Dressed to Kill is a 1980 American erotic psychological thriller film written and directed by Brian De Palma, and starring Michael Caine, Angie Dickinson and Nancy Allen. It depicts the events leading up to the brutal murder of a New York City housewife (Dickinson) before following a prostitute (Allen) who witnesses the crime, and her attempts to solve it with the help of the victim's son. It contains several direct references to Alfred Hitchcock's 1960 film Psycho.
King: A Filmed Record... Montgomery to Memphis is a 1970 American documentary film biography of Martin Luther King Jr. and his creation and leadership of the nonviolent campaign for civil rights and social and economic justice in the Civil Rights Movement.
Hardcore is a 1979 American neo-noir thriller crime drama film written and directed by Paul Schrader. The film stars George C. Scott, Peter Boyle, Season Hubley, and Dick Sargent. Its plot follows a conservative Midwestern businessman whose teenage daughter goes missing in California. With the help of a prostitute, his search leads him into the illicit subculture of pornography, including snuff films.
Landru is a 1963 French-Italian crime drama film directed by Claude Chabrol. The screenplay was written by Françoise Sagan. The film stars Charles Denner, Michèle Morgan, Danielle Darrieux and Hildegard Knef.
The Unfaithful Wife is a 1969 French–Italian crime drama film written and directed by Claude Chabrol and starring Stéphane Audran and Michel Bouquet. The story follows a businessman who discovers his wife has been unfaithful.
Bloodline is a 1979 thriller film directed by Terence Young and starring Audrey Hepburn, Ben Gazzara, James Mason, Claudia Mori, Irene Papas, Michelle Phillips, Maurice Ronet, and Romy Schneider. Adapted by Laird Koenig from the 1977 novel of the same name by Sidney Sheldon, it follows an international pharmaceutical heiress who is targeted by a serial killer involved in snuff films. It was the only R-rated film ever made by Hepburn.
Scenes from the Class Struggle in Beverly Hills is a 1989 American black comedy film co-written and directed by Paul Bartel. The film re-unites Bartel with his Eating Raoul co-stars Mary Woronov and Robert Beltran. It also stars Jacqueline Bisset, Ray Sharkey, Ed Begley Jr., Wallace Shawn, Paul Mazursky, and Rebecca Schaeffer. Schaeffer's appearance in the film served as the catalyst for her murder one month after its release.
Tartuffe is a German silent film produced by Erich Pommer for UFA and released in 1926. It was directed by F. W. Murnau, photographed by Karl Freund and written by Carl Mayer from Molière's original play. It was shot at the Tempelhof Studios in Berlin. Set design and costumes were by Robert Herlth and Walter Röhrig.
Maurice Ronet was a French film actor, director, and writer.
The Milky Way is a 1969 surrealist comedy-drama film directed by Luis Buñuel. It stars Paul Frankeur, Laurent Terzieff, Denis Manuel, and Daniel Pilon, with Alain Cuny, Michel Piccoli, and Delphine Seyrig in supporting roles. Buñuel later called The Milky Way the first in a trilogy about "the search for truth", along with his subsequent films The Discreet Charm of the Bourgeoisie and The Phantom of Liberty.
The Night Stalker is an American made for television horror film which aired on ABC on January 11, 1972, as their ABC Movie of the Week. In the film, an investigative reporter, played by Darren McGavin, comes to suspect that a serial killer in the Las Vegas area is actually a vampire.
Savage Weekend is a 1979 American slasher film directed by David Paulsen and starring Christopher Allport, David Gale, William Sanderson, and Caitlin O'Heaney. The film follows a woman who retreats to upstate New York with her wealthy boyfriend, her sister, and friend, only to be stalked by a killer in a disfigured mask.
Ten Little Indians is a 1989 mystery film directed by Alan Birkinshaw. The fourth English-language screen adaptation of Agatha Christie's 1939 novel And Then There Were None, it was the third version to be produced by Harry Alan Towers, following his 1965 and 1974 adaptations.
Léon Morin, Priest is a 1961 French drama film directed by Jean-Pierre Melville. It was adapted by Melville from Béatrix Beck's novel The Passionate Heart, which won the Prix Goncourt in 1952. Set during WWII in Occupied France, the film stars Emmanuelle Riva as a jaded, lapsed Catholic mother and widow of a Jewish husband, who finds herself falling in love with a young, altruistic priest, played by Jean-Paul Belmondo.
Virgin Among the Living Dead is a film directed by Jesús Franco. Franco shot the film in Portugal in 1971 with the film it was only being released to the public in 1973. While credited as a production of Liechtenstein, it was submitted theatrically as being the product of various countries with Franco biographer suggesting that the Prodif Ets. company was set up as a tax shelter.
Rider on the Rain is a 1970 French mystery thriller film starring Marlène Jobert and Charles Bronson, directed by René Clément and scripted by Sébastien Japrisot, produced by Serge Silberman, with film music composed by Francis Lai. It won the Golden Globe Award for Best Foreign Language Film.
The Specialists is a 1969 Spaghetti Western co-written and directed by Sergio Corbucci. It was an international co-production between Italy, France and West Germany. Retrospective critics and scholars of Corbucci's Westerns have deemed The Specialists to be the final film in the director's "Mud and Blood" trilogy, which also includes Django (1966) and The Great Silence (1968).
The Cohen Film Collection is a film archive currently held by Cohen Media Group. Containing several hundreds of rare and classic movies spanning from the silent film era to the present day, it was previously referred to as the Rohauer Library prior to Cohen Media Group's ownership in 2011.
And Hope to Die is a 1972 French-Italian-Canadian crime-drama film directed by René Clément and starring Jean-Louis Trintignant, Aldo Ray and Robert Ryan. It is loosely based on the novel Black Friday by David Goodis.
Pioneers of African-American Cinema (2015) is a digitally restored anthology collection of independent Black cinema from the first half of the 20th century.
