The Abominable Dr. Phibes | |
---|---|
Directed by | Robert Fuest |
Written by |
|
Produced by |
|
Starring | |
Cinematography | Norman Warwick |
Edited by | Tristam Cones |
Music by | Basil Kirchin |
Production company | |
Distributed by | MGM-EMI Distributors |
Release date |
|
Running time | 94 minutes |
Country | United Kingdom |
Language | English |
Box office | $1.5 million [1] or $1,827,000 [2] |
The Abominable Dr. Phibes is a 1971 British comedy horror film directed by Robert Fuest, and written by James Whiton and William Goldstein. [3] [4] It stars Vincent Price in the title role, Dr. Anton Phibes, who blames the medical team that attended to his wife's surgery four years earlier, for her death and sets out to exact vengeance on each one. [5] He is inspired in his murder spree by the Ten Plagues of Egypt from the Old Testament. [6] The film co-stars Joseph Cotten, Hugh Griffith, Terry-Thomas, Virginia North, with an uncredited Caroline Munro appearing as Phibes's wife. [7]
The film was produced by the UK branch of American International Pictures, and was released by MGM-EMI Distributors in April 1971. It initially received mixed reviews from critics, but has gone on to garner a cult following, with critics singling out Price's performance, the film's dark humour, and its Art Deco production design. [4] A 2013 Time Out London poll ranked the film in the Top 100 Horror Films of All Time. [8]
The film was followed by a direct sequel, Dr. Phibes Rises Again , released the following year.
Dr. Anton Phibes, a famous concert organist with doctorates in both music and theology, is believed to have been killed in a car crash in Switzerland in 1921, while racing home upon hearing of the death of his beloved wife, Victoria, during surgery. Phibes survived the crash, but was horribly scarred and left unable to speak. He remade his face with prosthetics and used his knowledge of acoustics to regain his voice. Resurfacing secretly in London in 1925, Phibes believes his wife was a victim of her doctors' incompetence, and begins elaborate plans to kill those he believes are responsible for her death. [9]
Aided in his quest for vengeance by his beautiful and silent assistant Vulnavia, Phibes uses the Ten Plagues of Egypt as his inspiration, wearing an amulet with Hebrew letters corresponding with each plague as he conducts the murders. After three doctors have been killed, Inspector Trout, a detective from Scotland Yard, learns that they all had worked under the direction of Dr Vesalius, who tells him the deceased had been on his team when treating Victoria, as were four other doctors and one nurse. Trout discovers one of Phibes's amulets (torn off during a struggle) at the murder scene of the fourth doctor, which takes place while he is interviewing Vesalius. He first takes it to the jeweller who made it, then to a rabbi to learn its meaning. Now believing Phibes may still be alive, Trout and Vesalius go to the Phibes mausoleum at Highgate Cemetery. Inside, they find a box of ashes in Phibes's coffin, but Trout deduces they are probably the remains of Phibes's chauffeur. Victoria's coffin is empty.
The police are unable to prevent Phibes from killing the remaining members of Vesalius's team, so they focus their efforts entirely on protecting Vesalius himself. Phibes kidnaps Vesalius's son Lem, then calls Vesalius and tells him to come alone to his mansion on Maldene Square if he wants to save his son's life. Trout refuses to let him go, so Vesalius knocks the inspector unconscious and races to Phibes's mansion, where he confronts him. Phibes tells him his son is under anaesthesia and prepared for surgery. Phibes has implanted a key near the boy's heart that will unlock his restraints. Vesalius has to surgically remove the key within six minutes (the same time Victoria was on the operating table) to release his son before acid from a container above Lem's head is released and kills him. Vesalius succeeds and moves the table out of the way. Vulnavia, who was ordered to destroy Phibes's mechanical creations, is surprised by Trout and his assistant; backing away, she is drenched with the acid and killed.
Convinced that he has accomplished his vendetta, Phibes retreats to the basement to inter himself in a stone sarcophagus containing the embalmed body of his wife. He proceeds to drain his blood while simultaneously replacing it with embalming fluid and lies down in the sarcophagus next to Victoria. The coffin's inlaid stone lid lowers into place, concealing it. Trout and the police arrive but cannot find Phibes. They recall that the "final curse" was darkness just before the basement goes dark.
The film began as a script by writers James Whiton and William Goldstein. American International Pictures purchased the script, seeing it as a good vehicle for their biggest star, Vincent Price. [10]
Director Robert Fuest rewrote most of the script, altering Dr Phibes (who in the original script abused and eventually killed his assistant Vulnavia) to be more sympathetic. He also opted to add in some deliberate humour, since critics often razed Price for over-the-top performances, and changed the death of Dr Kitaj by rats to take place on a plane instead of on a boat. Fuest found the boat death implausible, questioning why Kitaj could not save himself by simply jumping into the water. [10]
In the original script, Vulnavia was one of Phibes' automatons. Fuest dropped the idea during filming, though remnants of it remain in the final film.
The name of Phibes' wife, "Victoria Regina," was a nod to the stage play Victoria Regina , in which Vincent Price had made his Broadway debut back in 1937.
Peter Cushing was originally cast as Dr Vesalius, but bowed out due to the illness of his wife and was replaced by Joseph Cotten. [10] He and Price would later co-star in Madhouse .
Despite her prominence in the film and its sequel, Caroline Munro was not credited for her performance in either, as she was under contract to Hammer Films at the time.
Joanna Lumley filmed a minor role that was cut from the final print.
The film was shot on the "20s era" sets at Elstree Studios in Hertfordshire. The cemetery scenes were shot in Highgate Cemetery in London. [11] [12] The exterior of Dr Phibes's mansion was Caldecote Towers at Immanuel College on Elstree Road. [12] [13]
The music that Phibes plays on the organ at the beginning of the film is "War March of the Priests" from Felix Mendelssohn's incidental music to Racine's play Athalie.
The film's incidental score was composed by Basil Kirchin and includes 1920s-era source music, most notably "Charmaine" and "Darktown Strutters' Ball".
One of several music-related errors or anachronisms within the film's storyline is the song overlaid as a recorded performance by one of the ostensibly mechanized musicians of "Dr. Phibes' Clockwork Wizards." [14] The pianist in this simulated animatronic band "sings" "One for My Baby (and One More for the Road)". Although the film's plot is set in England in the 1920s, this particular song did not exist until 1943, when Harold Arlen and Johnny Mercer wrote it as part of their film score for The Sky's the Limit . Fred Astaire sang the jazz standard for the first time in that musical comedy. Likewise, the melody of the song "You Stepped Out of a Dream", written by Nacio Herb Brown (music) and Gus Kahn (lyrics) and first published in 1940, accompanies a scene depicting Dr. Phibes and Vulnavia dancing together in the ballroom of his mansion. Other musical anachronisms are Vulnavia's playing "Close Your Eyes" (1933) on the violin, or her placing in a car a music box that plays "Elmer's Tune" (1941).
A soundtrack LP was released concurrently with the film's appearance, which contained few selections from the score, but rather was composed mostly of character vocalizations by Paul Frees. [15] [16] A proper soundtrack was released on CD in 2004 by Perseverance Records.
The Monthly Film Bulletin wrote: "This is Robert Fuest's second AIP feature... and his flat, unimaginative visual style dominates every frame. It is the same patchwork mixture of clumsy compositions and endless close-ups which jarred in Wuthering Heights , where it made genuine Bronté locations look like a cut-price studio. Here it transforms some obviously expensive art-deco sets into a messy accumulation of props and obliterates all sense of period without adding anything itself. The basically conventional script is not much more inspired, contriving to be coy and tongue-in-cheek without ever being witty, so that one positively longs for the days when horror (and AIP) took itself seriously. This crassness in dialogue and direction is all the more irritating in that aspects of Dr. Phibes suggest that it might have been a reasonably intriguing film: much of the Thirties gadgetry and apparatus is attractively designed, and the pairing of Vincent Price with Joseph Cotten could in the right circumstances have amounted to a stroke of genius. Here, both are effectively emasculated by their roles, with Cotten given little to do and Price in a virtually non-speaking part (for the purposes of the plot he has to be seen to speak through an electronic socket in his neck). Phibes' ten elaborate curses give rise to a few macabre moments, but the last is rather more disturbing in its suggestion that a sequel is already imminent." [17]
Howard Thompson of The New York Times wrote, "The plot, buried under all the iron tinsel, isn't bad. But the tone of steamroller camp flattens the fun." [18] Variety was generally positive, praising the "well-structured" screenplay, "outstanding" makeup for Vincent Price, and "excellent work" on the set designs. [19] Gene Siskel of the Chicago Tribune gave the film three-and-a-half stars, calling it a "stylish, clever, shrieking winner", though he disliked "the lack of zip in the ending". [20] David Pirie of The Monthly Film Bulletin was negative, faulting director Robert Fuest's "flat, unimaginative visual style" and a script "contriving to be coy and tongue-in-cheek without ever being witty". [21]
In 2002, critic Christopher Null called the film "Vincent Price at his campy best ... A crazy script and an awesome score make this a true classic." [22]
In the early 2010s, Time Out London conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films. [23] The Abominable Dr. Phibes placed at number 83 on their top 100 list. [24]
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 88% based on 40 reviews, with an average rating of 7/10. The website's critics consensus reads, "The Abominable Dr. Phibes juggles horror and humor, but under the picture's campy façade, there's genuine pathos brought poignantly to life through Price's performance." [25] The film was not highly regarded by American International Pictures' home office until it became a box office success. [26]
MGM Home Entertainment released The Abominable Dr. Phibes on Region 1 DVD in 2001, followed by a tandem release with Dr. Phibes Rises Again in 2005. The film made its Blu-ray debut as part of Scream Factory's Vincent Price box set on 22 October 2013. [27] [28]
A limited edition two-disc set, The Complete Dr. Phibes, was released in Region B Blu-ray on 16 June 2014 by Arrow Films. [29] Both films were later reissued separately by Arrow and as part of the nine-film/seven-disc Region B Blu-ray set The Vincent Price Collection on the Australian Shock label. [30]
The TV broadcast version of the film excises some of the more grisly scenes, such as a close-up of the nurse's locust-eaten corpse.
A sequel, Dr. Phibes Rises Again , was released in 1972. It was also directed by Fuest and also stars Price as Phibes. Several other sequels were proposed, including The Bride of Dr. Phibes, but none was ever produced. [31]
Vincent Leonard Price Jr. was an American actor. He was known for his work in the horror film genre, mostly portraying villains. He appeared on stage, television, and radio, and in more than 100 films. Price has two stars on the Hollywood Walk of Fame, one for motion pictures and one for television.
Peter Wilton Cushing was an English actor. His acting career spanned over six decades and included appearances in more than 100 films, as well as many television, stage and radio roles. He achieved recognition for his leading performances in the Hammer Productions horror films from the 1950s to 1970s and as Grand Moff Tarkin in Star Wars (1977).
Dr. Phibes Rises Again is a 1972 British comedy horror film, produced by Louis M. Heyward, directed by Robert Fuest, and starring Vincent Price and Robert Quarry. The film is a sequel to The Abominable Dr. Phibes (1971). After seeking vengeance on the doctors whom he blamed for his wife's death in the first film, Phibes returns to seek eternal life in Egypt, while he pursues a centuries-old man who holds the ancient secrets that Phibes needs.
Theatre of Blood is a 1973 British horror comedy film directed by Douglas Hickox and starring Vincent Price and Diana Rigg.
House of Wax is a 1953 American mystery-horror film directed by Andre de Toth and released by Warner Bros. A remake of the studio's own 1933 film, Mystery of the Wax Museum, it stars Vincent Price as a disfigured sculptor who repopulates his destroyed wax museum by murdering people and using their wax-coated corpses as displays. The film premiered in New York on April 10, 1953 and had a general release on April 25, making it the first 3D film with stereophonic sound to be presented in a regular theater and the first color 3D feature film from a major American studio. Man in the Dark, released by Columbia Pictures, was the first major-studio black-and-white 3D feature and premiered two days before House of Wax.
The Fog is a 1980 American independent supernatural horror film directed by John Carpenter, who also co-wrote the screenplay and created the music for the film. It stars Adrienne Barbeau, Jamie Lee Curtis, Tom Atkins, Janet Leigh and Hal Holbrook. It tells the story of a strange, glowing fog that sweeps over a small coastal town in Northern California.
John Peter Gilmore, known as Peter Gilmore, was an English actor, known for his portrayal of Captain James Onedin in 91 episodes of the BBC television period drama The Onedin Line (1971–1980), created by Cyril Abraham.
Caroline Jane Munro is an English actress, model and singer known for her many appearances in horror, science fiction and action films of the 1970s and 1980s. She gained prominence within Hammer and horror circles, starring in Dracula AD 1972 and Captain Kronos – Vampire Hunter (1974), garnering a cult following for the numerous films that she starred in. She also acted in The Golden Voyage of Sinbad (1973), and in The Spy Who Loved Me (1977). In 2019, she was inducted into the Rondo Hatton Classic Horror Awards' Monster Kid Hall of Fame.
The Devil's Rain is a 1975 American supernatural horror film directed by Robert Fuest and starring Ernest Borgnine, Eddie Albert, William Shatner, Tom Skerritt, Ida Lupino and Keenan Wynn, along with John Travolta in his film debut. Church of Satan founder Anton LaVey is credited as the film's technical advisor and appeared in the film playing a minor role, as does his partner Diane Hegarty.
Robert Fuest was an English film and television director, screenwriter, production designer, and painter, who worked mostly in the horror, fantasy and suspense genres.
Phibes is a surname. Notable people with the surname include:
Louis M. "Deke" Heyward was an American producer and film and television screenwriter.
"Love means never having to say you're sorry" is a catchphrase based on a line from the Erich Segal novel Love Story and was popularized by its 1970 film adaptation starring Ali MacGraw and Ryan O'Neal. The line is spoken twice in the film: once in the middle of the film, by Jennifer Cavalleri, when Oliver Barrett (O'Neal) apologizes to her for his anger; and as the last line of the film, by Oliver, when his father says "I'm sorry" after learning of Jennifer's death. In the script, the line is phrased slightly differently: "Love means not ever having to say you're sorry."
Madhouse is a 1974 horror film directed by Jim Clark for Amicus Productions in association with American International Pictures. The film, which is a British-American co-production, stars Vincent Price, Natasha Pyne, Peter Cushing, Robert Quarry, Adrienne Corri, and Linda Hayden. The film was based on the 1969 novel Devilday by Angus Hall.
Robert Walter Quarry was an American actor, known for several prominent horror film roles.
Alister Williamson was an Australian-born character actor, who appeared in many British films and television series of the 1960s and 1970s. A big, craggy-faced man, he would usually be found playing gruff police inspectors or henchmen in adventure series and police dramas of the period. He was also notable as a supporting player in a number of classic British horror films.
Virginia Anne Northup, Lady White, known professionally as Virginia North, was a British model and actress. She was best known for her role as Vulnavia, the titular character’s assistant, in the cult horror film The Abominable Dr. Phibes (1971). She was married to Gordon White, Baron White of Hull, from 1974 to 1991.
Sean Bury in Brighton, Sussex, England) is a British television and film actor, best known for his lead role as Paul Harrison in Lewis Gilbert's 1971 film Friends and the 1974 sequel Paul and Michelle.
Valli Kemp is an Australian former model, actress fashion designer, painter, teacher and beauty pageant titleholder. She is best known for her involvement in several high-profile beauty contests in the early 1970s, and for her role in the cult 1972 horror film Dr. Phibes Rises Again, in which she appeared opposite Vincent Price as the murderous doctor's silent assistant and accomplice, Vulnavia.
Norman Warwick was a British cinematographer.