The Empty Beach

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The Empty Beach
Directed byChris Thomson
Written by Keith Dewhurst
Based onnovel by Peter Corris
Produced by John Edwards
Tim Read
Starring Bryan Brown
John Wood
Cinematography John Seale
Edited byLindsay Frazer
Music by Martin Armiger
Red Symons
Production
company
Jethro Films Pty Ltd
Distributed byHoyts
Release date
  • 12 September 1985 (1985-09-12)(Australia)
Running time
89 minutes
CountryAustralia
Language English
BudgetA$1.8 million [1]
Box officeAU $34,341 (Australia) [2]

The Empty Beach is a 1985 Australian thriller film based on the 1983 novel of the same name by Peter Corris, starring Bryan Brown as private investigator Cliff Hardy. [3] [4]

Contents

Premise

Cliff Hardy iinquires into the disappearance of a beautiful woman's wealthy husband from Bondi Beach.

Cast

Development

The original novel was the fourth in the Cliff Hardy series. It was very successful for an Australian book, selling out its initial run of 7,000 copies with another 5,000 issued. [5] (Hardy books typically wound up selling 10,000 copies and The Empty Beach would sell 30,000. [6] )

The novel was adapted for radio on the ABC in 1983. [7]

In the early 1980s Bryan Brown was attached to star as Cliff Hardy in an adaptation of an earlier Corris novel, White Meat . This was to be adapted by Corris, directed by Stephen Wallace and produced by Richard Mason. However no film eventuated. Corris wrote a draft and they applied for funding. According to Corris, "one of the assessors said something like, ‘This is the nastiest script I’ve ever read’. The result: no funding." [3]

Several years later producers Tim Read and John Edwards bought an option to The Empty Beach and wanted to make a film starring Bryan Brown as Cliffy Hardy. Bob Weis was attached as executive producer. [8] Weis said "The film was a stepping stone towards trying to make a genre picture work in Australia without being dominated by the history of that kind of movie, a history that's so strongly American." [9]

"It seemed a perfect fit," wrote Corris. "I was contracted to write a script with the producers having an opt-out clause if unsatisfied. I wrote a script which they deemed ‘too soft’; I wrote another which they said was ‘too hard’. Sandra Levy was then brought in and we wrote a script together. John Edwards said, ‘Peter, this is almost there!’ The next I heard, they’d exercised the clause and brought in a new scriptwriter. This was Keith Dewhurst who’d written scripts for the British TV series Z Cars . Good choice, I thought and went overseas, adopting the Hemingway philosophy – take the money and run." [3] [10]

Corris told David Stratton, "I wasn't too upset" by Dwehurst being hired. "I knew I was inexperienced and that the script wasn't right. I thought putting a pro on the job was a good idea and I'd have been happy with a joint credit." [11] Bob Weis says he and director Chris Thomson worked on Keith Dewhust's final draft. [12]

Corris later said "I believe the script missed the point of the book." [3] He said "I thought it was silly... I hated the water death, the car chase, and Bondi Pavilion shoot out scenes." He also disliked the emphasis on missing tapes. "The story is about deceit. Marion Singer's deceiving of Hardy, her deception of the crimes, their deception of each other and maybe John Singer's deceiving of Marion. Deception is more interesting than tapes." [13] Corris said his book was about deception but the filmmakers wanted "tapes, and corruption and investigations — and they got their way". [14]

Production

According to Corris, "Bryan Brown was good, perhaps too good. I heard later that some of the cast were so overawed by him they gave lame performances. The director, Chris Thompson, and Brown were said to have been at odds. The female lead, supposed to be whippet-thin and feisty, was so when cast but was pregnant by the time of shooting and wore enveloping garments." [3]

According to David Stratton, Thomson also clashed with cinematographer John Seale throughout the shoot. [15]

However when Corris saw a rough cut of 94 minutes he "impressed. I still dislikled a lot of it but I thought Bryan was good and I liked John Wood." Corris says when he saw the final film, reduced to 89 minutes, "dismay was back. I liked the opening song but the wink at the nuns now looked cliched and dumb. All the effects striven for were old hat, done often before stuff. I still hated the 'stand out' scenes (water ski murder, car chase, shoot out) and the tapes. I still liked Bryan...[but] I thought it was a mess." [16]

Music

To coincide with the film release the film's title song was released as a single that summer of 1985 by Marc Hunter (of Dragon) with backing vocals featured from Canadian-Australian based singer Wendy Matthews. Music video of the single also had some moderate TV airplay which features both Marc Hunter and Wendy Matthews. [17]

Release

The film performed poorly at the box office in Australia, Jonathan Chissick of Hoyts calling it "an absolute disaster". [18] Corris said "Cruelly, but accurately, a young person I knew declared that its title should have been The Empty Cinema." [3]

Bob Weis said "the film was seen all over the world. It had a known film star in the lead so it travelled very easily." [19]

There were plans for Brown to appear in further Hardy adventures but this did not eventuate. [8] While Corris hoped Bryan Brown would come back as Hardy he wanted a less craggy portrayal of Hardy. "I'd like to warm him up more." [14]

Ten network first screened the feature film at 8.30pm in early October 1986 on a Wednesday night with a repeat screening again in early 1990s at a much later time-slot and has not screened commercially since.[ citation needed ]

Critical reception

Filmnews wrote "Peter Corris' modest narrative line in the original novel has been literally blown out by Keith Dewhurst's screenplay, and the result is an incomprehensible farrago of plots, subplots, and characters, linked by private detective Cliff Hardy's mood riffs — this consists of Bryan Brown looking, by turns, quizzical, worldweary or pissed off — and punctuated by set piece confrontations with big city corruption, monumental in symbolism but cryptic in significance." [20]

The Canberra Times called it "a breath of fresh air to blow away the dust that has settled on the private-eye genre during too many decades of too many bland, inane TV pot-boilers." [21]

David Stratton felt the 94 minute version was more successful than the final 89 minute version which "speeds by at a pace which is occasionally too fast to take in" though he felt Brown "is the perfect Cliff Hardy: cynical, witty, tough and resourceful." [22]

There have been a number of attempts over the years to revive the character, including a television series, and a film starring Paul Hogan, but as at 2025 no other Cliff Hardy story has been dramatised for screen. [3]

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References

  1. ↑ Raffaele Caputo, "The Empty Beach", Australian Film 1978–1992, Oxford Uni Press 1993 p168
  2. ↑ "Australian Films at the Australian Box Office", Film Victoria accessed 24 October 2012
  3. 1 2 3 4 5 6 7 Corris, Peter (19 October 2012). "The Godfather: Peter Corris on filming Cliff Hardy". The Newtown Review of Books. Retrieved 1 February 2025.
  4. ↑ David Stratton, The Avocado Plantation: Boom and Bust in the Australian Film Industry, Pan MacMillan, 1990 p232-234
  5. ↑ "Summer Supplement". Tribune. No. 2311. New South Wales, Australia. 30 November 1983. p. 7. Retrieved 25 January 2025– via National Library of Australia.
  6. ↑ "Books An author bound by a sense of honour". The Canberra Times . Vol. 70, no. 21, 996. Australian Capital Territory, Australia. 9 July 1995. p. 22. Retrieved 25 January 2025– via National Library of Australia.
  7. ↑ "the good times". The Canberra Times . Vol. 60, no. 18, 279. Australian Capital Territory, Australia. 17 October 1985. p. 3 (a supplement to The Canberra Times). Retrieved 25 January 2025– via National Library of Australia.
  8. 1 2 Dorre Koeser, "Life of Bryan", Cinema Papers, September 1985 p16-19
  9. ↑ Stratton p 232
  10. ↑ "Summer Supplement". Tribune. No. 2311. New South Wales, Australia. 30 November 1983. p. 7. Retrieved 25 January 2025– via National Library of Australia.
  11. ↑ Stratton p 9
  12. ↑ Stratton p 232
  13. ↑ Stratton pp 232-233
  14. 1 2 "It's Saturday Cliff Hardy: defender of values CRIME WRITER". The Canberra Times . Vol. 60, no. 18, 385. Australian Capital Territory, Australia. 1 February 1986. p. 1 (Section B). Retrieved 25 January 2025– via National Library of Australia.
  15. ↑ Stratton p 233
  16. ↑ Stratton p 233
  17. ↑ Marc Hunter - The Empty Beach, 1985, retrieved 18 June 2023
  18. ↑ Stratton p 234
  19. ↑ Stratton p 234
  20. ↑ "The Empty Beach (Aust, 1984; dist: Hoyts;rt: 90 mins)". Filmnews . Vol. 15, no. 7. New South Wales, Australia. 1 September 1985. p. 16. Retrieved 25 January 2025– via National Library of Australia.
  21. ↑ "CINEMA LIFE STYLE TV—ARTS—ENTERTAINMENT". The Canberra Times . Vol. 60, no. 18, 281. Australian Capital Territory, Australia. 19 October 1985. p. 12 (SECTION B). Retrieved 25 January 2025– via National Library of Australia.
  22. ↑ Stratton p 233


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