Der Kongress tanzt is a German musical comedy film produced in 1931 by Ufa, directed by Erik Charell, starring Lilian Harvey as Christel Weinzinger, the glove seller, Willy Fritsch as Tsar Alexander I of Russia and his doppelgänger, Uralsky, Otto Wallburg as Bibikoff, his Adjutant, Conrad Veidt as Prince Metternich, Carl-Heinz Schroth as his Secretary, Pepi, Lil Dagover as the Countess and Alfred Abel as the King of Saxony.
Rasputin, Demon with Women is a 1932 German drama film directed by Adolf Trotz and starring Conrad Veidt, Paul Otto and Hermine Sterler. It was shot at the Halensee Studios and Terra Studios in Berlin. The film's sets were designed by the art directors Gustav A. Knauer and Walter Reimann. It portrays the influence wielded by Grigori Rasputin over the Russian Royal Family around the time of the First World War. It was released the same year as an American film about him Rasputin and the Empress. Felix Yusupov sued the filmmakers for his portrayal, but ultimately dropped his case. The film was banned in Germany in 1933 following the Nazi Party's rise to power.
William Tell is a 1934 German-Swiss historical drama film directed by Heinz Paul and starring Hans Marr, Conrad Veidt and Emmy Göring. It is based on the 1804 play William Tell by Friedrich Schiller about the Swiss folk hero William Tell. It was made in Germany by Terra Film, with a separate English-language version supervised by Manning Haynes also being released. It was shot at the Marienfelde Studios of Terra Film in Berlin with location shooting in Switzerland. While working on the film Veidt, who had recently given sympathetic performances of Jews in Jew Suss (1934) and The Wandering Jew, was detained by the authorities. It was only after pressure from the British Foreign Office that he was eventually released. It is also known by the alternative title The Legend of William Tell.
The Last Company is a 1930 German war film directed by Curtis Bernhardt and starring Conrad Veidt, Karin Evans and Erwin Kalser. It was part of the popular cycle of Prussian films which portrayed patriotic scenes from Prussian history. It was shot at the Babelsberg Studios of UFA in Berlin. The film's art direction was overseen by Andrej Andrejew who designed the film's sets. It was shot on location around Havelland in Brandenburg. It is also known by the alternative title Thirteen Men and a Girl. It was later remade in 1967 as A Handful of Heroes.
Two Hearts Beat as One is a 1932 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Wolf Albach-Retty and Kurt Lilien. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Werner Schlichting and Benno von Arent. A separate French-language version The Girl and the Boy was made, also starring Harvey.
Calais-Dover is a 1931 French-German comedy film directed by Jean Boyer and Anatole Litvak and starring Lilian Harvey, André Roanne and Armand Bernard. It is the French-language version of the German film No More Love, with Harvey reprising her role. The title refers to the Dover–Calais ferry. It incorporated location shooting on the French Riviera with interiors shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth, Walter Röhrig and Werner Schlichting.
Love and Trumpets is a 1925 German silent comedy film directed by Richard Eichberg and starring Lilian Harvey, Harry Liedtke, and Harry Halm. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Kurt Richter.
The Girl and the Boy is a 1931 comedy film directed by Roger Le Bon and Wilhelm Thiele and starring Lilian Harvey, Henri Garat, and Lucien Baroux. It was made by the major studio UFA as the French-language version of Two Hearts Beat as One, which also starred Harvey. Such multiple-language versions were common in the early years of sound before dubbing became more widespread.
My Heart Incognito is a 1931 comedy film directed by André-Paul Antoine and Manfred Noa and starring Mady Christians. It was made by Germany's Aafa-Film as the French-language version of Lieutenant, Were You Once a Hussar?. Such multi-language versions were common during the early years of sound.
Love Is Blind is a 1925 German silent comedy film directed by Lothar Mendes and starring Lil Dagover, Conrad Veidt and Lillian Hall-Davis. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by Hans Jacoby. It was produced and distributed by UFA, Germany's largest film company of the Weimar Era.
Once You Give Away Your Heart is a 1929 German comedy film directed by Johannes Guter and starring Lilian Harvey, Igo Sym, and Harry Halm. Made at the time of the conversion to sound film, it was released in both sound and silent versions.
Debit and Credit is a 1924 German silent drama film directed by Carl Wilhelm and starring Hans Brausewetter, Mady Christians, and Theodor Loos. It is based on the 1855 novel Debit and Credit.
A Woman with Style is a 1928 German silent film directed by Fritz Wendhausen and starring Mady Christians, Peter C. Leska and Hans Thimig. It was shot at the Terra Studios in Berlin. The film's sets were designed by the art director Hans Jacoby.
The Only Girl is a 1933 British-German musical film directed by Friedrich Hollaender and starring Lilian Harvey, Charles Boyer, and Mady Christians. It is the English-language version of The Empress and I which also starred Harvey and Christians. It was the last in a series of MLV co-productions between UFA and Gainsborough Pictures. It was released in the United States in 1934 by Fox Film.
Vienna, How it Cries and Laughs is a 1926 German silent film directed by Rudolf Walther-Fein and Rudolf Dworsky and starring Fritz Greiner, John Mylong, and Mady Christians.
Tonelli is a 1943 German drama film directed by Victor Tourjansky and starring Ferdinand Marian, Winnie Markus and Mady Rahl. It was shot at the Bavaria Studios in Munich and at the Deutsches Theater in the city. The film's sets were designed by the art director Ludwig Reiber. It is a circus film, a popular genre in Germany during the war years.
Temperamental Artist is a 1920 German silent film directed by Paul Otto and starring Conrad Veidt, Aud Egede-Nissen, and Frida Richard.
The Path of Death is a 1917 German silent drama film directed by Robert Reinert and starring Maria Carmi, Carl de Vogt and Conrad Veidt. It marked the screen debut of Veidt. The film was shot in late 1916, but released the following year. It is a lost film.
Not of the Woman Born is a 1918 German silent film directed by Franz Eckstein and Rosa Porten and starring Ferry Eschenauer, Helene Stein, and Conrad Veidt.
The Mexican is a 1918 German silent film directed by Carl Heinz Wolff and starring Ferdinand Bonn and Conrad Veidt. It is a lost film.
