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Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and other forms, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock.
"Demons" are a punk rock/garage punk group from Sweden. The band includes quotation marks in their name to differentiate themselves from other bands with a similar name. Their music has been described as "punk 'n' roll", but the band claims it should only be described as high-energy rock. Their musical style relies heavily on the energy derived from punk rock. Influences include 1960s garage rock bands such as The Sonics, The Standells and Shadows of Knight, The Velvet Underground, The Stooges and New York Dolls; and punk rock bands such as The Damned, The Heartbreakers and The Saints; and early hardcore punk bands such as Black Flag, Bad Brains and Dead Kennedys. "Demons" has often been compared to contemporary groups like New Bomb Turks, The Hellacopters and Electric Frankenstein.
Evil was a garage rock band from Miami, Florida, active between late 1965 and early 1967. They were known for a hard–driving, sometimes, thrashing 60s punk sound that combined elements of blues, rockabilly, and British invasion influences. They recorded several songs, amongst which “Always Runnin' Around” and “Whatcha Gonna Do” were released as a single on Living Legend Records in 1966. The band would eventually be signed to Capitol Records, but broke up shortly thereafter. In more recent years they have become particularly noted for several previously unreleased songs recorded in 1966, which have been released in recent years on various independent labels from acetates, such as "From a Curbstone," "Short Life," and especially "I'm Movin' On," which is now regarded as a garage classic.
The Savages were a garage rock band from Bermuda that were active in the mid-1960s. They are best remembered for their album, Live 'n Wild, which was composed largely of self-penned tunes and recorded in front of a live audience, has been mentioned as a seminal work in the genre, and features the song, "The World Ain't Round It's Square". This song has become regarded as a classic 1960s anthem of youthful defiance.
The Bad Seeds were an American garage rock band formed in Corpus Christi, Texas, in 1964. Musically influenced by traditional blues and the raw recordings by the Rolling Stones, the group's sound was marked by primal proto-punk instrumental arrangements and vocals. The band released three singles, mostly originals penned by guitarist Mike Taylor, that have since become classics of garage rock, and have the Bad Seeds considered forerunners in popularizing the subgenre in Texas.
Teenage Shutdown!: The World Ain't Round, It's Square, sometimes referred to as "Volume 10," is the tenth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. This volume was released on December 29, 1998 and is composed largely of harder rocking fast-tempo material as indicated in the sub-heading below the title which reads, "17 Paint Peeling Garage Punk Monsters!!!" Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich. The packaging includes liner notes providing information about the songs and bands.
The Painted Faces were an American garage rock/psychedelic rock band from Fort Myers, Florida who were active from 1967 through 1969, who were not only popular in Florida but achieved a following outside of their own region by playing regular shows in New York City and elsewhere. After disbanding they became practically unknown for a number of years, but since the 1980s, with the reissue their songs on various compilations, they have come to the attention of garage rock and psychedelic devotees. They are known for songs such as "Anxious Color", which Mojo magazine named one of the top 100 psychedelic songs of all time.
Teenage Shutdown! "She's a Pest"! is a compilation album featuring obscure American garage and psychedelic rock musical artists that were recorded in the 1960s. It is the fifteenth and final installment of the Teenage Shutdown series. Typical of its predecessors, the album's material originated from the collection of Mike Markesich, who also provided the liner notes. The album was released on Crypt Records on February 14, 2000.
The Modds were an American garage rock band from Miami, Florida who were active in the mid-1960s, and briefly re-united in 2002. Though they did not release a record during the 1960s, their work has been posthumously compiled. Today they are best known for the song "Don't Be Late."
"The World Ain't Round It's Square" is a song recorded in 1966 by The Savages, a garage rock band from Bermuda and was written by Howie Rego and Bobby Zuill. It was recorded live at the Hub, a nightclub at the Princess Hotel in Bermuda and appeared on their live album taped from the event, Live 'n Wild. The song has been mentioned as a landmark anthem of 1960s youthful defiance and is ranked #4 in the list of the 1000 greatest garage rock records in Mike Markesich's Teenbeat Mayhem. It has been featured on the Teenage Shutdown! The World Ain't Round, It's Square! compilation as well as included the reissue of Live 'n Wild.
The Stumblin' Blox were an American garage rock band from Abilene, Texas who were active in the 1960s. They are known for songs such as "It's Alright." Though they failed to achieve commercial success, their works have come to the attention of garage rock enthusiasts and collectors over the years and have been included several compilations.
The Montells were an American garage rock band from Miami, Florida who were active in the 1960s. They briefly operated under the name H.M. Subjects and recorded a version of the Pretty Things's "Don't Bring Me Down," which while in the process of becoming a local hit, became embroiled in a controversy involving Morton Downey, Jr., then a disc jockey at Miami's WFUN and later of talk show fame. The song was criticized for its apparently sexually suggestive lyric and the contention that Downey allegedly took payola for the song, an allegation which was never proven. The band went on to record another single, once again as the Montells, featuring an A-side for which they are remembered, "You Can't Make Me." They broke up in 1967, but reunited for a performance in 2008.
Last of the Garage Punk Unknowns, Volumes 1 & 2: American Garage Teenage Hoot 1965-1967 is a compilation album of 1960s garage rock available on compact disc and is the first installment in the CD version of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 1 and 2 of the LP counterparts in the series. As indicated on the front sleeve, most of the songs were recorded by American groups between 1965-1967. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The albums also include photographs of included groups, and cover artwork reflects the mid-1960s style graphic presentation popular on record sleeves of the time.
The Oxford Circle was an American garage rock and psychedelic rock band from Davis, California, near Sacramento, who were active from 1964-1967. They became a popular garage rock act with a proto-punk sound influenced by Them and other blues-based bands of the British Invasion, that, in addition to heavy guitar feedback, came to encompass psychedelia. The group began to make appearances in San Francisco, where they became a top draw in venues such as the Avalon Ballroom. They taped a show at the Avalon in 1966 and, after lying in the vaults for years, it was rereleased in 1997 on the Nuggets from California: Live at the Avalon 1966 anthology. In 1967, they released the single, "Foolish Woman" b/w "Mind Destruction", which is also included, along with several other studio outtakes, on the Nuggets from California compilation. In 1967, drummer Paul Whaley left to play in pioneering heavy rock act Blue Cheer. Lead vocalist and guitarist Gary Lee Yoder and bassist Dehner Patten left to form Kak, who recorded for Epic Records. Yoder subsequently went on to join Blue Cheer in one of their later configurations.
The Kreeg were an American garage rock band from Albuquerque, New Mexico who were active in the 1960s. They were one of the most popular groups in the Albuquerque area and enjoyed local hits from both sides of their 1966 single "How Can I" b/w "Impressin'". Their work has come to the attention of garage rock enthusiasts with the release of the 1996 anthology Impressin', which features their complete recordings.
The Humans were an American garage rock band from Albion, New York who were active in the 1960s. They were popular in the region, touring throughout the Northeast, and enjoyed a regional hit, with the single "Take a Taxi" b/w "Warning", that received airplay in other markets around the country. "Warning" has become especially valued amongst garage rock enthusiasts and was included on the Back from the Grave compilation series.
Danny and the Counts were an American garage rock band from El Paso, Texas, who were active in the 1960s. They were one of the most popular bands in the thriving Latino rock scene in El Paso. They had a local hit with their 1965 R&B-flavored debut single, "For Your Love", but afterward switched their approach to reflect British Invasion influence. In 1966 they released a single on Coronado Records featuring the two songs for which they have become best-known, "You Need Love" and "Ode to the Wind". In the intervening years their work has come to be highly regarded by garage rock enthusiasts.
Last of the Garage Punk Unknowns, Volumes 7 & 8: Heartbroken American Garage Jangle Misery 1965–1967 is a compilation album of 1960s garage rock available on compact disc and is part of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 7 and 8 of the LP counterparts in the series. Most of the set focuses on downcast and moody rock songs and ballads. Several of the tracks display folk rock influence. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The album also includes photographs of musical groups, and cover artwork reflects the mid-1960s style graphic art popular on record sleeves of the time.
References
- ↑ Lemlich 1992, pp. 14, 30, 88, 105.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Lemlich, Jeff (aka Jeffers66). "The Echoes of Carnaby Street: No Place Or Time". Savage Lost.com. Savage Lost. Retrieved May 15, 2016.
- ↑ Baker, Greg (November 13, 1991). "Jeff Lemlich Feature". Miami New Times. Miami New Times, LLC. Retrieved May 15, 2016.
- ↑ Lemlich 1992, pp. 14.
- 1 2 3 Markesich 2012, p. 99.
- 1 2 3 Lemlich 1992, pp. 30, 88, 105.
- ↑ "The Echoes Of Carnaby Street - Discography". 45cat. 45cat website. Retrieved May 15, 2016.
- ↑ "Various – Louisiana Punk Groups From The 60's Vol. 1". Discogs. Discogs®. Retrieved May 16, 2016.
- ↑ "Various – Sixties Archives Vol. 3 Louisiana Punk". Discogs. Discogs®. Retrieved May 16, 2016.