The Dream of a Common Language

Last updated

The Dream of a Common Language is a work of poetry written by award-winning author and activist Adrienne Rich.

The book is divided into three sections: first "Power"; second "Twenty One Love Poems"; third "Not Somewhere Else, But Here". [1]

The collection of poems was the first book Rich published after she came out as a lesbian in 1976. In it, she explores the concept of a common language, to be achieved through poetry, art, and feminist ideas. The book is an integration of the author's personal life and social and political beliefs.

The section, "Power," contains poems about noted accomplishments of individual women, that she relates to all women. The poem, "Power," discusses Marie Curie's discovery of two elements, polonium and radium, which made her powerful but eventually led to her death. The eight poems in this section comment on the need for the nature of power to be redefined, in order to include women in a way that does not destroy them. The poems show a necessary change in ideologies to achieve the common language. [2]

The section, "Twenty-one Love Poems," is a group of lesbian love poems that aim to present the power of love between two women and the need to change the cultural values that do not recognize this as a kind of love. The love poems comment on how women involved in lesbian relationships are alienated because their love is not recognized by the world. The relationship that the poems are about disintegrates by the end because societal and cultural forces prevented it from lasting. The poem, "XVII," mentions these forces working "within us and against us, against us and within us." [3]

The section, "Not Somewhere Else, But Here," continues to discuss female relationships, now in relation to nature. The poem, "Natural Resources," presents common elements in the lives of women, compared to the elements in nature. The poem, "Transcendental Etude," celebrates the power of women to create on a large scale from ordinary materials. These and the other eight poems in the section show the power that women have in order to convey how the nature of language should be changed, how ideologies must change, how masculine definitions of power must be redefined, to create a common language. [2]

Critical Analysis

Critics of The Dream of a Common Language assert that, while written as a way to process her lesbian freedom, Rich also wrote for other women in hopes that they would also learn to accept their identities. [4] Meredith Benjamin, in her own critical analysis of Rich, wrote that one of Rich's aims in publishing The Dream of a Common Language was to show women that they could live outside of the parameters set for them by men. [5] Not a complete optimist, Rich tried to stay realistic about what she saw as possible in her sex's future, but she wrote as if she also knew that there could be joy in it. In an article for the Women's Studies journal, Benjamin wrote that Rich felt that women would have to step away from the identity they carried with them for the sake status quo and embrace their true and brave identity. [5] Other critics, Soghra and Pourgiv, wrote that Rich was writing for her fellow women to accept and love their feminine bodies. [6] For example, the section of Common Language titled "Twenty One Love Poems is devoted to love between women and love for the feminine self. Rich wrote in hopes that women reading her poetry would see a bit themselves reflected back and learn to live boldly. [5]

Related Research Articles

<span class="mw-page-title-main">Adrienne Rich</span> American poet, essayist and feminist (1929–2012)

Adrienne Cecile Rich was an American poet, essayist and feminist. She was called "one of the most widely read and influential poets of the second half of the 20th century", and was credited with bringing "the oppression of women and lesbians to the forefront of poetic discourse". Rich criticized rigid forms of feminist identities, and valorized what she coined the "lesbian continuum", which is a female continuum of solidarity and creativity that impacts and fills women's lives.

<span class="mw-page-title-main">Amy Lowell</span> American poet

Amy Lawrence Lowell was an American poet of the imagist school, which promoted a return to classical values. She posthumously won the Pulitzer Prize for Poetry in 1926.

<span class="mw-page-title-main">Audre Lorde</span> American writer and activist (1934–1992)

Audre Lorde was an American writer, womanist, radical feminist, professor, and civil rights activist. She was a self-described "black, lesbian, feminist, socialist, mother, warrior, poet," who "dedicated both her life and her creative talent to confronting and addressing injustices of racism, sexism, classism, and homophobia."

<i>Femme</i> Identity for people, usually lesbians, with feminine characteristics

Femme is a term traditionally used to describe a lesbian who exhibits a feminine identity or gender presentation. Alternate meanings of the word also exist with some non-lesbian individuals using the word, notably some gay men, bisexuals, non-binary, and transgender individuals.

<span class="mw-page-title-main">Dionne Brand</span> Canadian writer

Dionne Brand is a Canadian poet, novelist, essayist and documentarian. She was Toronto's third Poet Laureate from September 2009 to November 2012. She was admitted to the Order of Canada in 2017 and has won the Governor General's Award for Poetry, the Trillium Prize for Literature, the Pat Lowther Award for Poetry, the Harbourfront Writers' Prize, and the Toronto Book Award.

Judy Grahn is an American poet and author.

<span class="mw-page-title-main">Lesbian feminism</span> Feminist movement

Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.

<span class="mw-page-title-main">Alicia Ostriker</span> American poet and scholar (born 1937)

Alicia Suskin Ostriker is an American poet and scholar who writes Jewish feminist poetry. She was called "America's most fiercely honest poet" by Progressive. Additionally, she was one of the first women poets in America to write and publish poems discussing the topic of motherhood. In 2015, she was elected a Chancellor of the Academy of American Poets. In 2018, she was named the New York State Poet Laureate.

<span class="mw-page-title-main">June Jordan</span> American poet, essayist, playwright, feminist, bisexual activist

June Millicent Jordan was an American poet, essayist, teacher, and activist. In her writing she explored issues of gender, race, immigration, and representation.

Cultural feminism, the view that there is a "female nature" or "female essence", attempts to revalue and redefine attributes ascribed to femaleness. It is also used to describe theories that commend innate differences between women and men. Cultural feminism diverged from radical feminism, when some radical feminists rejected the previous feminist and patriarchal notion that feminine traits are undesirable and returned to an essentialist view of gender differences in which they regard female traits as superior.

<span class="mw-page-title-main">Mary Oliver</span> American poet (1935–2019)

Mary Jane Oliver was an American poet who won the National Book Award and the Pulitzer Prize. Her work is inspired by nature, rather than the human world, stemming from her lifelong passion for solitary walks in the wild. It is characterised by a sincere wonderment at the impact of natural imagery, conveyed in unadorned language. In 2007, she was declared to be the country's best-selling poet.

Mary Dorcey, an elected member of the Aosdana, is a poet, novelist, short story writer, feminist and LGBTQIA+ activist. She was a writer in residence at Trinity College Dublin 1995/2005 and the Women's Education, Research and Resource Centre of University College Dublin. She has been described as a lyric poet who celebrates the life of the emotions and senses. She speaks of her fiction work as exploring the intimate space between social structures and individual imagination. Clodagh Corcoran in The Irish Times described her novel Biography of Desire as "arguably the first truly erotic Irish novel."

"Compulsory Heterosexuality and Lesbian Existence" is a 1980 essay by Adrienne Rich, which was also published in her 1986 book Blood, Bread, and Poetry: Selected Prose 1979-1985 as a part of the radical feminism movement of the late '60s, '70s, and '80s.

<span class="mw-page-title-main">Lesbian literature</span> Subgenre of literature with lesbian themes

Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics.

<span class="mw-page-title-main">Irena Klepfisz</span> Polish-American author, activist (born 1941)

Irena Klepfisz is a Jewish lesbian author, academic and activist.

Coal is a collection of poetry by Audre Lorde, published in 1976. It was Lorde's first collection to be released by a major publisher. Lorde's poetry in Coal explored themes related to the several layers of her identity as a "Black, lesbian, mother, warrior, poet."

Stealing the Language: The Emergence of Women's Poetry in America by Alicia Suskin Ostriker is a comprehensive review, published in 1986, of women's poetry which shaped the feminist movement after the 1960s. The critical work illustrates a struggle that women poets faced in their road to self-expression. Ostriker, who received her literary education in the 1950s and 1960s, seldom encountered women poets. Poetry was dominated by male writers and critics. Males claimed universality in the literary language, recognizing the woman writer as the "other." The gender bias is evident even in the criticism of women poets. Ostriker says that "the language used to express literary admiration in general presumes the masculinity of the author, the work, and the act of creation – but not if the author is a woman." Gender defined the criticism that a poem would receive, rather than the actual work itself. The new wave of poetry, starting in the 1960s, featured women poets who chose to "explore experiences central to their sex and to find forms and styles appropriate to their exploration." The multitude of styles and subjects that these women poets use constitutes a new movement, one that is "comparable to romanticism or modernism in our literary past."

<i>Your Silence Will Not Protect You</i>

Your Silence Will Not Protect You is a 2017 posthumous collection of essays, speeches, and poems by African American author and poet Audre Lorde. It is the first time a British publisher collected Lorde's work into one volume. The collection focuses on key themes such as: shifting language into action, silence as a form of violence, and the importance of history. Lorde describes herself as a "Black, lesbian, mother, warrior, poet", and addresses the difficulties in communication between Black and white women.

Feminist poetry is inspired by, promotes, or elaborates on feminist principles and ideas. It might be written with the conscious aim of expressing feminist principles, although sometimes it is identified as feminist by critics in a later era. Some writers are thought to express feminist ideas even if the writer was not an active member of the political movement during their era. Many feminist movements, however, have embraced poetry as a vehicle for communicating with public audiences through anthologies, poetry collections, and public readings.

References

  1. "In The Next Room: The Dream of a Common Language- Adrienne Rich". 16 September 2010. Archived from the original on 2012-03-28.
  2. 1 2 "The Dream of a Common Language Summary - eNotes.com". eNotes.
  3. "On "Twenty-One Love Poems"". www.english.illinois.edu.
  4. Keyes, Claire (2008). The Aesthetics of Power: The Poetry of Adrienne Rich. University of Georgia: University of Georgia Press. ISBN   978-0820333519.
  5. 1 2 3 Benjamin, Meredith (2017-10-03). "Snapshots of a Feminist Poet: Adrienne Rich and the Poetics of the Archive". Women's Studies. 46 (7): 628–645. doi:10.1080/00497878.2017.1337415. ISSN   0049-7878. S2CID   148632394.
  6. Soghra, Nodeh (July 2016). "On the Development of Female Voice in Adrienne Rich". Studia Universitatis Petru Maior - Philologia. 21: 71–82 via Epsco HOST.