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The Chocolate Dandies was the name of several American jazz combos from 1928 through the 1940s. The name was an outgrowth of the Broadway production, The Chocolate Dandies, that debuted in 1924.
A band led by Don Redman was the first to record with the name "Chocolate Dandies" on the Okeh label in 1928–1929. He also recorded with McKinney's Cotton Pickers and released material with that ensemble under this name. [1] King Oliver and Lloyd Smith's Gut-Bucketeers recorded under the name for Vocalion Records in 1931. [2]
Benny Carter had several ensembles in the 1930s named The Chocolate Dandies.
Versions of groups' names "Chocolate Dandies" continued to play into the 1940s and counted among their members Buck Clayton, Floyd O'Brien, and other members of Carter's and Fletcher Henderson's bands.
Carlos Wesley "Don" Byas was an American jazz tenor saxophonist, associated with swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.
Bennett Lester Carter was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award.
McKinney's Cotton Pickers were an American jazz band, founded in Detroit, Michigan, United States in 1926, and led by William McKinney, who expanded his Synco Septet to ten players. Cuba Austin took over for McKinney on drums, with the latter becoming the band's manager. Between 1927 and 1931, they were one of the most popular African American bands. Many of their records for Victor were bestsellers.
The Dorsey Brothers were an American studio dance band, led by Tommy and Jimmy Dorsey. They started recording in 1928 for OKeh Records.
At the Opera House is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18).
Fess Williams and his Royal Flush Orchestra was the main band of clarinetist Fess Williams from 1926–1930
Count Basie at Newport is a live album by jazz musician Count Basie and his orchestra. It was originally issued as Verve MGV 8243 and included only the tracks 1-7 and 13. Tracks 9-12 originally included in Count Basie & Joe Williams/Dizzy Gillespie & Mary Lou Williams at Newport.
One Shot Deal is an album by Frank Zappa, posthumously released in June 2008.
"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography, "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters (Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it, the owners of Black Swan, the opera singer for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.
Earl Bud Powell, Vol. 1: Early Years of a Genius, 44–48 is the first of eleven albums of Bud Powell material released by Francis Paudras on his Mythic Sound label. It features a selection of Powell's early work from 1944 to 1948.
Leonard Feather's Encyclopedia of Jazz is a compilation album of pieces by Oliver Nelson and others assembled by Leonard Feather. It was recorded in 1965 and 1966 for Verve Records. In 2006, Mosaic Records released all the Oliver Nelson tracks, together with some unissued pieces recorded at the same session, on the second CD of the compilation Oliver Nelson: The Argo, Verve and Impulse Big Band Studio Sessions. Some of them were also included at the time on Leonard Feather Presents the Sound of Feeling and the Sound of Oliver Nelson.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
1929–1933 is a 1990 compilation album collecting material recorded by Henry "Red" Allen and his orchestra during the years 1929 to 1933. The first of five CDs released by Chronological Classics, the album is rated part of the "core collection" by the Penguin Guide to Jazz. Allen and Coleman Hawkins shared leadership of the band.
Jacky June was a Belgian jazz saxophonist, clarinetist, and bandleader.
"Singin' the Blues" is a 1920 jazz composition by J. Russel Robinson, Con Conrad, Sam M. Lewis, and Joe Young. It was recorded by the Original Dixieland Jass Band in 1920 as an instrumental and released as a Victor 78 as part of a medley with "Margie". The song was released with lyrics by vocalist Aileen Stanley in 1920 on Victor. In 1927, Frank Trumbauer, Bix Beiderbecke, and Eddie Lang recorded and released the song as an Okeh 78. The Trumbauer recording is considered a jazz and pop standard, greatly contributing to Frank Trumbauer and Bix Beiderbecke's reputation and influence. It is not related to the 1956 pop song "Singing the Blues" first recorded and released by Marty Robbins in 1956.
Urbane Jazz is an album by American jazz trumpeter Roy Eldridge and saxophonist Benny Carter recorded in 1955 and released on the Verve label.
Amarcord Nino Rota is an album by various artists, recorded as a tribute to composer Nino Rota.
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