The Ethiopians

Last updated

The Ethiopians
Ethiopians large.jpg
Background information
Origin Jamaica
Genres Reggae, rocksteady, ska, roots reggae
Years activeMid-1960s–2011
LabelsSir JJ, Trojan Records, Heartbeat Records
Past membersLeonard Dillon
Steven Taylor
Aston Morris
Melvin Reid

The Ethiopians were one of Jamaica's best-loved harmony groups during the late ska, rocksteady and early reggae periods. Responsible for a significant number of hits between the mid-1960s and early 1970s, the group was also one of the first Jamaican acts to perform widely in Britain.

Contents

Origins

The Ethiopians was founded by Leonard Dillon (9 December 1942 – 28 September 2011) [1] with Stephen "Tough Cock" Taylor and Aston "Charlie" Morrison at the tail end of the ska period. [2] Dillon was a stonemason from the small community of Boundbrook, located on the outskirts of the northeast coastal town of Port Antonio, where he was raised by his grandparents in a strict Seventh Day Adventist household. With his grandfather the choirmaster in the local church, Dillon had good grounding in music from an early age. While still attending high school, he performed with a local act known as the Playboys (later re-named Ray and the Gladiators), the mellifluousness of his voice bringing the nickname "Sparrow". [1]

“The Ethiopians” (Originally “The Ethiopian Children”) were one of Jamaica’s most influential vocal groups during their heyday. Not only did the original quartet (Leonard Dillon, Wally Booker, Harold Bishop & Neville Duncan) spearhead the transition between Ska and Rocksteady, Dillon’s heavily Rastafarian lyrics also paved the way for the socially conscious roots reggae era that was to come. [3] [4]

Like many of his peers, Dillon moved to Kingston towards the end of his teen years in search of work, staying first in a tiny shack in the west Kingston slum of Back-O-Wall. He travelled to Fellsmere, Florida in 1963 on a seasonal farm work contract, and after returning to Kingston in 1964, he settled in Trench Town, lodging at the home of the aunt of popular sound system deejay King Sporty, who he knew from his days in Port Antonio. In Trench Town, Dillon met Peter Tosh, [5] who introduced him to Bob Marley and Bunny Livingston, his fellow vocalists in the Wailers. An audition was swiftly arranged at Studio One, where the Wailers were recording some of the biggest hits of the day, which led to Dillon voicing his first material. Three songs were backed by the Wailers, including a sound system favourite called "Ice Water", based on lyrics of double entendre, while "Suffering On The Land" and "Beggars Have No Choice" were more concerned with the harshness of life in the ghetto; a fourth song, "Woman, Wine And Money", featured Delroy Wilson on harmony. All of the songs were issued on 7 in (180 mm) 45 rpm singles, credited to Jack Sparrow. Shortly after the release of these singles, through the efforts of the Ethiopian Reorganization Centre in Waterhouse (established by elders Nasser King and Daddy King), Dillon entered the Rastafari faith, which he remained committed to thereafter. [1]

Founding

Sales of the Jack Sparrow material were not particularly high, and the Wailers were focussing on their own careers. Noting that harmony groups were all the rage in Jamaica, Dillon subsequently made an exit from the Studio One stable to form a harmony group of his own with Taylor, Morrison, and a youth known as Foresight, who he encountered on the street in Waterhouse; the Ethiopian Reorganization Centre became their main rehearsal space. Foresight dropped out early, so by the time Dillon brought the group back to Studio One, they were a trio, debating whether to call themselves the Heartaches or the Ethiopians, until Studio One founder Clement "Sir Coxsone" Dodd decisively stated that the latter was more distinctive, and more fitting for a group that was spiritually minded. The first songs the group recorded at Studio One included "Live Good", "Why You Gonna Leave Me Now" and the rocksteady classic "Owe Me No Pay Me", produced by Lloyd Daley, and aimed at a man known as Stampede that owed Dillon money. The uncertain nature of the music business caused Morrison to then quit the group, since he had a young family to support. Undaunted by his departure, Dillon and Taylor went back to Studio One to record another half-dozen tracks, including the boastful "I'm Gonna Take Over Now", and a late-ska number called "I Am Free," which castigated an unfaithful lover. [1]

Success

Despite the popularity of the material, their earnings were still not sufficient for the group to concentrate on music full-time. Continuing with the masonry led Dillon to the Ethiopians' next phase, once he found a financial backer for the group in the form of real estate speculator, Leebert Robinson, who financed the self-produced single "Train to Skaville", issued in Jamaica on WIRL (West Indies Records Limited). Subsequent singles, "The Whip" and "Cool It Amigo", were recorded at WIRL studio with top rocksteady band, Lynn Taitt and the Jets, (and engineer Lynford Anderson), and licensed to Sonia Pottiger for release in Jamaica, as well as Graeme Goodall's Doctor Bird label in Britain; the three songs were all significant hits in 1967. "Train to Skaville" made an impact overseas and brought the Ethiopians to the UK for their first tour in 1968, since the song had briefly appeared in the UK Singles Chart. The tour lasted three months in 1968, and another two months in 1969, and was arranged by Commercial Entertainment. [6] [1]

Back in Jamaica, Melvin Reid became a temporary member of the group for some recordings made at Federal recording studio, but the group soon reverted to a duo again. "Cut Down (On Your Speed)" was recorded for Lee "Scratch" Perry, but far more successful work was issued by H. Robinson's Carib Disco company, including "Reggae Hit The Town", celebrating the new beat, and the successful "Engine 54" (recorded at a time when Trinidadian immigrant Garnet Hargreaves was acting as manager of the group), which celebrated a defunct railway engine that used to transport city folk on countryside excursions in Jamaica. The popularity of this track and earlier hit singles led to a debut album, Engine 54, issued by Doctor Bird in the UK. [1]

Then, the most solid and lasting working relationship was forged with producer Carl Johnson, yielding a series of hits in the late 1960s and early 1970s. Things started off with "Everything Crash," after Sir JJ told Dillon to write a song with that title when Dillon first appeared at JJ's shop on Orange Street; the song commented on the widespread strikes that gripped Jamaica in 1968 and was recorded with the backing band, the Caribbeats. Other hits to follow included "Feel The Spirit," "Hong Kong Flu," and "Woman Capture Man". The Sir JJ phase yielded the popular albums Reggae Power and Woman Capture Man, both issued by Trojan Records in Britain. [1]

During the early 1970s, the Ethiopians recorded widely for various producers, including Lloyd "The Matador" Daley ("Satan Gal"), Duke Reid ("Pirate"), Derrick Harriott ("Good Ambition"), Rupie Edwards ("Hail Rasta Man"), Alvin Ranglin ("Love Bug"), Prince Buster ("You Are For Me"), Joe Gibbs ("Ring A Burn Finger"), Bob Andy ("The Word Is Love"), and Lee Perry ("Life Is A Funny Thing"), among others. Dillon also helped build Perry's Black Ark Studios in 1973-4. [7] In 1975, Stephen Taylor was killed in a traffic accident, leading to a period of inactivity as Dillon struggled to adapt to life without his singing partner. [1]

New version and solo work

Dillon subsequently formed a new version of the Ethiopians with other members of the Rastafari faith, including Melvin Reid, to record the album Slave Call with Niney the Observer in 1977. There were also a handful of singles cut for Alvin Ranglin, Winston Riley, Joe Gibbs and Rupie Edwards, circa 1976-78. [1]

Leonard Dillon then largely became a solo artist. Under the name The Ethiopian, Dillon cut Open The Gate Of Zion for Ranglin in 1978, and Everything Crash for Studio One in 1980, the latter featuring "Locust" voiced on a mutation of the "Train to Skaville" rhythm. The Dread Prophecy album, shared with The Gladiators, was issued by the American label Nighthawk in 1986, One Step Forward surfaced in France on Blue Moon in 1992, Owner Fer De Yard was a Studio One set issued by Heartbeat in 1994, Tuffer Than Stone was recorded with Jahco Thelwell in 1999 and issued on the Melodie label in France, while Mystic Man was issued by Studio One in 2002; a second set for Nighthawk remains unreleased. [1]

The Ethiopians reached the end when Dillon died on 28 September 2011. [8] [1]

Discography

Releases by The Ethiopians include: [9]

Related Research Articles

<span class="mw-page-title-main">Reggae</span> Music genre

Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as by American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.

<span class="mw-page-title-main">Ska</span> Music genre from Jamaica in the 1950s

Ska is a music genre that originated in Jamaica in the 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.

The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.

Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.

<span class="mw-page-title-main">Alton Ellis</span> Jamaican singer-songwriter

Alton Nehemiah Ellis was a Jamaican singer-songwriter. One of the innovators of rocksteady, he was given the informal title "Godfather of Rocksteady". In 2006, he was inducted into the International Reggae And World Music Awards Hall Of Fame.

Studio One is one of Jamaica's most renowned record labels and recording studios; it has been described as the Motown of Jamaica. The record label was involved with most of the major music movements in Jamaica during the 1960s and 1970s, including ska, rocksteady, reggae, dub and dancehall.

<span class="mw-page-title-main">Ernest Ranglin</span> Jamaican guitarist and composer

Ernest Ranglin is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm 'n' blues and jazz inflections.

Delroy George Wilson CD was a Jamaican ska, rocksteady and reggae singer. Wilson is often regarded as Jamaica's first child star, having first found success as a teenager. His youngest son, Karl "Konan" Wilson, has found success as part of British duo Krept and Konan.

<span class="mw-page-title-main">Ken Boothe</span> Jamaican singer (born 1948)

Kenneth George Boothe OD is a Jamaican vocalist known for his distinctive vibrato and timbre. Boothe achieved an international reputation as one of Jamaica's finest vocalists through a series of crossover hits that appealed to both reggae fans and mainstream audiences.

Leslie Kong was an influential Chinese-Jamaican reggae producer.

Heartbeat Records is an independent record label based in Burlington, Massachusetts. The label specializes in Jamaican music.

<span class="mw-page-title-main">Slim Smith</span> Jamaican singer

Slim Smith was a ska, rocksteady and reggae singer. In their book Reggae: The Rough Guide (1997), Steve Barrow and Peter Dalton described Smith as "the greatest vocalist to emerge in the rocksteady era".

Derrick Clifton Harriott OD is a Jamaican singer and record producer. He was a member of the Jiving Juniors with Herman Sang before embarking on a solo career. He has produced recordings by Big Youth, Chariot Riders, The Chosen Few, Dennis Brown, The Ethiopians, Keith & Tex, The Kingstonians, Rudy Mills, Scotty, Sly & Revolutionaries, and Winston McAnuff.

<span class="mw-page-title-main">The Gladiators (band)</span> Jamaican roots reggae band

The Gladiators are a Jamaican roots reggae band, most popular during the 1970s. The core was Albert Griffiths, Clinton Fearon and Gallimore Sutherland. Their two most famous albums are Trenchtown Mix Up (1976) and Proverbial Reggae (1978) with songs such as "Hearsay", "Jah Works", "Dreadlocks the Time is Now". "Mix Up", "Music Makers from Jamaica", and "Soul Rebel" – a song written by The Wailers. Gladiators also cooperated with the toaster U-Roy.

Phyllis Dillon was a Jamaican rocksteady and reggae singer who recorded for Duke Reid's lucrative Treasure Isle record label in the late 1960s and early 1970s.

<span class="mw-page-title-main">Pama Records</span> Record label

Pama Records is a British record label active during the 1960s and 1970s. Initially focused on soul music, it became one of the major outlets for reggae in the UK.

Dave Barker is a reggae and rocksteady singer who has made a string of solo albums along with recordings as a member of The Techniques and as half of the duo Dave and Ansell Collins.

The Maytones are a Jamaican reggae vocal duo who were active between the late 1960s and until 1980.

The Kingstonians were a Jamaican rocksteady/reggae vocal group best known for their late 1960s recordings for producer Derrick Harriott.

<i>This Is Reggae Music: The Golden Era 1960-1975</i> 2004 box set

This Is Reggae Music: The Golden Era 1960-1975 is a reggae retrospective anthology issued as a 4-CD box set in 2004 by Trojan Records. The anthology, which was compiled by Colin Escott and Bas Hartong, is arranged in chronological order and features tracks by various artists, starting with mento and ska from the first half of the 1960s, then progressing to the slower rhythms of rocksteady and reggae, which both emerged later in the decade, continuing into the 1970s. Several of the acts featured are Derrick Morgan, Desmond Decker & the Aces, Toots & the Maytals, Jimmy Cliff, and Bob Marley and the Wailers.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 Katz, David (16 October 2011). "Leonard Dillon Obituary". The Guardian . Retrieved 21 March 2017.
  2. Virgin Encyclopedia of Reggae, p. 95
  3. Ethiopians (Neville Duncan)
  4. "THE ETHIOPIANS @ N1M". N1m.com. Retrieved 1 October 2023.
  5. "Leonard Dillon interviewed by Peter I, Reggae Vibes website". Reggae-vibes.com. Retrieved 8 April 2019.
  6. David Katz, Solid Foundation: An Oral History of Reggae, p. 157
  7. David Katz, People Funny Boy: The Genius of Lee "Scratch" Perry, p. 118
  8. Cecelia Campbell-Livingston (29 September 2011). "Leonard Dillon of the Ethiopians is dead". The Jamaica Observer . Retrieved 11 May 2012.
  9. Train to Skaville: Anthology 1966-1975 at AllMusic