Noah Lindsey Beery was an American actor often specializing in warm, friendly character roles similar to many portrayed by his Oscar-winning uncle, Wallace Beery. Unlike his more famous uncle, however, Beery Jr. seldom broke away from playing supporting roles. Active as an actor in films or television for well over half a century, he was best known for playing James Garner's character's father, Joseph "Rocky" Rockford, in the NBC television series The Rockford Files (1974–1980). His father, Noah Beery, enjoyed a similarly lengthy film career as an extremely prominent supporting actor in major films, although the elder Beery was also frequently a leading man during the silent film era.
The Road to Reno is a 1931 American pre-Code drama film directed by Richard Wallace and starring Lilyan Tashman, Charles "Buddy" Rogers, Peggy Shannon, and William "Stage" Boyd.
The Stolen Jools is a 1931 American pre-Code comedy short produced by the Masquers Club of Hollywood, featuring many cameo appearances by film stars of the day. The stars appeared in the film, distributed by Paramount Pictures, to raise funds for the National Vaudeville Artists Tuberculosis Sanitarium. The UCLA Film and Television Archive entry for this film says—as do the credits—that the film was co-sponsored by Chesterfield cigarettes to support the "fine work" of the NVA sanitarium.
Winifred Elaine "Wynne" Gibson was an American actress of the 1930s.
Edgar Warren Hymer was an American theatre and film actor.
Mason Alan Dinehart Sr. was an American actor, director, writer, and stage manager.
Too Much Harmony is a 1933 American black-and-white pre-Code musical film directed by A. Edward Sutherland and starring Bing Crosby, Jack Oakie, Richard "Skeets" Gallagher, Harry Green, and Judith Allen. It was released by Paramount Pictures.
Richard "Skeets" Gallagher was an American actor. He had blue eyes and his naturally blond hair was tinged with gray from the age of 16.
Pointed Heels is a 1929 American pre-Code early sound musical comedy film from Paramount Pictures that was directed by A. Edward Sutherland and starring William Powell, Helen Kane, Richard "Skeets" Gallagher, and Fay Wray. This film was originally filmed in color sequences by Technicolor, but today those color sequences only survive in black-and-white. One of these color sequences was the "Pointed Heels" ballet with Albertina Rasch and her Dancers.
She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins. Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable.
Nothing But the Truth is a 1929 American pre-Code sound comedy film starring Richard Dix, loosely adapted from the play by James Montgomery and the 1914 novel of the same title by Frederic S. Isham. The play was adapted again as Nothing But the Truth (1941) starring Bob Hope and Paulette Goddard.
Madison Square Garden is a 1932 American Pre-Code drama film directed by Harry Joe Brown and written by Thomson Burtis, Allen Rivkin and P.J. Wolfson.
Persons in Hiding is a 1939 American crime film directed by Louis King and written by William R. Lipman and Horace McCoy. The film stars Lynne Overman, Patricia Morison, J. Carrol Naish, William "Bill" Henry, Helen Twelvetrees and William Frawley. The film was released on February 10, 1939, by Paramount Pictures.
The Trial of Vivienne Ware is a 1932 American pre-Code drama film directed by William K. Howard, written by Barry Conners and Philip Klein, and starring Joan Bennett, Donald Cook, Richard "Skeets" Gallagher, ZaSu Pitts, Lilian Bond and Alan Dinehart. It was released on May 1, 1932, by Fox Film Corporation.
Citadel of Crime is a 1941 American drama film directed by George Sherman and written by Don Ryan. The film stars Robert Armstrong, Frank Albertson, Linda Hayes, Russell Simpson, Richard "Skeets" Gallagher and William Haade. The film was released on July 24, 1941, by Republic Pictures.
Everybody's Old Man is a 1936 American drama film directed by James Flood and written by Patterson McNutt and A.E. Thomas. The film stars Irvin S. Cobb, Rochelle Hudson, Johnny Downs, Norman Foster, Alan Dinehart, Sara Haden, Donald Meek and Warren Hymer. The film was released on March 20, 1936, by 20th Century Fox.
Bombay Mail is a 1934 American pre-Code drama film directed by Edwin L. Marin and written by Tom Reed. The film stars Edmund Lowe, Ralph Forbes, Shirley Grey, Hedda Hopper, Onslow Stevens, and Jameson Thomas. The film was released on January 6, 1934, by Universal Pictures. The film is based on the Lawrence Blochman novel of the same name which was originally published in 1933 in the pulp magazine Complete Stories.
The Love Captive is a 1934 American pre-Code drama film directed by Max Marcin and written by Karen DeWolf, adapted from Marcin's play of the same name. The film stars Gloria Stuart, Nils Asther, Paul Kelly, Alan Dinehart, Renee Gadd, and Russ Brown. The film was released on June 7, 1934, by Universal Pictures.
In the Money is a 1933 American pre-Code comedy film directed by Frank Strayer from an original screenplay by Robert Ellis. Starring Richard "Skeets" Gallagher, Lois Wilson, and Warren Hymer, the film was produced and distributed by the common tandem duo of Poverty Row studios, Invincible Corp. and Chesterfield Motion Pictures. It premiered on November 7, 1933.
Parole! is a 1936 American crime film directed by Lew Landers and written by Kubec Glasmon and Horace McCoy. The film stars Henry Hunter, Ann Preston, Alan Dinehart, Alan Baxter, Alan Hale Sr. and Grant Mitchell. The film was released on June 14, 1936, by Universal Pictures.
