The Eton Boys, or The Four Eton Boys, [1] were an American all-male musical quartet from the St. Louis, Missouri area, [2] whose members were Art Gentry, lead; Earl Smith, tenor; Charles Day, baritone; and Jack Day, bass. [3] "Incidentally, The Eton Boys never went to Eton College," write authors Scott MacGillivray and Ted Okuda; "the group's name is simply a musical reference ("Eton" is "note" spelled backwards)." [4]
In the 1930s they headlined Broadway vaudeville shows, [5] frequently appeared in short musical films such as Vitaphone's Broadway Brevities and Paramount's animated Screen Songs, and often appeared on the CBS radio network. [6]
They went to schools in the St. Louis area, and the two Day brothers entered show business first, as acrobats in a successful vaudeville act that played the Palace Theatre on Broadway nine times in one year. [1] [7] [5] Art Gentry was once radio's youngest regular announcer and worked for KMOX, [7] [8] and he is the grandfather of television personality Matt Lauer. [9] Earl Smith left vaudeville for nightclub work in New York, and joined the Eton Boys there.
The Eton Boys also appeared in motion pictures, exclusively in New York. Their busiest years in movies were 1933 and 1934: they were featured in two-reel, 20-minute Vitaphone musical shorts; Max Fleischer's Screen Songs for Paramount; and one feature film produced by Universal in New York, Moonlight and Pretzels . [10]
The Screen Songs were animated cartoons, each showcasing a popular song. For example, Down by the Old Mill Stream (1933) had a hillbilly theme, with the animated characters harvesting apples for cider. Halfway through each cartoon, the Eton Boys would appear in live action and lead the audience in singing the title song, guided by the bouncing ball.
In 1941 the Eton Boys made their final film appearances, singing in 11 Soundies. These were short musical films produced in New York, especially for coin-operated "movie jukeboxes". [11]
The Eton Boys recorded for Victor Records in 1941. [12] They completed their radio commitments for NBC and disbanded in 1943. Earl Smith continued to pursue a show-business career, [13] and Art Gentry sang in a radio series for World Transcription Service, "Songs of Our Times" (1948). [14]
Soundies (all 1941): [20]
Jam Session is a 1942 short film, directed by Josef Berne, which shows Duke Ellington and his orchestra performing "C Jam Blues".
A soundie is a three-minute American musical film displaying a performance. Soundies were produced between 1940 and 1946 and have been referred to as "precursors to music videos". Soundies exhibited a variety of musical genres in an effort to draw a broad audience. The shorts were originally viewed in public places on "Panorams": coin-operated, 16mm rear projection machines. Panorams were typically located in businesses like nightclubs, bars, and restaurants. Due to World War II, Soundies also featured patriotic messages and advertisements for war bonds. More adult shorts, such as burlesque and stripteases, were produced to appeal to soldiers on leave.
Van and Schenck were popular American entertainers in the 1910s and 1920s: Gus Van, baritone, and Joe Schenck (pronounced "skenk"; born Joseph Thuma Schenck,, tenor. They were vaudeville stars and made appearances in the Ziegfeld Follies of 1918, 1919, 1920 and 1921. They made numerous phonograph records for the Emerson, Victor, and Columbia record companies.
Wilbur Schwichtenberg, known professionally as Will Bradley, was an American trombonist and bandleader during the 1930s and 1940s. He performed swing, dance music, and boogie-woogie songs, many of them written or co-written by Don Raye.
Thurl Arthur Ravenscroft was an American actor and bass singer. He was well known as one of the booming voices behind Kellogg's Frosted Flakes animated spokesman Tony the Tiger for more than five decades. He was also the uncredited vocalist for the song "You're a Mean One, Mr. Grinch" from the classic Christmas television special, Dr. Seuss' How the Grinch Stole Christmas!
Snader Telescriptions, produced for television from 1950 to 1952, were film versions of popular and classical music performances. Singers, dancers, orchestras, and novelty acts appeared in the Snader musicals. They were produced by Louis D. Snader, a Southern California theater owner who branched out into television and then real estate. Lionel Hampton was announced as the first "music world personality to face video film cameras."
Elmer Goodfellow "El" Brendel was an American vaudeville comedian turned movie star, best remembered for his dialect routine as a Swedish immigrant. His biggest role was as "Single-0" in the sci-fi musical Just Imagine (1930), produced by Fox Film Corporation. His screen name was pronounced "El Bren-DEL".
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical Jubilee.
Benny Fields, occasionally billed as "Bennie Fields", was a popular singer of the early 20th century, best known as one-half of the Blossom Seeley-Benny Fields vaudeville team.
Therese Gardella was an American performer on the stage and screen whose stage persona was Aunt Jemima. She was of Italian descent. She performed on both stage and screen, usually in blackface. Tess was born in Glen Lyon, Pennsylvania, to John and Louisa Gardella. She came to New York City in 1918, singing in dance halls and nightclubs and also political rallies.
Samuel Sax was an American film producer. He produced 80 films between 1925 and 1946, including the last films of Roscoe Arbuckle. From 1938 to 1941, Sax headed Warner Brothers's British subsidiary at Teddington Studios in London.
Flournoy Eakin Miller, sometimes credited as F. E. Miller, was an American entertainer, actor, lyricist, producer and playwright. Between about 1905 and 1932 he formed a popular comic duo, Miller and Lyles, with Aubrey Lyles. Described as "an innovator who advanced black comedy and entertainment significantly," and as "one of the seminal figures in the development of African American musical theater on Broadway", he wrote many successful vaudeville and Broadway shows, including the influential Shuffle Along (1921), as well as working on several all-black movies between the 1930s and 1950s.
Aubrey Lee Lyles, sometimes credited as A. L. Lyles, was an American vaudeville performer, playwright, songwriter, and lyricist. He appeared with Flournoy E. Miller as Miller and Lyles as a popular African-American comedy duo from 1905 until shortly before his death. in 1929 they appeared on film as grocers in the Vitaphone Varieties short comedy film They Know Their Groceries.
Bernice Claire was an American singer and actress. She appeared in 13 films between 1930 and 1938.
Moonlight and Pretzels is a 1933 American Pre-Code musical film directed by Karl Freund, about a man who puts on a Broadway show. The film was released by Universal Studios and featured Mary Brian and William Frawley, now best-known as "Fred Mertz" on the 1950s TV show I Love Lucy; Freund was the groundbreaking cinematographer for I Love Lucy.
The musical short can be traced back to the earliest days of sound films.
Russell Brown was an American actor of stage, television, and screen. He also had a career as a journalist, working for several newspapers in the city of Philadelphia. On stage, he is a best known for his Tony Award-winning role of Benny Van Buren in the 1955 Broadway musical Damn Yankees; a role he also reprised on film in 1958. Other highlights of his work in film were his portrayal of Captain Brackett in Rodgers and Hammerstein's 1958 movie version of the 1949 Broadway musical South Pacific, and as park caretaker George Lemon in the classic courtroom drama, Anatomy of a Murder (1959). On television he portrayed the recurring character of Thomas Jones, the father of the title character, in the legal drama The Law and Mr. Jones from 1960–1962.
Bobby Watson was an American theater and film actor, playing a variety of character roles, including, after 1942, Adolf Hitler.
Willie Howard and Eugene Howard, billed as the Howard Brothers, were Silesian-born American vaudeville performers of the first half of the 20th century. They were two of the earliest openly Jewish performers on the American stage.
Sylvia Froos, sometimes spelled as Sylvia Fross, was an American actress and singer who appeared on stage, radio, recordings, television, and film during the 1920s through the 1940s. She was a child star that was sometimes billed as Baby Sylvia and as the "Little Princess of Song" and in the UK as "America's Queen of Song". She was also referred to as "The Miniature Belle Baker", with her ability to mimic the vocal performances of celebrities being particularly noted by the media, and was additionally likened to Sophie Tucker and Marion Harris.