Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian-American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Alina is a 1950 Italian melodrama film directed by Giorgio Pastina. The film stars Gina Lollobrigida as Alina and Amedeo Nazzari as Giovanni.
The Old Guard is a 1934 Italian drama film directed by Alessandro Blasetti and starring Gianfranco Giachetti, Mino Doro, and Franco Brambilla. It was one several pro-Fascist films made by Blasetti during the era. The film is set in a small Italian town in 1922, where a local group of Fascist blackshirts battle against rival socialists who have called a strike at the hospital. Mario, the young son of Doctor Cardini, is killed in the fighting. The film ends with the March on Rome that brought Benito Mussolini to power.
The Great Appeal is a 1936 Italian war film directed by Mario Camerini and starring Camillo Pilotto, Roberto Villa and Lina d'Acosta. It is sometimes known by the alternative title The Last Roll-Call.
Luciano Serra, Pilot is a 1938 Italian war drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Germana Paolieri and Roberto Villa.
The Wolf of the Sila is a 1949 Italian drama film directed by Duilio Coletti and starring Silvana Mangano, Amedeo Nazzari and Vittorio Gassman. Much of the film was shot on location around La Sila in Calabria.
Unjustified Absence is a 1939 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, Amedeo Nazzari and Lilia Silvi. A girl leaves school to marry a doctor, but becomes annoyed by his constant absences and decides to secretly resume her studies.
Ginevra degli Almieri is a 1935 Italian historical drama film directed by Guido Brignone and starring Elsa Merlini, Amedeo Nazzari and Uberto Palmarini. Merlini had spotted Nazzari during a stage play, and lobbied for his casting in his film debut. Nazzari went on to be a leading star of Italian cinema. It is set in Florence in the fifteenth century.
Caravaggio, il pittore maledetto is a 1941 Italian historical drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Clara Calamai and Lamberto Picasso. Nazzari portrays the painter Caravaggio as a wayward genius. It was one of his favourite screen roles.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
The Daughter of the Green Pirate is a 1940 Italian adventure film directed by Enrico Guazzoni and starring Doris Duranti, Fosco Giachetti and Camillo Pilotto. It was shot partly at the Pisorno Studios in Tirrenia with sets designed by the art director Piero Filippone. The film was based on a novel by Emilio Salgari.
The Haller Case is a 1933 Italian thriller film directed by Alessandro Blasetti and starring Marta Abba, Memo Benassi and Camillo Pilotto. The film is based on the 1893 play Der Andere by Paul Lindau. It marked the screen debut of Isa Miranda, who had her breakthrough role the following year in Everybody's Woman and emerged as the most international-renowned Italian actress of the decade.
Double Cross is a 1951 Italian crime-melodrama film directed by Riccardo Freda and starring Amedeo Nazzari, Vittorio Gassman and Gianna Maria Canale.
The Count of Brechard is a 1938 Italian historical drama film directed by Mario Bonnard and starring Amedeo Nazzari, Luisa Ferida, and Ugo Ceseri. It was adapted from the Giovacchino Forzano play. The film's sets were designed by the art director Virgilio Marchi.
Backstage is a 1939 Italian comedy film directed by Alessandro Blasetti and starring Filippo Romito, Elisa Cegani and Camillo Pilotto. It is part of the tradition of White Telephone films, popular in Italy during the era.
A Living Statue is a 1943 Italian drama film directed by Camillo Mastrocinque and starring Laura Solari, Fosco Giachetti and Camillo Pilotto.
The Last Dance is a 1941 Italian "white-telephones" comedy film directed by Camillo Mastrocinque and starring Elsa Merlini, Amedeo Nazzari and Renato Cialente. It is considered to be in the tradition of White Telephone films, popular during the Fascist era. It is based on a play by the Hungarian writer Ferenc Herczeg and features Merlini in a dual role as mother and daughter.
Beyond Love is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Amedeo Nazzari and Osvaldo Valenti. It is based on the 1829 novella Vanina Vanini by Stendhal.
The Taming of the Shrew is a 1942 Italian comedy film directed by Ferdinando Maria Poggioli and starring Amedeo Nazzari, Lilia Silvi and Lauro Gazzolo. It is based on William Shakespeare's play The Taming of the Shrew, with the setting updated to modern-day Rome.
One Hundred Thousand Dollars is a 1940 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, Amedeo Nazzari and Lauro Gazzolo.
