The Flight into Egypt | |
---|---|
Artist | Adam Elsheimer |
Year | c. 1609 |
Type | Oil on copper |
Dimensions | 31 cm× 41 cm(12 in× 16 in) |
Location | Alte Pinakothek, Munich |
The Flight into Egypt is an oil-on-copper cabinet painting by the German artist Adam Elsheimer dating from about 1609, while he was in Rome. It is thought to be the first naturalistic rendering of the night sky in Renaissance art. [1] At Elsheimer's death in Rome in 1610, this picture was hanging in his bedroom. [2] Like many other artists before and after him, Elsheimer has depicted the biblical Flight into Egypt, in which Joseph, Mary, and Jesus seek refuge from possible persecution by Herod. For its innovative fusing of religious and landscape elements, and its detailed juxtaposition of light and darkness, The Flight into Egypt is one of Elsheimer's most well-known and lauded works. It is also likely his last painting, for he died a year later.
Elsheimer's treatment is unique in placing the Holy Family in a nocturnal setting, true to the biblical description. The darkness creates opposing feelings of intimacy and fear of the unknown. The painting channels the mysteries of night, pondered by humans for centuries, into this moment of the Holy Family seeking refuge.
There are four sources of light in the painting: the Moon is accurately depicted and reflects off the calm water. There is a fire near the shepherds at left, where the family is headed. At the centre of the composition, Joseph holds a torch that illuminates Mary and the infant, who are riding an ass. The heavily treed landscape behind them is almost black, its outline forming a diagonal across the sky and completely containing the foreground figures. The diagonal is echoed in the night sky by the intricate band of the Milky Way, and detailed configurations of stars are seen, including Ursa Major at far left. Elsheimer is thought to be the first painter to accurately depict constellations. [3] Another readily identifiable constellation is Leo, above the Holy Family, with its brightest star, Regulus, in the centre of the picture. [1] It has been proposed that Elsheimer reworked the painting in 1610, after the publication of Galileo's Sidereus Nuncius , which showed the Milky Way as composed of individual stars and showed the Moon's surface in unprecedented detail. [4] This hypothesis has been contested by Elsheimer scholar Keith Andrews. [1]
In addition to disclosing Elsheimer's interest in scientific topics, the appearance of the Milky Way has a spiritual connotation—it symbolized the path to heaven beginning in the Middle Ages. [5] Elsheimer's sky, wrote art historian R. H. Wilenski, "is no longer a blackcloth but a symbol for boundless space". [6]
Elsheimer's inventory shows the painting to have been located in his bedroom. [7] The importance of Elsheimer's painting can be judged from a letter dated 14 January 1611 from Rubens to the doctor, botanist and art collector Johann Faber in which he discusses the extraordinary price of 300 scudi demanded by the widow. The painting eventually passed to Hendrick Goudt, who took it to Utrecht. [4]
Elsheimer's works, including The Flight into Egypt, influenced important near-contemporaries Claude Lorrain and Peter Paul Rubens. [8] Rembrandt's version of The Flight into Egypt (1627), with its unique illumination, may have been inspired by Elsheimer's. Rembrandt would have been familiar with Elsheimer's work through high-quality engravings made by his friend Hendrick Goudt. [3] The influence of Goudt's prints on the work of other engravers, especially that of Jan van de Velde, was immediate. [9]
Elsheimer also inspired later artists, such as the German Romantic painter Caspar David Friedrich. The fire's illumination in Friedrich's Evening on the Baltic Sea (1831) recalls The Flight into Egypt. [10]
Caspar David Friedrich was a German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his allegorical landscapes, which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival, but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread popularity.
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the Flemish Baroque painting of the first three decades of the 17th century.
In art, chiaroscuro is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro.
Sidereus Nuncius is a short astronomical treatise published in Neo-Latin by Galileo Galilei on March 13, 1610. It was the first published scientific work based on observations made through a telescope, and it contains the results of Galileo's early observations of the imperfect and mountainous Moon, of hundreds of stars not visible to the naked eye in the Milky Way and in certain constellations, and of the Medicean Stars that appeared to be circling Jupiter.
Carlo Saraceni was an Italian early-Baroque painter, whose reputation as a "first-class painter of the second rank" was improved with the publication of a modern monograph in 1968.
The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses a significant collection of Old Master paintings. The name Alte (Old) Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek, re-built in 1981, covers nineteenth-century art, and Pinakothek der Moderne, opened in 2002, exhibits modern art. All three galleries are part of the Bavarian State Painting Collections, an organization of the Free state of Bavaria.
Utrecht Caravaggism refers to the work of a group of artists who were from, or had studied in, the Dutch city of Utrecht, and during their stay in Rome during the early seventeenth century had become distinctly influenced by the art of Caravaggio. Upon their return to the Dutch Republic, they worked in a so-called Caravaggist style, which in turn influenced an earlier generation of local artists as well as artists in Flanders. The key figures in the movement were Hendrick ter Brugghen, Gerrit van Honthorst and Dirck van Baburen, who introduced Caravaggism into Utrecht painting around 1620. After 1630 the artists moved in other directions and the movement petered out. The Utrecht Caravaggisti painted predominantly history scenes and genre scenes executed in a realist style.
Adam Elsheimer was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of Baroque paintings. His relatively few paintings were small-scale, nearly all painted on copper plates, of the type often known as cabinet paintings. They include a variety of light effects, and an innovative treatment of landscape. He was an influence on many other artists, including Rembrandt and Peter Paul Rubens.
Francesco Maria del Monte, full name Francesco Maria Bourbon del Monte Santa Maria, was an Italian cardinal, diplomat, and connoisseur of the arts. His fame today rests on his early patronage of the important Baroque master Caravaggio, and on his art collection which provides provenance for many important works of the period.
Hendrick van Balen or Hendrick van Balen I was a Flemish Baroque painter and stained glass designer. Hendrick van Balen specialised in small cabinet pictures often painted on a copper support. His favourite themes were mythological and allegorical scenes and, to a lesser extent, religious subjects. The artist played an important role in the renewal of Flemish painting in the early 17th century and was one of the teachers of Anthony van Dyck.
Hercules Pieterszoon Seghers or Segers was a Dutch painter and printmaker of the Dutch Golden Age. He has been called "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker.
The National Gallery is the primary British national public art gallery, sited on Trafalgar Square, in central London. It is home to one of the world's greatest collections of Western European paintings. Founded in 1824, from an initial purchase of 36 paintings by the British Government, its collections have since grown to about 2,300 paintings by roughly 750 artists dating from the mid-13th century to 1900, most of which are on display. This page lists some of the highlights of the collection.
Adriaen or Adriaan van Stalbemt or Adriaen van Stalbempt was a Flemish painter and printmaker who is known for his landscapes with religious, mythological and allegorical scenes. He was also a gifted figure painter who was regularly invited to paint the staffage in compositions of fellow painters.
Hendrick Goudt was a Dutch Golden Age painter, printmaker and draftsman of landscapes and religious subjects who was strongly influenced by Adam Elsheimer.
Roger de Piles's L'Abrégé de la vie des peintres...avec un traité du peintre parfait was a major art biography of painters. It was written by the French spy Roger de Piles. In 1692, during the War of the League of Augsburg, he was arrested in the Hague carrying a false passport and imprisoned for the next five years, where he wrote his L'Abrégé in 7 parts; 1) Sketch of the perfect painter, 2) Greek painters; 3) Painters from Rome & Florence; 4) Painters from Venice; 5) Painters from Lombardy; 6) Painters from Germany and the Low Countries; 7) Painters from France and ending with his famous "Balance of painters". The book was finally published in 1699 following his appointment as Conseiller Honoraire to the Académie de peinture et de sculpture in Paris.
The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or other subject types. Some artworks involve religious or fantasy topics using the quality of dim night light to create mysterious atmospheres. The source of illumination in a night scene—whether it is the moon or an artificial light source—may be depicted directly, or it may be implied by the character and coloration of the light that reflects from the subjects depicted. They are sometimes called nocturnes, or night-pieces, such as Rembrandt's The Night Watch, or the German Romantic Caspar David Friedrich's Two Men Contemplating the Moon of 1819.
Self-portrait in a circle of friends in Mantua, also referred to as Self-Portrait in the Circle of Mantuan Friends or, for short, as Mantuan Friendship Picture is an oil painting on canvas by the Flemish artist Peter Paul Rubens, produced between 1602 and 1606 when the artist worked in Mantua as a court painter of the Gonzagas. It is in the collection of the Wallraf-Richartz Museum in Cologne. It is the oldest known self-portrait by Rubens. It falls in a particular genre of portraits which was popular in the 16th and 17th century, the so-called friendship portrait which depicts an informal gathering of friends or companions. It is more specifically a portrait of a circle of Stoic friends or companions.
Keith Andrews FRSE FSA, born Kurt Aufrichtig, was a British art historian and museum curator of German extraction.
The Rest on the Flight into Egypt is a subject in Christian art showing Mary, Joseph, and the infant Jesus resting during their flight into Egypt. The Holy Family is normally shown in a landscape.