"The Day of Doom: or, A Poetical Description of the Great and Last Judgment" [1] is a religious poem by clergyman Michael Wigglesworth that became a best-selling classic in Puritan New England for a century after it was published in 1662 by Samuel Green and Marmaduke Johnson. The poem describes the Day of Judgment, on which a vengeful God judges and sentences all men, going into detail as to the various categories of people who think themselves excusable who will nonetheless end up in Hell.
It "attained immediately a phenomenal popularity. The entire first printing of eighteen hundred copies was sold within a year, and for the next century The Day of Doom held a secure place in New England Puritan households". According to the Norton Anthology of American Literature (Volume 1), "about one out of every twenty persons in New England bought it". The poem was so popular that the early editions were thumbed to shreds. Only one fragmentary copy of the first edition is known to exist, and second editions are exceptionally rare. [2] Sales of The Day of Doom soon exceeded Wigglesworth's pastoral salary (which had been significantly cut while he was unable to fulfill pastoral duties – he worked a side-job as a physician to provide sufficient income for his large household). [3] Its repeated republication made it, according to one 20th century scholar, “the most popular poem that New England has ever known”, with circulation “beyond the wildest dreams of the most high pressure publisher of modern fiction”. [4]
At the funeral of Michael Wigglesworth, Cotton Mather preached, describing the circumstances of the book for which the deceased was best known: “And that he might yet more Faithfully set himself to do Good, when he could not Preach, he Wrote several Composures, wherein he proposed the Edification of such Readers, as are for plain Truths dressed up in a Plain Meter. These composures have had their Acceptance and Advantage ... and one of them the Day of Doom, which has been often reprinted in both Englands, may perhaps find our Children, till the day itself arrive.” [5]
This seemed plausible at the time and for the century and a half to come, though interest notably flagged in the following hundred-fifty years.
This early popularity did not prevent early 20th century scholars of literature and scholars of the colonial period more broadly from strongly criticizing The Day of Doom as dull, uncreative, and depressing. The assessment of Vernon Parrington in The Colonial Mind is typical: “It is not pleasant to linger in the drab later years of [the seventeenth] century. A world that accepted Michael Wigglesworth for its poet, and accounted Cotton Mather its most distinguished man of letters, had certainly backslidden in the ways of culture.” [6] The poem is a "doggerel epitome of Calvinistic theology", according to the anthology, Colonial Prose and Poetry (1903). [7]
See Reference 1 for the text of the poem. [1]
Over its two hundred and twenty-four stanzas (the longest of any poem in the Colonial Period), The Day of Doom is an argument to encourage the faithful and challenge the faithless through describing plainly how scripture depicts the amazement (and later the judgment per se) of the unwise. This is a form of, while not quite apologetics, evangelistic messaging. There are similarities and contrasts to other “hellfire and brimstone” preaching and writing; the poem does not fit into the typical paradigm.
Later editions included scripture references in the margins making the connections clear: each verse of the poem was inspired by a particular scripture passage. Wigglesworth stayed limited to scripture itself. In verse XVI, he wrote “And therefore I must pass it by, lest speaking should transgress.” This describes immediately his reluctance to describe God's glory, but it is also true in a broader sense. He does not speak without clear and complete warrant from scripture.
Cotton Mather was a New England Puritan clergyman and writer. Educated at Harvard College, in 1685 he joined his father Increase as minister of the Congregationalist Old North Meeting House of Boston, where he continued to preach for the rest of his life.
John Milton was an English poet and intellectual. His 1667 epic poem Paradise Lost, written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. Paradise Lost elevated Milton's reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell.
The Puritans were English Protestants in the 16th and 17th centuries who sought to purify the Church of England of Roman Catholic practices, maintaining that the Church of England had not been fully reformed and should become more Protestant. Puritanism played a significant role in English history, especially during the Protectorate.
Solomon Stoddard was the pastor of the Congregationalist Church in Northampton, Massachusetts Bay Colony. He succeeded Rev. Eleazer Mather, and later married his widow around 1670. Stoddard significantly liberalized church policy while promoting more power for the clergy, decrying drinking and extravagance, and urging the preaching of hellfire and the Judgment. The major religious leader of what was then the frontier, he was known as the "Puritan Pope of the Connecticut River valley" and was concerned with the lives of second-generation Puritans. The well-known theologian Jonathan Edwards (1703–1758) was his grandson, the son of Solomon's daughter, Esther Stoddard Edwards. Stoddard was the first librarian at Harvard University and the first person in American history known by that title.
Abraham Cowley was an English poet and essayist born in the City of London late in 1618. He was one of the leading English poets of the 17th century, with 14 printings of his Works published between 1668 and 1721.
William Perkins (1558–1602) was an influential English cleric and Cambridge theologian, receiving both a B.A. and M.A. from the university in 1581 and 1584 respectively, and also one of the foremost leaders of the Puritan movement in the Church of England during the Elizabethan era. Although not entirely accepting of the Church of England's ecclesiastical practices, Perkins conformed to many of the policies and procedures imposed by the Elizabethan Settlement. He did remain, however, sympathetic to the non-conformist puritans and even faced disciplinary action for his support.
Michael Wigglesworth (1631–1705) was a Puritan minister, physician, and poet whose poem The Day of Doom was a bestseller in early New England.
Bishop Richard Corbet was an English clergyman who rose to be a bishop in the Church of England. He is also remembered as a humorist and as a poet, although his work was not published until after his death.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Deodat Lawson was a minister in Salem Village from 1684 to 1688 and is famous for a 10-page pamphlet describing the witchcraft accusations in the early spring of 1692. The pamphlet was billed as "collected by Deodat Lawson" and printed within the year in Boston, Massachusetts.
Iraiyaṉār Akapporuḷ, or Kaḷaviyal eṉṟa Iraiyaṉār Akapporuḷ, literally "Iraiyanar's treatise on the love-theme, called 'The study of stolen love'" is an early mediaeval work on Tamil poetics, specifically, on the literary conventions associated with the akam tradition of Tamil love poetry. The date of the work is uncertain, but it is generally taken to have been composed between the fifth and eighth centuries.
William Strode was an English poet, Doctor of Divinity and Public Orator of Oxford University, one of the Worthies of Devon of John Prince (d.1723).
The Puritan culture of the New England colonies of the seventeenth century was influenced by Calvinist theology, which believed in a "just, almighty God," and a lifestyle of pious, consecrated actions. The Puritans participated in their own forms of recreational activity, including visual arts, literature, and music.
Nationality words link to articles with information on the nation's poetry or literature.
Poetical Sketches is the first collection of poetry and prose by William Blake, written between 1769 and 1777. Forty copies were printed in 1783 with the help of Blake's friends, the artist John Flaxman and the Reverend Anthony Stephen Mathew, at the request of his wife Harriet Mathew. The book was never published for the public, with copies instead given as gifts to friends of the author and other interested parties. Of the forty copies, fourteen were accounted for at the time of Geoffrey Keynes' census in 1921. A further eight copies had been discovered by the time of Keynes' The Complete Writings of William Blake in 1957. In March 2011, a previously unrecorded copy was sold at auction in London for £72,000.
In the early 17th century, thousands of English Puritans colonized North America, almost all in New England. Puritans were intensely devout members of the Church of England who believed that the Church of England was insufficiently reformed, retaining too much of its Roman Catholic doctrinal roots, and who therefore opposed royal ecclesiastical policy. Most Puritans were "non-separating Puritans" who did not advocate setting up separate congregations distinct from the Church of England; these were later called Nonconformists. A small minority of Puritans were "separating Puritans" who advocated setting up congregations outside the Church. The Pilgrims were a Separatist group, and they established the Plymouth Colony in 1620. Puritans went chiefly to New England, but small numbers went to other English colonies up and down the Atlantic.
John Foster was an early American engraver and printer who lived in Boston in the Massachusetts Bay Colony when the colony was still in its infancy. He is credited with producing the first printed image in British colonial America, from a woodcut engraving of the Puritan minister Richard Mather. He also printed the first map to appear in the colonies. Foster graduated from Harvard University, but was a self-taught pioneer in American printmaking in woodcut, and also learned the art of typography from the Boston printer Marmaduke Johnson. He subsequently printed many works by prominent religious figures of the day in Massachusetts, and for a few years printed and published an annual almanac. His woodcut engravings were also used for the printing of official seals of the Massachusetts Bay Colony used by the provincial government.
Hyder Edward Rollins was an American scholar and English professor. He was a prolific author of articles and books on Elizabethan poetry, broadside ballads, and Romantic poets. He was an internationally recognized scholar on John Keats, and he edited the authoritative two-volume edition of Keats' letters.
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