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The Falling Star is a 1950 West German drama film directed by Harald Braun and starring Werner Krauss, Dieter Borsche and Gisela Uhlen. It was entered into the 1951 Cannes Film Festival. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Hans Sohnle.
Homesick is a 1927 German silent drama film directed by Gennaro Righelli and starring Mady Christians, William Dieterle, and Ida Wüst. The film's art direction was by Hans Jacoby. It is set among a group of Russian émigrés living in Paris.
The House of Dora Green is a 1933 German thriller film directed by Henrik Galeen and starring Mady Christians, Paul Hartmann, and Leonard Steckel. It was based on the novel Diplomatische Unterwelt by Hans Rudolf Berndorff. It was the final German film made by Galeen, before being forced into exile following the Nazi Party's takeover of power. In 1937 it was released in the United States.
Queen Louise is a German silent historical film directed by Karl Grune and starring Mady Christians, Mathias Wieman, and Anita Dorris. It was released in two separate parts slightly less than a month from each other in December 1927 and January 1928. It commenced a series of historical epics directed by Grune. Art direction was by Hans Jacoby.
The Fate of Renate Langen is a 1931 German drama film directed by Rudolf Walther-Fein and starring Mady Christians, Francis Lederer and Hilde Hildebrand.
Grand Hotel is a 1927 German silent drama film directed by Johannes Guter and starring Mady Christians, Dagny Servaes and Günther Hadank.
Miss Chauffeur is a 1928 German comedy film directed by Jaap Speyer and starring Mady Christians, Johannes Riemann, and Lotte Lorring.
Nanette Makes Everything is a 1926 German silent film directed by Carl Boese and starring Mady Christians, Georg Alexander and Vivian Gibson.
My Heart Incognito is a 1931 comedy film directed by André-Paul Antoine and Manfred Noa and starring Mady Christians. It was made by Germany's Aafa-Film as the French-language version of Lieutenant, Were You Once a Hussar?. Such multi-language versions were common during the early years of sound.
Debit and Credit is a 1924 German silent drama film directed by Carl Wilhelm and starring Hans Brausewetter, Mady Christians, and Theodor Loos. It is based on the 1855 novel Debit and Credit.
A Woman with Style is a 1928 German silent film directed by Fritz Wendhausen and starring Mady Christians, Peter C. Leska and Hans Thimig.
Indian Revenge is a 1920 German silent adventure film directed by Georg Jacoby and Léo Lasko and starring Georg Alexander, Mady Christians, and Harry Liedtke.
The Weather Station is a 1923 German silent film directed by Carl Froelich and starring Mady Christians, Albert Steinrück and Hans Brausewetter.
His Majesty the Hypochondriac is a 1918 German silent comedy film directed by Frederic Zelnik and starring Lisa Weise, Karl Beckersachs, and Grete Diercks.
Peter Voss, Thief of Millions or The Man Without a Name is a 1921 German silent adventure film directed by Georg Jacoby and starring Harry Liedtke, Paul Otto, and Mady Christians. It was released in six separate parts. A number of such serials were made during the early Weimar Republic, including Joe May's The Mistress of the World.
The Salesgirl from the Fashion Store is a 1925 German silent comedy film directed by Wolfgang Neff and starring Reinhold Schünzel, Lilly Flohr and Evi Eva.
Midnight is a 1918 German silent crime film directed by Ewald André Dupont and starring Max Landa, Karl Beckersachs and Reinhold Schünzel.
In the Castle by the Lake is a 1918 German silent drama film directed by Eugen Burg and starring Wanda Treumann, Reinhold Schünzel, and Karl Beckersachs.
Oh Those Glorious Old Student Days is a 1925 German silent film directed by Eugen Rex and Heinz Schall and starring Eugen Klöpfer, Maria Zelenka, and Hans Mierendorff.
What the Stones Tell is a 1925 German silent historical war film directed by Rolf Randolf and starring Ernst Rückert, Fritz Greiner and Eduard von Winterstein. The film portrays the Lützow Free Corps of the Napoleonic Era. Its title references a poem about the unit, and is part of the tradition of Prussian films.
References
- ↑ Bock & Bergfelder, p. 72.
