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James Shirley was an English dramatist.
Marion de Lorme is a play in five acts, written in 1828 by Victor Hugo. It is about the famous French courtesan of that name, who lived under the reign of Louis XIII. The play was first performed in 1831 at the Théâtre de la Porte Saint-Martin, but was later prohibited by King Charles X.
The White Devil is a tragedy by English playwright John Webster. According to Webster's own preface to the 1612 Quarto Edition, "To the Reader", the play's first performance in that year was a notorious failure; he complained that the play was acted in the dead of winter before an unreceptive audience. The play's complexity, sophistication, and satire made it a poor fit with the repertory of Queen Anne's Men at the Red Bull Theatre, where it was first performed. It was successfully revived in 1630 by Queen Henrietta's Men at the Cockpit Theatre and published again in 1631.
The Maid's Tragedy is a play by Francis Beaumont and John Fletcher. It was first published in 1619.
More Dissemblers Besides Women is a Jacobean stage play, a tragicomedy written by Thomas Middleton, and first published in 1657.
Women Beware Women is a Jacobean tragedy written by Thomas Middleton, and first published in 1657.
The Bird in a Cage, or The Beauties is a Caroline era comedy written by James Shirley, first published in 1633. The play is notable, even among Shirley's plays, for its lushness — what one critic has called "gay romanticism run mad."
Love's Sacrifice is a Caroline era stage play, a tragedy written by John Ford, and first published in 1633. It is one of Ford's three surviving solo tragedies, the others being The Broken Heart and 'Tis Pity She's a Whore.
The Brothers is a Caroline era stage play, a comedy written by James Shirley. First published in 1652, The Brothers has sometimes been hailed as one of Shirley's best plays, though it has also been a focus of significant confusion and scholarly debate.
The Doubtful Heir, also known as Rosania, or Love's Victory, is a Caroline era stage play, a tragicomedy written by James Shirley and first published in 1652. The play has been described as "swift of action, exciting of episode, fertile of surprise, and genuinely poetic."
The Opportunity is a Caroline era stage play, a comedy written by James Shirley, published in 1640. The play has been called "a capital little comedy, fairly bubbling over with clever situations, and charming character."
The Duke's Mistress is a Caroline era stage play, a tragicomedy written by James Shirley and first published in 1638. It was the last of Shirley's plays produced before the major break in his career: with the closing of the London theatres due to bubonic plague in May 1636, Shirley left England for Ireland, where he worked under John Ogilby at the Werburgh Street Theatre in Dublin for four years.
The Court Secret is a Caroline era stage play, a tragicomedy written by James Shirley, and first published in 1653. It is generally regarded as the final play Shirley wrote as a professional dramatist.
The Imposture is a Caroline era stage play, a tragicomedy written by James Shirley and first published in 1652. Shirley himself considered The Imposture the best of his romantic comedies.
The Country Captain, alternatively known as Captain Underwit, is a Caroline era stage play written by William Cavendish, 1st Duke of Newcastle, and first published in 1649. It has attracted critical attention primarily for the question of James Shirley's participation in its authorship.
The Guardian is a Caroline era stage play, a comedy written by Philip Massinger, dating from 1633. "The play in which Massinger comes nearest to urbanity and suavity is The Guardian...."
The Duchess of Padua is a five-act tragedy by Oscar Wilde, set in Padua and written in blank verse. It was written for the actress Mary Anderson in early 1883 while Wilde was in Paris. After she turned it down, it was abandoned until its first performance at the Broadway Theatre in New York City under the title Guido Ferranti on 26 January 1891, where it ran for three weeks. It has been rarely revived or studied.
The Lovers' Progress is an early seventeenth-century stage play, a tragicomedy written by John Fletcher and Philip Massinger. As its multiple titles indicate, the play has a complex history and has been a focus of controversy among scholars and critics.
Humphrey Robinson was a prominent London publisher and bookseller of the middle seventeenth century.
The Town-Fopp: or, Sir Timothy Tawdrey is a Restoration comedy written by Aphra Behn and first staged in 1676. It deals with an unhappy marriage and its dissolution.
References
- Logan, Terence P., and Denzell S. Smith, eds. The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Lincoln, NE, University of Nebraska Press, 1978.
- Nason, Arthur Huntingdon. James Shirley, Dramatist: A Biographical and Critical Study. New York, Columbia University, 1915.
- Tomlinson, Sophie. Women on Stage in Stuart Drama. Cambridge, Cambridge University Press, 2006.