"The Dark Eidolon" | |
---|---|
Short story by Clark Ashton Smith | |
Country | United States |
Language | English |
Genre(s) | dark fantasy |
Publication | |
Published in | Weird Tales |
Publication type | Pulp magazine |
Publisher | Popular Fiction Publishing Co. |
Media type | |
Publication date | January 1935 |
Series | Zothique |
"The Dark Eidolon" is a sword and sorcery short story by American writer Clark Ashton Smith, forming part of his Zothique cycle of stories. It was first published in Weird Tales in 1935 and has been variously republished, notably in the anthology The Spell of Seven , edited by L. Sprague de Camp.
Described by de Camp in his introduction to the story as 'one of the most horrible' of Smith's tales, it chronicles the life and death of the dread sorcerer Namirrha.
According to Emperor of Dreams: A Clark Ashton Smith Bibliography (1978) by Donald Sidney-Fryer, "The Dark Eidolon" was first published in the January 1935 issue of Weird Tales . It was included in the books Out of Space and Time (1944), The Spell of Seven (1965) edited by L. Sprague de Camp, and Zothique (1970). [1]
Namirrha was once known as Narthos, a beggar boy of Ummaos, capital city of Xylac. Trampled almost to death by the horses of Prince Zotulla, he leaves the city and becomes a willing pupil of a wizard, driving his own bond with Thasaidon, Lord of the Seven Hells and God of Earthly Evil.
He becomes fabled as a mighty and dreaded necromancer/sorcerer, but is still driven to avenge himself against Zotulla. He returns to Xylac and constructs in one night a palace in view of that of Zotulla, now King of Xylac. Every night, phantom horses haunt Zotulla's palace, depriving all of sleep. Eventually, Namirrha seeks the aid of Thasaidon to destroy the king, but the arch-fiend refuses his request, stating that his intended revenge would deprive Thasaidon of a great number of loyal subjects.
Angrier than ever, he makes a pact with an even greater and more dangerous entity, Thamagorgos, Lord of the Abyss. He invites the king and his court to a great feast. While Zotulla is contemplating whether to go or not, a horde of decaying mummies with demonic rats in their chests, followed by gigantic skeletons, enter the hall. Ordering Zotulla and his mistress, Obexah, to follow them towards Namirrah's palace, the giant skeletons hypnotize the rest of the palace inhabitants with demonic silver flutes. They enter an impossibly huge chamber filled with demons and corpses. There, Obexah and Zotulla are seated next to Namirrha, and are served by victims of their own cruelty (Zotulla by his murdered father, and Obexah by her murdered lover). Soon, demon musicians and singers play, followed by gigantic horrifying dancers who crush all of the guests (who have been magically tied to the floor by a crimson fog).
Later, Namirrha takes Zotulla and his mistress to a balcony that is stunningly high above the earth. The mighty cosmic horses of Thamagorgos, at Namirrha's command, appear and literally tramples the entire city like ants, sparing only Namirrha's own palace. Namirrha reveals the reason for all of this destruction to the king. Zotulla's mistress is tied to an altar. Namirrha commands the king to drink a poisoned draught and does so himself; the spirit of the wizard enters Zotulla's body, and the helpless spirit of Zotulla is imprisoned in a statue of Thaisadon. Zotulla is then forced to watch as Namirrha tortures his mistress.
Zotulla wishes for the power to stop this, and Thasaidon, furious at Namirrha, grants Zotulla the power to smite Namirrha down. He strikes the wizard down with the mace in the statue's hand. By Thasaidon's command, the spirit of Zotulla goes free into oblivion, whilst that of Namirrha, who has offended him, returns to his body, bereft of memory and sense, and attacks his own reflection in a mirror (thinking it variantly Zotulla and himself, switching between identities and sanity). Obexah, screaming on the altar, laughs insanely, while the macrocosmic stallions of Thamagorgos return through the skies to crush the palace of Namirrha.
Reviewing Out of Space and Time in the 1983 book The Guide to Supernatural Fiction, E. F. Bleiler remarked "The Dark Eidolon" and "The Weird of Avoosl Wuthoqquan" are "the best stories." [2] In the 1988 book Fantasy: The 100 Best Books, James Cawthorn and Michael Moorcock said "the apex of incarnadined horror is achieved with 'The Dark Eidolon', the tale of a childhood injury avenged on a scale which would tax the visual resources of a major studio." [3]
Clark Ashton Smith was an influential American writer of fantasy, horror, and science fiction stories and poetry, and an artist. He achieved early recognition in California for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". Additional writers influenced by Smith include Leigh Brackett, Harlan Ellison, Stephen King, Fritz Lieber, George R. R. Martin, and Donald Sidney-Fryer.
Sword and sorcery (S&S), or heroic fantasy, is a subgenre of fantasy characterized by sword-wielding heroes engaged in exciting and violent adventures. Elements of romance, magic, and the supernatural are also often present. Unlike works of high fantasy, the tales, though dramatic, focus on personal battles rather than world-endangering matters. The genre originated from the early-1930s works of Robert E. Howard. While there is a chance example from 1953, Fritz Leiber re-coined the term "sword and sorcery" in the 6 April 1961 issue of the fantasy fanzine Ancalagon, to describe Howard and the stories that were influenced by his works. In parallel with "sword and sorcery", the term "heroic fantasy" is used, although it is a more loosely defined genre.
Averoigne is a fictional counterpart of a historical province in France, detailed in a series of short stories by the American writer Clark Ashton Smith. Smith may have based Averoigne on the actual province of Auvergne, but its name was probably influenced by the French department of Aveyron, immediately south of Auvergne, due to the similarity in pronunciation. Sixteen of Smith's stories take place in Averoigne. In Smith's fiction, the Southern French province is considered "the most witch-ridden in the entire country." The most well-known citizen is Gaspard du Nord of Vyones, a wizard who translated The Book of Eibon into Norman French.
Poseidonis is the fictional last remnant of the lost continent of Atlantis, mentioned by Algernon Blackwood in his short story "Sand" in his collection Four Weird Tales and also detailed in a series of short stories by Clark Ashton Smith. Smith based Poseidonis on Theosophical scriptures about Atlantis, and his concept of "the last isle of foundering Atlantis" is echoed by the isle of Númenor in J. R. R. Tolkien's legendarium.
The Emperor of Dreams is a collection of American fantasy author and poet Clark Ashton Smith's short tales arranged in chronological order. It was published by Gollancz in 2002 as the 26th volume of their Fantasy Masterworks series. The collection contains stories from Smith's major story cycles of Averoigne, Hyperborea, Poseidonis, and Zothique. Most of the stories originally appeared in the magazines The Fantasy Fan, Weird Tales, Overland Monthly, Strange Tales of Mystery and Terror, The Magic Carpet/Oriental Stories, The Auburn Journal, Stirring Science Stories, The Arkham Sampler, Saturn and Fantastic Universe.
The Spell of Seven is an anthology of fantasy short stories in the sword and sorcery subgenre, edited by L. Sprague de Camp and illustrated by Virgil Finlay. It was first published in paperback by Pyramid Books in June 1965, and reprinted in December 1969. It was the second such anthology assembled by de Camp, following his Swords and Sorcery (1963).
"The Testament of Athammaus" is a short story by American writer Clark Ashton Smith, part of his Hyperborean cycle. It was published in the October 1932 issue of Weird Tales.
A Rendezvous in Averoigne is a collection of science fiction, fantasy and horror stories by American writer Clark Ashton Smith. It was released in 1988 by Arkham House in an edition of 5,025 copies. The collection contains stories from Smith's major story cycles of Averoigne, Hyperborea, Poseidonis, Xiccarph, and Zothique. Its title story is a relatively conventional vampire story.
"The Ninth Skeleton" is a short story by American writer Clark Ashton Smith. It was first published in the September 1928 issue of Weird Tales. It was his first story for Weird Tales.
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