The Casino Murder Case | |
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Directed by | Edwin L. Marin |
Written by | Ralph Spence (uncredited contributing writer) |
Screenplay by | Florence Ryerson Edgar Allan Woolf |
Based on | the 1934 novel The Casino Murder Case by S. S. Van Dine |
Produced by | Lucien Hubbard |
Starring | Paul Lukas Alison Skipworth |
Cinematography | Charles G. Clarke |
Edited by | Conrad A. Nervig |
Music by | Dimitri Tiomkin |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 82, 84-85, or 87 minutes [1] |
Country | United States |
Language | English |
The Casino Murder Case is a 1935 American mystery film starring Paul Lukas and Alison Skipworth. Rosalind Russell is in the supporting cast. It was directed by Edwin L. Marin from a screenplay by Florence Ryerson and Edgar Allan Woolf, based on the 1934 novel of the same name by S. S. Van Dine. It was the ninth film in the Philo Vance film series. [2]
Gentleman detective Philo Vance begins an investigation when he receives an anonymous letter stating that society man Lynn Llewellyn will be in danger when he appears at the casino owned by his uncle, Kinkaid. Vance visits the Llewellyn estate, which is run by Mrs. Priscilla Kinkaid-Llewellyn, the matriarch of the household, and stumbles into one of the family's many quarrels. At the end of the bitter quarrel, which involves Mrs. Llewellyn's son Lynn and his wife Virginia, Virginia announces that she has decided to leave the house and go to Chicago. During the tiff, Vance and Doris (Mrs. Llewellyn's secretary) are introduced to each other and Doris immediately takes a liking to Vance.
Vance takes Doris to his home, where he and District Attorney Markham show her the mysterious letter. Doris immediately recognizes the return address as being that of the Llewellyn's townhouse in Closter, and notices that the letter was typed on her typewriter. Vance assigns Sergeant Heath to help stake out the casino that night, but their presence does not prevent Lynn from suddenly collapsing at the card table. At the same time, Doris informs Vance that Virginia has died at the Llewellyn house. Markham begins his investigation of the murder by questioning Mrs. Llewellyn, who recalls having quarrelled with Virginia before she was poisoned, and Amelia, Mrs. Llewellyn's daughter, who admits that she too had a spat with Virginia. Meanwhile, Doris finds Mrs. Llewellyn's recently altered will, in which she disinherited Kinkaid, making it apparent that Lynn and Amelia would be the only ones who would benefit from Mrs. Llewellyn's death.
Other clues begin to surface, including Kinkaid's unusual collection of books on chemistry and poisons, and a loaded gun found in Virginia's bedroom. Soon after Lynn's recovery, Mrs. Llewellyn is found dead of an apparent suicide, with a note, bearing her signature, in which she confesses to Virginia's murder. Not convinced that the mystery has been solved, Vance pursues his theory, and discovers a secret laboratory where Kinkaid has been making the newly discovered heavy water; it is not yet known whether this is a poison. Kincaid holds Vance and Doris captive at gunpoint, but they escape. Still, Vance believes that Kinkaid is not the murderer, but is merely one of many decoys set up by the real killer to lead the investigation astray.
The real killer turns out to be Lynn, who gave himself a small dose of poison before. He lures Vance and Doris to the Closter townhouse to kill them. But before Lynn completes his "perfect crime", Vance reads from a letter he wrote earlier in which he detailed his theory about the killings. In it, Vance names Lynn as the murderer, calling him a rich, egomaniacal weakling, who, being tired of his wife, poisoned her and threw the blame on his uncle, whom he despised. After hearing Vance's summary of the murder plot, Lynn tells his captors that he has arranged to pin Vance and Doris' forthcoming murder on Kinkaid. However, when Lynn shoots Vance, Heath and others emerge from behind a door where they have been recording Lynn's confession and arrest him. After thanking Mrs. Llewellyn's maid Becky for loading Lynn's gun with blanks, Vance resumes his romance with Doris.
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Cast note:
Originally William Powell and Myrna Loy were intended to star in The Casino Murder Case, but Powell was tired of playing Vance – he was the first actor to play the part on film, [3] and had played the sleuth in four earlier Philo Vance features, as well as a short skit in Paramount on Parade [4] – so MGM planned to use Otto Kruger, and then Fred Keating (who would have been borrowed from Columbia Pictures), Warren William, and Ricardo Cortez, before settling on Paul Lukas. Eugene Pallette was to have played the police sergeant, but was first replaced by Edward Brophy, and then Ted Healey. Constance Collier was to have played "Mrs. Llewellyn", before Alison Skipworth was borrowed from Paramount Pictures for the role. [2]
Andre Sennwald in The New York Times wrote "Paul Lukas just isn't the Philo Vance type and his reticent drawing-room manner seems a feeble substitute for the dashing qualities which made William Powell the best of the cinema Philos. Rosalind Russell works very hard at being agreeable in the Myrna Loy style, but with no vast success. Miss Skipworth, of course, is characteristically excellent as the foolish dowager, and there are good performances by Arthur Byron as the chief suspect and the comical Ted Healy as the halfwit detective. The best work in the film, though, is contributed by Isabel Jewell as the morbid and dipsomaniac daughter of the house." [5]
More recently, Turner Classic Movies called the film "a diverting series entry that was faithful to Van Dine's original story", [3] and Allmovie agreed that Paul Lukas "is simply not the right type for the part" and that "it is largely because of Lukas that the film is not one of the better entries in the series." The review characterizes the work of Alison Skipworth and Isabel Jewell as "excellent" and Eric Blore and Charles Sellon as "strong" performances, but says that Rosalind Russell "hasn't quite yet hit her stride here." As a result, the mix of comedy and mystery in the film "isn't as smooth as one might wish." [6]
S. S. Van Dine is the pseudonym used by American art critic Willard Huntington Wright when he wrote detective novels. Wright was active in avant-garde cultural circles in pre-World War I New York, and under the pseudonym he created the fictional detective Philo Vance, a sleuth and aesthete who first appeared in books in the 1920s, then in films and on the radio.
Philo Vance is a fictional amateur detective originally featured in 12 crime novels by S. S. Van Dine in the 1920s and 1930s. During that time, Vance was immensely popular in books, films, and radio. He was portrayed as a stylish—even foppish—dandy, a New York bon vivant possessing a highly intellectual bent. "S. S. Van Dine" was the pen name of Willard Huntington Wright, a prominent art critic who initially sought to conceal his authorship of the novels. Van Dine was also a fictional character in the books, a sort of Dr. Watson figure who accompanied Vance and chronicled his exploits.
The "Canary" Murder Case (1927) is a murder mystery novel which deals with the murders of an attractive nightclub singer known as "the Canary," and, eventually, her boyfriend, solved by Philo Vance. S. S. Van Dine's classic whodunnit, second in the Philo Vance series, is said by Howard Haycraft to have broken "all modern publishing records for detective fiction." The earliest editions give the title with quotation marks around the word "Canary", but most subsequent editions omit them.
The Casino Murder Case is a 1934 novel written by S. S. Van Dine in the series about fictional detective Philo Vance. In this outing, a murder investigation is connected with a private casino on New York's Upper West Side, and the wealthy and unorthodox family that operates it. It was adapted into a film in 1935.
The Verdict is a 1946 American film noir mystery drama film directed by Don Siegel and written by Peter Milne, loosely based on Israel Zangwill's 1892 novel The Big Bow Mystery. It stars Sydney Greenstreet and Peter Lorre in one of their nine film pairings, as well as Joan Lorring and George Coulouris. The Verdict was Siegel's first full-length feature film.
Alison Skipworth was an English stage and screen actress.
Rendezvous is a 1935 American spy film set in World War I, directed by William K. Howard, starring William Powell and Rosalind Russell and featuring Binnie Barnes, Lionel Atwill, Cesar Romero and Samuel S. Hinds. Powell plays an American cryptologist who tangles with German spies while falling in love.
Evelyn Prentice is a 1934 American crime drama film starring William Powell and Myrna Loy, and featuring Una Merkel and Rosalind Russell in her film debut. The movie was based on the 1933 novel of the same name by W. E. Woodward. Filmed between the original Thin Man and the first of its sequels, William Powell and Myrna Loy are re-teamed as another husband-and-wife team knee deep in a murder mystery.
The Canary Murder Case is a 1929 American pre-Code crime-mystery film based on the 1927 novel of the same name by S.S. Van Dine. The film was directed by Malcolm St. Clair, with a screenplay by Wright, Albert Shelby LeVino, and Florence Ryerson. William Powell starred in the role of detective Philo Vance, with Louise Brooks co-starred as "The Canary"; Jean Arthur, James Hall, and Charles Lane also co-starred in other principal roles.
The Kennel Murder Case is a 1933 American pre-Code mystery film adapted from the 1933 novel of the same name by S. S. Van Dine. Directed by Michael Curtiz for Warner Bros., it stars William Powell and Mary Astor. Powell's role as Philo Vance is not the actor's first performance as the aristocratic sleuth; he also portrays the character in three films produced by Paramount in 1929 and 1930.
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Calling Philo Vance is a 1940 American mystery/comedy film released by Warner Bros. and starring James Stephenson as the dilettante detective Philo Vance, his only appearance as the character; Margot Stevenson co-stars. The film also features Henry O'Neill, Edward Brophy, Sheila Bromley and Ralph Forbes. It was directed by William Clemens from a screenplay by Tom Reed, based on the 1933 novel The Kennel Murder Case by S.S. Van Dine, which had been made into a film in 1933, starring William Powell and Mary Astor.
The Bishop Murder Case is a 1929 American pre-Code mystery film directed by David Burton and Nick Grinde and starring Basil Rathbone, Leila Hyams and Roland Young. Ten years before assuming his role as Sherlock Holmes in a series of 14 films, Rathbone essayed the character of S.S. Van Dine's detective Philo Vance in this single outing.
The Greene Murder Case is a 1929 talking film produced and released by Paramount Pictures and based on the novel The Greene Murder Case, by S.S. Van Dine. The novel had been published a year before this film was made. It stars William Powell in his second Philo Vance outing. Florence Eldridge and Jean Arthur costar.
The Garden Murder Case is a 1936 American mystery drama film, the tenth in the Philo Vance film series, following after 1935's The Casino Murder Case. In this entry to the series, Vance is played by Edmund Lowe, and Virginia Bruce co-stars. The film also features Benita Hume, Douglas Walton, and Nat Pendleton. It was directed by Edwin L. Marin from a screenplay by Bertram Millhauser based on the 1935 book of the same name by S. S. Van Dine.
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