The Enforcer | |
---|---|
Directed by | Bretaigne Windust Raoul Walsh (uncredited) |
Written by | Martin Rackin |
Produced by | Milton Sperling |
Starring | Humphrey Bogart Zero Mostel Everett Sloane |
Cinematography | Robert Burks |
Edited by | Fred Allen |
Music by | David Buttolph |
Color process | Black and white |
Production company | |
Distributed by | Warner Bros. |
Release dates |
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Running time | 85 minutes |
Country | United States |
Language | English |
Budget | $1,109,000 [1] |
Box office | $2,873,000 [1] [2] |
The Enforcer (aka Murder, Inc. in the United Kingdom) is a 1951 American film noir co-directed by Bretaigne Windust and an uncredited Raoul Walsh, who shot most of the film's suspenseful moments, including the ending. [3] The production, largely a police procedural, stars Humphrey Bogart and is based on the Murder, Inc. trials. The supporting cast features Zero Mostel and Everett Sloane.
Under heavy police protection, gangster Joe Rico arrives late at night at the courthouse to testify against crime boss Albert Mendoza. There have already been several attempts on Rico's life but lead prosecutor Martin Ferguson reminds him that he himself faces plenty of charges unless he cooperates. After yet another attempt on his life, Rico gives his bodyguards the slip but falls to his death from the ledge outside the eighth floor window.
Without Rico’s evidence, Mendoza will walk away free. However, Ferguson believes that something else has come up in the investigation that might make the case, so he and police captain Nelson decide to go through the evidence again. Much of this is told in flashbacks.
The case began when small-time gangster James "Duke" Malloy burst into a police station and claimed to have killed his girlfriend under pressure from others. The police find only an empty grave and Malloy later commits suicide in his cell. Ferguson is brought in on the case and a check on Malloy’s associates leads the investigators to "Big Babe" Lazick. When Lazick refuses to talk, Ferguson threatens to jail his wife and put his son into foster care. Lazick then confesses that he is operating under the orders of Joe Rico, who gets requests to commit murders over the telephone. The killers carry out murders for profit, the idea being that they are hired at the request of someone else. The killer will have no motive for committing the crime and thus will not be suspected by the police, while the client with the motive will have a perfect alibi. Only Rico knows who the top boss is.
Lazick leads the police to the body of Nina Lombardo. It emerges that she was a contract whom Malloy was supposed to kill, but he instead fell in love with her. Though he tried to cover it up, Malloy’s associates caught up with them and forced him to kill her. Nina's roommate, Teresa Davis, tells the detectives that Nina's real name was Angela Vetto and that she was in hiding since her father's murder ten years before.
The police eventually find a mass grave filled with dozens of bodies. As the authorities close in on them, the gang begins to break up. Rico himself is hiding on a farm with his last remaining accomplices and witnesses their shooting by hired killers sent to silence everyone. Rico then contacts Ferguson, offering to testify against his secret boss, Mendoza. He reports that Tony Veto and his daughter Angela had witnessed Mendoza’s first murder along with her father but now there were no survivors for the prosecution.
Frustrated, Ferguson goes to Mendoza's cell and leaves behind the photos of his victims. He then returns to the evidence room and listens to a tape made of Rico's confession — which is not admissible in court. In it, Rico describes Vetto's daughter as having "big blue eyes"; Ferguson remembers that Nina Lombardo (assumed to be Angela Vetto) had brown eyes. On the other hand, her roommate, Teresa Davis, did have blue eyes and Ferguson concludes that Nina was fingered as Duke's contract by mistake.
However, upon viewing Nina's photograph, Mendoza reaches the same conclusion and, with the assistance of his attorney, dispatches two of his remaining henchmen to pursue the real Angela Vetto. Ferguson and Nelson arrive at Angela's residence, only to discover that she has ventured out for a shopping trip. The bustling streets make it challenging for them to locate her, prompting Ferguson to utilize a music store's sidewalk loudspeakers as a means to alert her of the imminent danger and instruct her to contact him at the store. Angela heeds the warning and promptly reaches out, prompting Ferguson to embark on a rendezvous with her, closely pursued by the relentless killers. In the ensuing confrontation, Ferguson manages to eliminate one of the gangsters while the other is apprehended. With Angela under his protection, he safely escorts her away, ensuring her ability to testify against Mendoza.
Director Bretaigne Windust, an accomplished Broadway director, fell seriously ill during the beginning of shooting, so Raoul Walsh was brought in to finish the film. Walsh refused to take the credit, calling it Windust's work.
This was Bogart's last film for Warner Bros., the studio that had made him a star. Warner only distributed the film. It was produced by United States Pictures, and is now owned by Republic Pictures, a division of Paramount Pictures.
Although largely fictional, the film is based on the real-life investigation into a group of hired killers dubbed by the press as "Murder, Inc." (the film was released under that title in the United Kingdom). It was during this investigation, and the Kefauver hearings, that terms like "contract" (a deal to commit a murder) and "hit" (the actual killing itself) first came into the public knowledge. The gangsters used such codes in case of eavesdroppers or phone tappings by the police.
Bogart's ADA Martin Ferguson is based on Burton Turkus, who led the prosecutions of several members of the Murder, Inc. gang. [4] His book on the case was published at about the same time the film was released.
Ted de Corsia's Joe Rico was probably inspired by Abe Reles. Like Rico, Reles was about to testify against a major crime lord but, although under heavy police guard, was found dead after falling out of the Half Moon Hotel in Coney Island on November 12, 1941. It has never been established for sure if Reles' death was murder, accident or suicide.
According to Warner Bros records, the film earned $1,584,000 domestically and $1,289,000 foreign. [1]
When the film was released, the staff at Variety magazine praised director Windust, writing, "The film plays fast and excitingly in dealing with Humphrey Bogart’s efforts to bring the head of a gang of killers to justice. The script uses the flashback technique to get the story on film, but it is wisely used so as not to tip the ending and spoil suspense ... Bretaigne Windust’s direction is thorough, never missing an opportunity to sharpen suspense values, and the tension builds constantly." [5]
Film critic Dennis Schwartz questioned if the film should be labeled as film noir, writing, "The crime film tells for the first time in film how a mob works and its use of terms such as 'contract', 'hit', and 'finger man.' It is shot in a semi-documentary style and looked more like a crime caper movie than the film noir category most film critics have classified it under." [6]
Murder, Inc. was an organized crime group active from 1929 to 1941 that acted as the enforcement arm of the National Crime Syndicate – a closely connected criminal organization that included and was started by the Irish Mob, and included Italian-American Mafia, the Jewish Mob, and other criminal organizations in New York City and elsewhere. Murder, Inc. was composed of Irish, Jewish, and Italian-American gangsters, and members were mainly recruited from poor and working-class Irish, Jewish, and Italian neighborhoods in Manhattan and Brooklyn. It was initially headed by Louis "Lepke" Buchalter and later by Albert "Mad Hatter" Anastasia.
Frank Abbandando, nicknamed "The Dasher", was a New York City contract killer and mobster who committed many murders as part of the infamous Murder, Inc. enforcement arm of the National Crime Syndicate. His preferred killing method was to stab his victims through the heart with an ice pick. After a trial and conviction for murdering a Brooklyn loan shark, he was executed in the electric chair at Sing Sing on February 19, 1942.
Contract killing is a form of murder or assassination in which one party hires another party to kill a targeted person or people. It involves an agreement which includes some form of compensation, monetary or otherwise. It is an illegal agreement. Either party may be a person, group, or organization. Contract killing has been associated with organized crime, government conspiracies, dictatorships, and vendettas. For example, in the United States, the Italian- and Jewish-American organized crime gang Murder, Inc. committed hundreds of murders on behalf of the National Crime Syndicate during the 1930s and 1940s.
Abraham "Kid Twist" Reles was a New York Jewish mobster who was a hit man for Murder, Inc., the enforcement contractor for the Mafia's National Crime Syndicate.
High Sierra is a 1941 American film noir directed by Raoul Walsh, written by William R. Burnett and John Huston from the novel by Burnett, and starring Ida Lupino and Humphrey Bogart. Its plot follows a career criminal who becomes involved in a jewel heist in a resort town in California's Sierra Nevada, along with a young former taxi dancer (Lupino).
Marked Woman is a 1937 American dramatic crime film directed by Lloyd Bacon and starring Bette Davis and Humphrey Bogart, with featured performances by Lola Lane, Isabel Jewell, Rosalind Marquis, Mayo Methot, Jane Bryan, Eduardo Ciannelli and Allen Jenkins. Set in the underworld of Manhattan, Marked Woman tells the story of a woman who dares to stand up to one of the city's most powerful gangsters.
Murder, Inc. is a 1960 American gangster film starring Stuart Whitman, May Britt, Henry Morgan and Peter Falk. Filmed in Cinemascope and directed by Burt Balaban and Stuart Rosenberg, the film was based on the true story of Murder, Inc., a Brooklyn gang that operated in the 1930s.
Dark Passage is a 1947 American film noir directed by Delmer Daves and starring Humphrey Bogart and Lauren Bacall. The film is based on the 1946 novel of the same title by David Goodis. It was the third of four films real-life couple Bacall and Bogart made together.
Edward Gildea De Corsia was an American radio, film, and television actor, best remembered for his chilling debut in The Lady from Shanghai (1947), as the ex-wrestler murderer Willie Garzah in the film The Naked City (1948), and as a gangster who turned state's evidence in the film The Enforcer (1951).
Conflict is a 1945 American black-and-white suspense film noir made by Warner Brothers. It was directed by Curtis Bernhardt, produced by William Jacobs from a screenplay by Arthur T. Horman and Dwight Taylor, based on the story The Pentacle by Alfred Neumann and Robert Siodmak. It starred Humphrey Bogart, Alexis Smith, and Sydney Greenstreet. The film is the only pairing of Bogart and Greenstreet of the five in which they acted together where Bogart rather than Greenstreet is the villain or corrupt character. There is also a cameo appearance of the Maltese Falcon statue.
The Whole Town's Talking is a 1935 American comedy film starring Edward G. Robinson as a law-abiding man who bears a striking resemblance to a killer, with Jean Arthur as his love interest. It was directed by John Ford from a screenplay by Jo Swerling and Robert Riskin based on a story by W.R. Burnett originally published in Collier's in August 1932. Burnett was also the author of the source material for Robinson's screen break-through, Little Caesar. The film The Whole Town's Talking (1926) has no story connection to this film.
Special Agent is a 1935 American crime drama film directed by William Keighley and starring Bette Davis and George Brent. The screenplay by Laird Doyle and Abem Finkel is based on a story by Martin Mooney. The film was produced by Cosmopolitan Productions and released by Warner Bros.
Ma Barker's Killer Brood is a 1960 American neo noir crime film, released in 1960. The low-budget film was directed by Bill Karn and starred Lurene Tuttle as the title character, Ma Barker.
Little Caesar is a 1931 American pre-Code crime film distributed by Warner Brothers, directed by Mervyn LeRoy, and starring Edward G. Robinson, Douglas Fairbanks Jr. and Glenda Farrell. The film tells the story of a hoodlum who ascends the ranks of organized crime until he reaches its upper echelons.
It All Came True is a 1940 American musical comedy crime film starring Ann Sheridan as a fledgling singer and Humphrey Bogart, who was third-billed on movie posters, as a gangster who hides from the police in a boarding house. It is based on the Louis Bromfield novel Better Than Life. Sheridan introduced the hit song "Angel in Disguise". The picture was produced by Mark Hellinger and directed by Lewis Seiler. The cast also featured Jeffrey Lynn as the leading man, Zasu Pitts, and Una O'Connor.
The Big Shot (1942) is an American film noir crime drama film starring Humphrey Bogart as a crime boss and Irene Manning as the woman he falls in love with. Having finally reached stardom with such projects as The Maltese Falcon (1941), this would be the last film in which former supporting player Bogart would portray a gangster for Warner Bros..
Inside the Mafia is a 1959 film noir crime film based on a true incident. It was based on the Albert Anastasia murder and subsequent Apalachin Meeting.
Umberto "Albert" Anastasia was an Italian-American mobster, hitman and crime boss. One of the founders of the modern American Mafia, and a co-founder and later boss of the Murder, Inc. organization, he eventually rose to the position of boss in what became the modern Gambino crime family. He also controlled New York City's waterfront for most of his criminal career, mainly through the dockworker unions. Anastasia was murdered on October 25, 1957, on the orders of Vito Genovese and Carlo Gambino; Gambino subsequently became boss of the family.
If the Dead Rise Not is a crime novel by Philip Kerr, the sixth in the series starring Berlin police detective Bernhard Gunther. It was published in 2009 by Quercus of London. For it, in 2009 Kerr was awarded the world's most lucrative crime fiction prize, the RBA Prize for Crime Writing, worth €125,000.
This is a list of organized crime in the 1930s, arranged chronologically.