continued to be hampered by other obstacles, including issues with royalties and public derision toward the "Beatle haircut".
"Take Out Some Insurance" is a blues song released in 1959 by Jimmy Reed written by Charles Singleton and Waldenese Hall but originally credited to Jesse Stone. The copyright registration for the song lists its title as "Take Out Some Insurance on Me, Baby".. Tony Sheridan recorded it with different lyrics in 1961 with The Beatles as his backing band. Misidentified, it was released in Germany in 1964 as "If You Love Me, Baby " but subsequently as "Take Out Some Insurance on Me, Baby ", "Take Out Some Insurance on Me, Baby" or erroneously as "If You Love Me, Baby".
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