The Citadel of Warsaw | |
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Directed by | Jacob Fleck Luise Fleck |
Written by | Gabriela Zapolska (play) Hans Rameau |
Produced by | Liddy Hegewald Kurt Heinz |
Starring | Victor Varconi La Jana Adam Brodzisz |
Cinematography | Georg Muschner |
Music by | Bernard Homola |
Production company | Hegewald Film |
Distributed by | Hegewald Film |
Release date |
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Running time | 97 minutes |
Country | Germany |
Language | German |
The Citadel of Warsaw (German: Die Warschauer Zitadelle) is a 1930 German historical drama film directed by Jacob Fleck and Luise Fleck and starring Victor Varconi, La Jana and Adam Brodzisz. [1] The film's sets were designed by the art directors Willi Herrmann and Herbert O. Phillips. It was based on the play Tamten by Gabriela Zapolska, subsequently remade as the 1937 film The Citadel of Warsaw . [2]
In Warsaw, then part of the Russian Empire, a student is arrested for revolutionary activities. He is released and strikes up a relationship with the niece of a senior figure in the repressive authorities who is being forced into an arranged marriage. In addition he encounters the seductive dancer Vera who is a spy for the Russians.
Victor Varconi was a Hungarian actor who initially found success in his native country, as well as in Germany and Austria, in silent films, before relocating to the United States, where he continued to appear in films throughout the sound era. He also appeared in British and Italian films.
Jacob Fleck was an Austrian film director, screenwriter, film producer and cameraman. He is noted for his long-standing professional partnership with his wife Luise Fleck who co-directed his films with him.
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Under False Flag is a 1932 German spy thriller film directed by Johannes Meyer and starring Charlotte Susa, Gustav Fröhlich and Friedrich Kayssler. It was shot at the Johannisthal Studios in Berlin from the end of November 1931 to the beginning of 1932. It was made by Deutsche Universal, the German branch of Universal Pictures, in co-production with Tobis Film. The film's sets were designed by the art director Otto Hunte. It premiered at Berlin's Ufa-Palast am Zoo. The film was based on the novel of the same title by Max W. Kimmich, who also worked on the screenplay.
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Willi Herrmann (1893–1968) was a German art director.
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Uschi Elleot (1899–1975) was a German stage and film actress who starred in a number of silent films. She was the younger sister of actress Carola Toelle. After her cinema career ended she emigrated to the United States and married an American.
The Chief Witness is a 1937 German crime drama film directed by Georg Jacoby and starring Iván Petrovich, Sybille Schmitz and Sabine Peters. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Otto Hunte and Willy Schiller. Location shooting took place in the Krkonose Mountains in Czechoslovakia and Zugspitze in Bavaria.
The Impossible Mister Pitt is a 1938 German adventure crime film directed by and starring Harry Piel. It also features Willi Schur, Leopold von Ledebur and Hilde Weissner. It was shot at the Babelsberg Studios in Berlin and on location off the coast of Split in Croatia. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. It was based on the novel of the same title by Georg Mühlen-Schulte who also worked on the screenplay.
The Citadel of Warsaw is a 1937 German drama film directed by Fritz Peter Buch and starring Lucie Höflich, Werner Hinz and Viktoria von Ballasko. The film's sets were designed by the art directors Karl Haacker and Hermann Warm. It is based on the play Tamten by Gabriela Zapolska, previously made into the 1930 film The Citadel of Warsaw.
Max Michel (1910–1988) was a German actor, film editor and film director. During the 1930s he appeared in a number of French films.
Annelie is a 1941 German historical comedy drama film directed by Josef von Báky and starring Luise Ullrich, Werner Krauss and Käthe Haack. It was shot at the Babelsberg and Tempelhof Studios in Berlin and on location around Königsberg in East Prussia. The film's sets were designed by the art director Emil Hasler. It was based on a play of the same title by Walter Lieck. It was screened at the 1941 Venice Film Festival.