The Dressmaker from Paris | |
---|---|
Directed by | Paul Bern |
Screenplay by | Adelaide Heilbron |
Story by | Howard Hawks Adelaide Heilbron |
Produced by | Adolph Zukor Jesse Lasky Cecil B. DeMille |
Starring | Leatrice Joy |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 80 minutes |
Country | United States |
Language | Silent (English intertitles) |
The Dressmaker from Paris is a 1925 American silent romantic comedy drama film directed by Paul Bern. The story was written by Howard Hawks and Adelaide Heilbron. Heilbron also wrote the screenplay. The film starred Leatrice Joy and was her last film for Paramount Pictures. The film was costume designer Travis Banton's first assignment. [1] [2]
As described in a film magazine review, [3] an American soldier billeted in Paris meets a student of fashion design. She falls in love with him. Back in America, for the purpose of exhibiting recent fashions, she is brought to the small town in which he manages a department store. Her mannequins accompany her. She surprises him and their romance continues.
Director Paul Bern has his girlfriend Olive Borden in a small role as one of the models. [4] This was Leatrice Joy's last silent film for Paramount. Afterwards, she followed Cecil DeMille to his PDC arrangement production company, which released through the Pathé Exchange company.
With no prints of The Dressmaker from Paris located in any film archives, [5] it is a lost film. [6]
Leatrice Joy was an American actress most prolific during the silent film era.
Olive Mary Borden was an American film and stage actress who began her career during the silent film era. She was nicknamed "the Joy Girl", after playing the lead in the 1927 film of that same title. Borden was known for her jet-black hair and stunning overall beauty.
Changing Husbands is a 1924 American silent comedy film starring Leatrice Joy and Victor Varconi, directed by Paul Iribe and Frank Urson, and written by Sada Cowan and Howard Higgin. The runtime of the film is 70 minutes.
Sally Long was an American dancer and actress.
A Slave of Fashion is a 1925 American silent romantic comedy film directed by Hobart Henley. The film stars Norma Shearer and Lew Cody, with William Haines. A young Joan Crawford had an early uncredited role as a mannequin.
Triumph is a 1924 American silent drama film directed by Cecil B. DeMille and starring Leatrice Joy and Rod La Rocque. It was based on a 1924 novel of the same name by May Edginton. The novel had previously been serialized in 1923 by The Saturday Evening Post.
That Royle Girl is a 1925 American silent comedy film directed by D. W. Griffith and released by Paramount Pictures. The film was based on the novel of the same name by Edwin Balmer, and starred Carol Dempster, W. C. Fields and Harrison Ford. It is now considered lost.
The Joy Girl is a 1927 American two-strip Technicolor silent comedy film directed by Allan Dwan, released by Fox Film Corporation, starring Olive Borden, Neil Hamilton, and Marie Dressler, and based on the short story of the same name by May Edginton.
Sally of the Sawdust is a 1925 American silent comedy film directed by D. W. Griffith and starring W. C. Fields. It was based on the 1923 stage musical Poppy. Fields would later star in a second film version, Poppy (1936).
Hollywood is a 1923 American silent comedy film directed by James Cruze, co-written by Frank Condon and Thomas J. Geraghty, and released by Paramount Pictures. The film is a lengthier feature follow-up to Paramount's own short film exposé of itself, A Trip to Paramountown from 1922.
Mannequin is a 1926 American silent romantic drama film produced by Famous Players–Lasky and distributed by Paramount Pictures. James Cruze directed and Alice Joyce, Warner Baxter, and Dolores Costello were the stars. The film is still extant.
Ponjola is a 1923 American silent drama film based on the 1923 novel of the same name by Cynthia Stockley and directed by Donald Crisp. The film stars Anna Q. Nilsson in a role in which she masquerades as a man.
The Silent Partner is a 1923 American silent drama film produced by Famous Players–Lasky and released through Paramount Pictures. It was based on a series of articles from the Saturday Evening Post by Maximilian Foster and directed by Charles Maigne. Leatrice Joy and Owen Moore star in the feature. The film is a remake of the 1917 film of the same name.
Ladies Must Live is a 1921 American silent societal drama film directed by George Loane Tucker and released by Paramount Pictures. It was the last directorial effort of George Loane Tucker and was released four months after his death. Betty Compson stars along with Leatrice Joy, John Gilbert and Mahlon Hamilton. It was one of the few instances where future husband and wife Joy and Gilbert appeared in the same film.
Vanity is a 1927, American silent drama film directed by Donald Crisp and starring Leatrice Joy. The film was written by Douglas Doty, produced by DeMille Pictures Corporation and distributed by Producers Distributing Corporation.
The Clinging Vine is a 1926 American silent comedy film produced by Cecil B. DeMille and Paul Slone and directed by Sloane. It was distributed by DeMille's Producers Distributing Corporation. The film is based on a 1922 Broadway play of the same name by Zelda Sears. The film was a starring vehicle for Leatrice Joy who left Paramount Pictures along with DeMille when he formed his own distributing company PDC.
The Bachelor Daddy is a lost 1922 American silent comedy film directed by Alfred E. Green and written by Edward Peple and Olga Printzlau. The film stars Thomas Meighan, Leatrice Joy, Maude Wayne, Adele Farrington, J. Farrell MacDonald, Larry Wheat, and Peaches Jackson. The film was released on April 29, 1922, by Paramount Pictures.
Grounds for Divorce is a 1925 American silent romantic comedy film directed by Paul Bern and written by Guy Bolton, Violet Clark, and Ernest Vajda. The film stars Florence Vidor, Matt Moore, Harry Myers, Louise Fazenda, George Beranger and Gustav von Seyffertitz. The film was released on July 27, 1925, by Paramount Pictures.
Made for Love is a 1926 American silent drama film directed by Paul Sloane, produced by Cecil B. DeMille, and starring Leatrice Joy.
The Wedding Song is a 1925 American silent drama film directed by Alan Hale and starring Leatrice Joy, Robert Ames, and Charles K. Gerrard. It is based upon the novel of the same name by Ethel Watts Mumford.