Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which has historically been the most common configuration to play old-time music. The genre is considered a precursor to modern country music.
Old Crow Medicine Show is an Americana string band based in Nashville, Tennessee, that has been recording since 1998. They were inducted into the Grand Ole Opry on September 17, 2013. Their ninth album, Remedy, released in 2014, won the Grammy Award for Best Folk Album. The group's music has been called old-time, folk, and alternative country. Along with original songs, the band performs many pre-World War II blues and folk songs.
Arthur Smith was an American musician, composer, and record producer, as well as a radio and TV host. He produced radio and TV shows; The Arthur Smith Show was the first nationally syndicated country music show on television. After moving to Charlotte, North Carolina, Smith developed and ran the first commercial recording studio in the Southeast.
John Cohen was an American musician, photographer and film maker who performed and documented the traditional music of the rural South and played a major role in the American folk music revival. In the 1950s and 60s, Cohen was a founding member of the New Lost City Ramblers, a New York–based string band. Cohen made several expeditions to Peru to film and record the traditional culture of the Q'ero, an indigenous people. Cohen was also a professor of visual arts at SUNY Purchase College for 25 years.
Steve Knightley is an English singer, songwriter and acoustic musician. Since 1992 he has been one half of folk/roots duo Show of Hands along with Phil Beer. Knightley was named "Songwriter of the Nineties" by BBC Radio 6 Music in 2012.
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, the African music and blues of early African Americans, and to a lesser extent the music of Continental Europe.
Clarence "Tom" Ashley was an American musician and singer, who played the clawhammer banjo and the guitar. He began performing at medicine shows in the Southern Appalachian region as early as 1911, and gained initial fame during the late 1920s as both a solo recording artist and as a member of various string bands. After his "rediscovery" during the folk revival of the 1960s, Ashley spent the last years of his life playing at folk music concerts, including appearances at Carnegie Hall in New York and at the Newport Folk Festival in Rhode Island.
Alexander Campbell "Eck" Robertson was an American fiddle player, mostly known for commercially recording the first country music songs in 1922 with Henry Gilliland.
Jim & Jesse were an American bluegrass music duo of brothers, Jim McReynolds and Jesse McReynolds. They were born and raised in Carfax, a community near Coeburn, Virginia, United States.
Hobart Smith was an American old-time musician. He was most notable for his appearance with his sister Texas Gladden on a series of Library of Congress recordings in the 1940s and his later appearances at various festivals during the folk music revival of the 1960s. Smith is often remembered for his virtuosic performances on the banjo, and had also mastered various other instruments, including the fiddle, guitar, piano, harmonica, accordion and organ.
The Quebe Sisters are an American swing revival band based in Dallas, Texas, who perform a mix of progressive western swing, jazz-influenced swing, country, Texas-style fiddling, and western music. The band consists of sisters Grace, Sophia, and Hulda Quebe, all of whom play the fiddle and sing, with supporting musicians accompanying on guitar, upright bass, or other instruments.
Albert Green Hopkins was an American musician, a pioneer of what later came to be called country music; in 1925 he originated the earlier designation of this music as "hillbilly music", though not without qualms about its pejorative connotation.
The McGee Brothers were an American old-time performing duo of brothers Sam McGee and Kirk McGee. Sam typically played guitar and Kirk usually played banjo or fiddle, although they were both proficient in multiple string instruments. The McGee Brothers were one of the most enduring acts on the Grand Ole Opry during the show's first fifty years. They made their initial appearance on the Opry in 1926 and the following year joined Uncle Dave Macon's band, the Fruit Jar Drinkers. In the 1930s, the McGees teamed up with early Opry fiddler Arthur Smith to form a string band known as the "Dixieliners," and in the 1940s they played and toured with Bill Monroe and His Bluegrass Boys and several other notable acts.
James Benton Flippen was an American old-time fiddler from Mount Airy, North Carolina. He was one of the last surviving members of a generation of performers born in the early 20th century playing in the Round Peak style centering on Surry County, North Carolina. His contemporaries included Tommy Jarrell, Fred Cockerham, Kyle Creed, and Earnest East.
"Cumberland Gap" is an Appalachian folk song that likely dates to the latter half of the 19th century and was first recorded in 1924. The song is typically played on banjo or fiddle, and well-known versions of the song include instrumental versions as well as versions with lyrics. A version of the song appeared in the 1934 book, American Ballads and Folk Songs, by folk song collector John Lomax. Woody Guthrie recorded a version of the song at his Folkways sessions in the mid-1940s, and the song saw a resurgence in popularity with the rise of bluegrass and the American folk music revival in the 1950s. In 1957, the British musician Lonnie Donegan had a No. 1 UK hit with a skiffle version of "Cumberland Gap".
Jerron "Blind Boy" Paxton is an American musician from Los Angeles. A vocalist and multi-instrumentalist, Paxton's style draws from blues and jazz music before World War II and was influenced by Fats Waller and "Blind" Lemon Jefferson. According to Will Friedwald in The Wall Street Journal, Paxton is "virtually the only music-maker of his generation — playing guitar, banjo, piano and violin, among other implements — to fully assimilate the blues idiom of the 1920s and '30s, the blues of Bessie Smith and Lonnie Johnson."
HogMaw is an American band from York, Pennsylvania, United States. The music of HogMaw has been described as a combination of bluegrass, folk, funk, and heavy metal called "thundergrass".
William Currie Watson is an American singer-songwriter, guitarist, banjo player, actor and founding member of Old Crow Medicine Show. His debut solo album Folk Singer, Vol. I, was released in May 2014; its follow-up Folksinger, Vol. 2 was released September 15, 2017 on Acony Records. He has appeared at the Newport Folk Festival and other major music festivals. He currently resides in the Woodland Hills district of Los Angeles.
Donald DePoy is an American bluegrass musician, music educator, and music event organizer. He is a fifth-generation bluegrass musician from the Shenandoah Valley and a multi-instrumentalist. He and his wife Martha Hills have performed as the duo Me & Martha since 2005. He is founder of the Shenandoah Music Trail and the first "bluegrass church". He won first place in dulcimer at the 2017 Old Fiddlers' Convention in Galax, Virginia.
Jake Blount is an American musician and writer based in Providence, Rhode Island. He specializes in the traditional music of African Americans, and his work has been described as "Afrofuturist folklore." Blount, while initially recognized for his skill as an old-time banjo player and fiddler, is a versatile multi-instrumentalist and vocalist who has described his music as "genrequeer." He often performs most of the parts on his recordings, and fluently employs modern instruments and production techniques in his performances of centuries-old repertoire. His work critiques popular notions of genre and linear time, and usually centers themes of social and environmental justice.
