Lorenzo di Piero de' Medici, known as Lorenzo the Magnificent, was an Italian statesman, the de facto ruler of the Florentine Republic, and the most powerful patron of Renaissance culture in Italy. Lorenzo held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian Peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the golden age of Florence. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspiracy (1478), in which his brother Giuliano was assassinated. The Peace of Lodi of 1454 that he supported among the various Italian states collapsed with his death. He is buried in the Medici Chapel in Florence.
Mariotto di Bindo di Biagio Albertinelli was an Italian Renaissance painter active in Florence. He was a close friend and collaborator of Fra Bartolomeo.
Piero della Francesca was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes The History of the True Cross in the church of San Francesco in the Tuscan town of Arezzo.
Piero di Cosimo, also known as Piero di Lorenzo, was an Italian painter of the Renaissance.
The Republic of Florence, known officially as the Florentine Republic, was a medieval and early modern state that was centered on the Italian city of Florence in Tuscany, Italy. The republic originated in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon the death of Matilda of Tuscany, who controlled vast territories that included Florence. The Florentines formed a commune in her successors' place. The republic was ruled by a council known as the Signoria of Florence. The signoria was chosen by the gonfaloniere, who was elected every two months by Florentine guild members.
Piero di Cosimo de' Medici, known as Piero the Gouty, was the de facto ruler of Florence from 1464 to 1469, during the Italian Renaissance.
The Palazzo Vecchio is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.
Portrait of Simonetta Vespucci is an oil on canvas painting by the Italian Renaissance painter Piero di Cosimo, dating from about 1480 or 1490. It is in the Musée Condé in Chantilly, France.
Medusa is either of two paintings described in Giorgio Vasari's Life of Leonardo da Vinci as being among Leonardo's earliest works. Neither painting survived.
Events from the year 1505 in art.
The Magi Chapel is a chapel in the Palazzo Medici Riccardi of Florence, Italy. Its walls are almost entirely covered by a famous cycle of frescoes by the Renaissance master Benozzo Gozzoli, painted around 1459 for the Medici family, the effective rulers of Florence.
The Villa di Castello, near the hills bordering Florence, Tuscany, central Italy, was the country residence of Cosimo I de' Medici, Grand Duke of Tuscany (1519-1574). The gardens, filled with fountains, statuary, and a grotto, became famous throughout Europe. The villa also housed some of the great art treasures of Florence, including Sandro Botticelli's Renaissance masterpieces The Birth of Venus and Primavera. The gardens of the Villa had a profound influence upon the design of the Italian Renaissance garden and the later French formal garden.
Portrait of a Man with a Medal of Cosimo the Elder, also known as Portrait of a Youth with a Medal, is a tempera painting by Italian Renaissance painter Sandro Botticelli. The painting features a young man displaying in triangled hands a medal stamped with the likeness of Cosimo de' Medici. The identity of the young man has been a long-enduring mystery. Completed in approximately 1475, it is on display in the Uffizi Gallery of Florence.
David Franklin is an art historian with expertise in Italian Renaissance art, a curator, and a former art museum director.
Perseus Freeing Andromeda or Liberation of Andromeda is a painting created by Piero di Cosimo, during the Italian Renaissance. The painting was praised by critics and art historians for its aesthetic, cosmological and political implications. The painting is a recreation of the myth of Perseus, the demi-god, who slays the sea monster and saves the beautiful Andromeda. The painting is based on a story created by the ancient Roman writer Ovid, in the Metamorphoses. The themes of the painting include platonic love, ideal beauty, marriage, and natural beauty. The painting includes portraits of the Medici family and many of Florentine's elite upper ruling class as characters in the story of Perseus Freeing Andromeda. The painting also represents a paragone between painting and sculpture. The painting resides in the Uffizi in Florence.
Seven Saints is a tempera on panel painting by the Italian Renaissance master Filippo Lippi, dating to c. 1449–1459, in the collection of the National Gallery, London. It is a pendant to Lippi's Annunciation, also in the National Gallery. The lunettes were commissioned as part of the decoration of the Palazzo Medici in Florence, where they were likely placed above a door or a bed.
Medici is a historical drama television series created by Frank Spotnitz and Nicholas Meyer. The series was produced by Italian companies Lux Vide and Rai Fiction, in collaboration with Spotnitz's Big Light Productions. The series follows the House of Medici, bankers of the Pope, in 15th-century Florence. Each season follows the events of a particular moment of the family's history exploring the political and artistic landscape of Renaissance Italy.
St Mary Magdalene Reading is a painting by the Italian Renaissance painter Piero di Cosimo. It is housed in the Galleria Nazionale d'Arte Antica of Palazzo Barberini, Rome.
Robert Gordon was a Scottish-American merchant, banker, and art collector who served as the president of the Saint Andrew's Society of the State of New York and was a co-founder of the Metropolitan Museum of Art in 1870.
The Discovery of Honey by Bacchus is a painting by Piero di Cosimo from c. 1499. It depicts the god Bacchus and the discovery of honey, as described in the ancient Roman poem Fasti by Ovid. It is in the collection of the Worcester Art Museum in Worcester, Massachusetts.
