The Devil with Boobs | |
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Written by | Dario Fo |
Original language | Italian |
The Devil with Boobs (Italian title: Il diavolo con le zinne) [1] is a two-act play by Dario Fo, recipient of the 1997 Nobel Prize in Literature.
First produced at Messina's Teatro Vittorio Emmanuele on 7 August 1997 (directed by Dario Fo), an English production occurred at the National Theatre Youth project in Summer 1999.
Described by Fo as "a Machiavellian comedy, a gigantic late sixteenth-century intrigue, with judges and devils, housekeepers possessed by devils, hermits, gendarmes, torturers and even a monkey", it featured an homage to his long-time collaborator Fiorenzo Carpi who had died earlier that year (1997). [2]
As described by Cappa and Nepoli, 'Alfonso Ferdinando de Tristano, an incorruptible, progressive magistrate (who disapproves of torture as an instrument of persuasion) investigates an arson in the cathedral. Unhappy about being subjected to his investigation, the prominent citizens of the town launch a campaign to discredit him, employing a couple of devils. One of them is instructed to enter the magistrate's body "through the most suitable orifice, the anus," transforming him into a rogue, a debauchee, a hypocrite and a black marketeer. Due to a misunderstanding, the devil Barlocca enters the body of Pizzocca Gannàssa, Alfonso's elderly and ungainly housekeeper, who is transformed into a delectable, busty lady (the 'boobs' of the title). Led astray by this beauty, the magistrate is dragged into court, but the she-devil allows him to be acquitted. Nonetheless, he is condemned to become a galley slave in a subsequent trial.' [3]
Ed Emery has carried out an English translation. [4]
Dario Luigi Angelo Fo was an Italian actor, playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre". Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by giullari and, more famously, the ancient Italian style of commedia dell'arte.
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Archangels Don't Play Pinball is a 1959 two-act play by Dario Fo. The play uses the metaphor of a pinball machine—a new innovation in Italy at the time of and one of which Fo and his wife Franca Rame were fond— to convey mechanisation and conspicuous consumption.
The Tumult of Bologna is a historical fiction monologue by Italian writer Dario Fo.
The Birth of the Jongleur is a dramatic monologue by Dario Fo.
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Corpse for Sale is a one-act play by Dario Fo.
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Mamma Togni is a dramatic monologue by Dario Fo and Franca Rame, set in Italy after the Second World War. It was performed in 1973.