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Eliot Feld is an American modern ballet choreographer, performer, teacher, and director. Feld works in contemporary ballet. His company and schools, including the Feld Ballet and Ballet Tech, are deeply committed to dance and dance education in New York City.
The Ice Theatre of New York is a professional ensemble company dancing on ice, performing works by choreographers drawn from competitive figure skating and modern and contemporary dance. Aiming to create dance on ice as part of the modern performing arts scene, Ice Theatre of New York (ITNY) was first conceived by Marc Bogaerts, Marjorie Kouns, Cecily Morrow and Moira North. Moira North went on to found ITNY in 1984. North, a Canadian-born skater was twice named one of the 25 most influential names in figure skating by International Figure Skating Magazine. Based at the Chelsea Piers rink complex in New York City, Ice Theatre of New York was the first not-for-profit professional ice dance company in the U.S. and the first to receive funding from the National Endowment for the Arts, New York State Council on the Arts, and New York City Department of Cultural Affairs. Italian ice dancer, choreographer and aerialist, Elisa Angeli, is Ice Theatre of New York’s Ensemble Director.
Thou Swell is a ballet created by New York City Ballet's balletmaster-in-chief Peter Martins to the songs of Richard Rodgers in an arrangement by Glen Kelly with orchestrations Don Sebesky.
Zakouski is a ballet made by New York City Ballet ballet master in chief Peter Martins to:
Adams Violin Concerto is a ballet made by Peter Martins, New York City Ballet's ballet master in chief, set to eponymous music from 1994 by John Adams. It was commissioned jointly by the Minnesota Orchestra and City Ballet. The ballet premiere took place on 1 June 1995 at the New York State Theater, Lincoln Center; the third movement was danced earlier under the title X-Ray.
Miriam Mahdaviani is a choreographer, a former New York City Ballet dancer and a repetiteur for the George Balanchine Trust. She has created ballets for NYCB's 1988 American Music Festival and its Diamond Project in 1992, 1994,1997, 2000 and 2002. She also choreographed ballets for Pacific Northwest Ballet, Richmond Ballet, Jacob's Pillow, Vassar College, NYU Tisch School of the Arts, SUNY Purchase, and others. Internationally, her ballets have been presented at MaggioDanza in Florence, Italy and at the Edinburg Festival in Scotland.
Symphony in Three Movements is a neoclassical ballet choreographed by George Balanchine to the music of the same name by Stravinsky. The ballet was made for the New York City Ballet Stravinsky Festival in 1972, a tribute to the composer following his death. The ballet premiered on June 18, 1972, at the New York State Theater.
Fancy Free is a ballet by Jerome Robbins, subsequently ballet master of New York City Ballet, made on Ballet Theatre, predecessor of American Ballet Theatre, to a score by Leonard Bernstein, with scenery by Oliver Smith, costumes by Kermit Love and lighting by Ronald Bates. The premiere took place on Tuesday, 18 April 1944 at the old Metropolitan Opera House, New York. The NYCB premiere took place Thursday, 31 January 1980. Fancy Free was the inspiration for a successful musical, On the Town, and a portion of the score was also used in the opening scenes of Alfred Hitchcock's Rear Window.
Bugaku is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to eponymous music by Toshiro Mayuzumi, commissioned by City Ballet in 1962. The premiere took place on 30 March 1963 at City Center of Music and Drama, New York, with scenery by David Hays, costumes by Karinska, and lighting by Ronald Bates. NYCB had toured Japan in 1958 and the Gagaku Company of the Imperial Household toured the US the following year.
Ives, Songs is a ballet made by New York City Ballet ballet master Jerome Robbins to songs of Charles Ives:
River of Light is a ballet made by New York City Ballet balletmaster in chief Peter Martins to eponymous music by Charles Wuorinen commissioned in honor of his sixtieth birthday. The premiere took place June 11, 1998, at the New York State Theater, Lincoln Center, with costumes by Holly Hynes and lighting by Mark Stanley; the 2008 revival was conducted by the composer and held in honor of his seventieth birthday. The River of Light was the third work in a trio of scores the New York City Ballet commissioned from Wuorinen in the early 1990s, the others being The Mission of Virgil and The Great Procession. All three works refer to scenes in Dante's Divine Comedy.
A Suite of Dances is a ballet choreographed by Jerome Robbins to Johann Sebastian Bach's Cello Suites. The ballet was created for Mikhail Baryshnikov and premiered on March 3, 1994, at the New York State Theater.
Woodland Sketches is a ballet made by Robert La Fosse to Edward MacDowell's eponymous music from 1896 for New York City Ballet's American Music Festival. The premiere took place on Thursday, May 5, 1988, at New York State Theater, Lincoln Center.
Hallelujah Junction is the eighth ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music. The duo pianists appear in silhouette above the dancers throughout in Mark Stanley's lighting. The dance was made on the Royal Danish Ballet. The premiere took place on 24 March 2001 at the Royal Danish Theatre, Copenhagen. The NYCB premiere was on 22 January 2002 at the New York State Theater, Lincoln Center.
Liebeslieder Walzer is a two-part neoclassical ballet choreographed by George Balanchine to Johannes Brahms' Liebeslieder Waltzes, Op. 52 and Neue Liebeslieder, Op. 65, with original sets and lighting designed by David Hays, and costumes designed by Barbara Karinska. The ballet premiered on 12 November 1960 at the New York City Center, performed by the New York City Ballet.
The Barber Violin Concerto is a ballet made by New York City Ballet ballet master in chief Peter Martins to Samuel Barber's Violin Concerto, Op. 14 (1939). The premiere was conducted by Robert Irving and took place on 12 May 1988 at the New York State Theater, as part of City Ballet's American Music Festival, with lighting by Jennifer Tipton and costumes by William Ivey Long. Two couples, one pair classical dancers, the other modern, perform a series of mix-and-match pas de deux. All four are dressed in white, with the classical dancers in point shoes and ballet slippers, and the modern dancers typically barefoot and the man bare-chested.
The Unanswered Question: Some Intimations of the American Composer Charles Ives is a ballet made by Eliot Feld to Charles Ives' The Unanswered Question, Calcium Light Night, Fugue in Four Keys, Mists, From the Housatonic at Stockbridge, Sonata No. 2 for Piano and Violin, Remembrance and An Old Song Deranged. The premiere took place April 30, 1988, at the New York State Theater, Lincoln Center, as part of New York City Ballet's American Music Festival with lighting by the Feld Ballet's Allen Lee Hughes and Willa Kim's costumes. Other works to the music of Ives in the City Ballet repertory include Peter Martins' Calcium Light Night, Jerome Robbins' Ives, Songs and George Balanchine's Ivesiana.
Scherzo à la Russe is a ballet choreographed by George Balanchine to Stravinsky's music of the same name. The ballet was created for New York City Ballet's Stravinsky Festival, a tribute to the composer after his death, and premiered on June 21, 1972, at the New York State Theater, with the two lead roles originated by Karin von Aroldingen and Kay Mazzo.
Stephanie Dabney is an African American dancer who performed as a prima ballerina with Dance Theatre of Harlem from 1979 through 1994. Dabney is best known for her performances in John Taras' The Firebird, which she performed all over the world, as well as at the opening ceremony of the 1984 Summer Olympics in Los Angeles.
Duo Concertant is a ballet choreographed by George Balanchine to Stravinsky's score of the same name. The ballet was created for New York City Ballet's Stravinsky Festival, a tribute to the composer a year after his death, and premiered on June 22, 1972, at the New York State Theater, danced by Kay Mazzo and Peter Martins.
References
- Playbill , New York City Ballet, Saturday, May 10, 2008
- Repertory Week, New York City Ballet, Spring Season, 2008 repertory, week 2
