Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.
Instrumental rock is rock music that emphasizes instrumental performance and features very little or no singing. Examples of instrumental music in rock can be found in practically every subgenre of the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the late 1960s and early 1970s did many virtuosic instrumental performances.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
Neville Eugenton Staple, sometimes credited as Neville Staples, is a Jamaican-born English singer, known for his work with the 2 Tone ska band the Specials, the pop group Fun Boy Three, as well as with his own group, the Neville Staple Band. He also performed with Ranking Roger in the supergroup Special Beat.
The Meteors are an English psychobilly band formed in 1980. Originally from London, England, they are often credited with giving the psychobilly subgenre — which fuses punk rock with rockabilly — its distinctive sound and style. "Starting in the neo-rockabilly scene, the Meteors were initially shunned for being too different. Excuses for exclusion from rockabilly concerts varied from the band having too extreme of a sound to their drummer having green hair." The Meteors blended elements of punk rock, rockabilly, and horror film themes in their music and are thought to be one of the first bands to use the label 'Psychobilly' after bands The Misfits and The Cramps distanced themselves from the genre label due to the genre's rising popularity.
Tragic Kingdom is the third studio album by American rock band No Doubt, released on October 10, 1995, by Trauma Records and Interscope Records. It was the final album to feature original keyboardist Eric Stefani, who left the band in 1994. The album was produced by Matthew Wilder and recorded in 11 studios in the Greater Los Angeles area between March 1993 and October 1995. Between 1995 and 1998, seven singles were released from it, including "Just a Girl", which charted on the Billboard Hot 100 and the UK Singles Chart; and "Don't Speak", which topped the Billboard Hot 100 Airplay and reached the top five of many international charts.
Cecil Bustamente Campbell, known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists.
The Beat are a British band formed in Birmingham, England, in 1978. Their music fuses Latin, ska, pop, soul, reggae and punk rock.
Bad Manners are an English two-tone and ska band led by frontman Buster Bloodvessel. Early appearances included Top of the Pops and the live film documentary Dance Craze (1981).
...But Seriously is the fourth solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 20 November 1989 in the United Kingdom by Virgin Records and by Atlantic Records in the United States. After Collins finished touring commitments with the rock band Genesis in 1987, the group entered a four-year hiatus, during which Collins starred in the feature film Buster (1988). By the spring of 1989, Collins had written material for a new solo album, which addressed more serious lyrical themes, like socio-economic and political issues, as opposed to his previous dance-oriented album, No Jacket Required (1985).
Big D and the Kids Table is a ska punk band formed in October 1995 in Boston, Massachusetts when its members converged in college. Their first release was on their own Fork in Hand Records label, but have since teamed with Springman Records and SideOneDummy. The band has been noted for its strict DIY work ethic, such as engineering, producing, and releasing their own albums and videos and self-promotion of their own shows.
Clancy Eccles was a Jamaican ska and reggae singer, songwriter, arranger, promoter, record producer and talent scout. Known mostly for his early reggae works, he brought a political dimension to this music. His house band was known as The Dynamites.
Derrick Morgan OD is a Jamaican musical artist who was popular in the 1960s and 1970s. He worked with Desmond Dekker, Bob Marley, and Jimmy Cliff in the rhythm and blues and ska genres, and he also performed rocksteady and skinhead reggae.
Byron Lee and the Dragonaires are a Jamaican ska, calypso and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world. Byron Lee died on 4 November 2008, after suffering from cancer for a sustained period.
Victor "Vic" Ruggiero, is a musician, songwriter and producer from New York City who has played in reggae, blues, ska and rocksteady bands since the early 1990s, including The Slackers, Stubborn All-Stars, SKAndalous All Stars, Crazy Baldhead and The Silencers. He has also performed with punk rock band Rancid, both live and in the studio. He has released four solo acoustic albums and continues to tour and record worldwide. Ruggiero is known primarily as a singer and organist, although he also plays piano, bass, banjo, cigar box guitar, guitar, harmonica and percussion.
Joe Gittleman is an American musician, best known as the bass guitar player for The Mighty Mighty Bosstones. His proficiency on bass earned him the nickname "the Bass Fiddleman."
The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including "Guns of Navarone." They also played on records by Prince Buster and backed many other Jamaican artists who recorded during that period, including Bob Marley & The Wailers, on their first single "Simmer Down." They reformed in 1983 and have played together ever since.
The discography of The Mighty Mighty Bosstones, an American ska punk band formed in 1985 in Boston, Massachusetts, consists of eleven studio albums, ten EPs and twenty two singles, among other recordings.
Rhoda Dakar is a British singer and musician, best known as the lead singer of The Bodysnatchers, who were signed to the 2 Tone record label. She also worked with The Specials/Special AKA, and also other 2-Tone artists.
Blechreiz is a German ska band founded in 1983 in southern Berlin. Along with Skaos from Bavarian Krumbach, No Sports, The Braces from Jülich, El Bosso & die Ping-Pongs from Munster and The Busters from Wiesloch, Blechreiz was one of the pioneers of the German ska scene at the end of the 1980s and the beginning of the 1990s. The band mostly plays songs it writes and arranges itself. A number of changes in the lineup has meant that Blechreiz’s style has varied over the years. Blechreiz allies itself with anti-racist and anti-fascist skinheads such as Skinheads Against Racial Prejudice (SHARP).
