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Willy Birgel, born Wilhelm Maria Birgel, was a German theatre and film actor.
Der Fall Deruga is a novel by Ricarda Huch first published in German in 1917 about a physician charged with killing his ex-wife. An early courtroom drama, it depicts a trial by jury in which the defendant is reluctant, if not unwilling, to talk about the crime he has allegedly committed. In 1938 the novel was turned into a film of the same title.
A Prussian Love Story is a 1938 German historical romance film directed by Paul Martin and starring Karl Günther, Hans Nielsen, and Willy Fritsch. The film depicts the love affair between William I and Elisa Radziwill. In the Third Reich the film was banned right after completion because the love affair of Joseph Goebbels and the actress Lída Baarová had become public—it was first shown in 1950.
Faded Melody is a 1938 German drama film directed by Viktor Tourjansky and starring Brigitte Horney, Willy Birgel and Carl Raddatz. Horney and Birgel play characters engaged in a troubled transatlantic romance, with she based in New York City and he in Berlin. The film was made by Germany's largest studio of the era UFA.
Target in the Clouds is a 1939 German drama film directed by Wolfgang Liebeneiner and starring Albert Matterstock, Leny Marenbach and Brigitte Horney. It was based on a novel by Hans Rabl. The film portrays the struggles of the fictional German aviation pioneer Walter von Suhr, an officer in the pre-First World War German army who saw the potential for military aircraft.
Robert Koch is a 1939 Nazi propaganda film directed by Hans Steinhoff and starring Emil Jannings, Werner Krauss and Viktoria von Ballasko. The film was a biopic of the German pioneering microbiologist Robert Koch (1843-1910). The film was made by the Terra Film company, and was also distributed in the United States by the largest German studio UFA.
By a Silken Thread is a 1938 German drama film directed by Robert A. Stemmle and starring Willy Fritsch, Carl Kuhlmann and Käthe von Nagy. The film was intended to be an exposure of "crooked Jewish capitalists" in line with Nazi racial policy of the era. The film's art direction was by Otto Hunte.
Back Then is a 1943 German drama film directed by Rolf Hansen and starring Zarah Leander, Hans Stüwe, and Rossano Brazzi. The film's sets were designed by Walter Haag.
Savoy Hotel 217 is a 1936 German drama film directed by Gustav Ucicky and starring Hans Albers, Brigitte Horney and Alexander Engel.
The Chaplain of San Lorenzo is a 1953 West German drama film directed by Gustav Ucicky and starring Willy Birgel, Dieter Borsche and Gertrud Kückelmann.
Secret Code LB 17 is a 1938 German thriller film directed by Victor Tourjansky and starring Willy Birgel, Hilde Weissner and Bernhard Minetti.
Men Are That Way is a 1939 German drama film directed by Arthur Maria Rabenalt and starring Hertha Feiler, Hans Söhnker and Hans Olden.
Twelve Minutes After Midnight is a 1939 German comedy crime film directed by Johannes Guter and starring Geraldine Katt, Ursula Herking and René Deltgen.
My Daughter Doesn't Do That is a 1940 German romantic comedy film directed by Hans H. Zerlett and starring Ralph Arthur Roberts, Erika von Thellmann, and Geraldine Katt.
Counterfeiters is a 1940 German crime film directed by Hermann Pfeiffer and starring Kirsten Heiberg, Rudolf Fernau and Karin Himboldt.
In the Name of the People is a 1939 German crime film directed by Erich Engels and starring Rudolf Fernau, Fritz Kampers, and Rolf Weih.
The Governor is a 1939 German drama film directed by Viktor Tourjansky and starring Brigitte Horney, Willy Birgel and Hannelore Schroth. It is based on the play Die Fahne by Emmerich Groh.
Große Berliner Kunstausstellung , abbreviated GroBeKa or GBK, was an annual art exhibition that existed from 1893 to 1969 with intermittent breaks. In 1917 and 1918, during World War I, it was not held in Berlin but in Düsseldorf. In 1919 and 1920, it operated under the name Kunstausstellung Berlin. From 1970 to 1995, the Freie Berliner Kunstausstellung was held annually in its place.
References
- ↑ Moeller p. 31
