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Samuel Taylor Coleridge was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had a major influence on Ralph Waldo Emerson and American transcendentalism.
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Nationality words link to articles with information on the nation's poetry or literature.
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"A Defence of Poetry" is an essay by the English poet Percy Bysshe Shelley, written in 1821 and first published posthumously in 1840 in Essays, Letters from Abroad, Translations and Fragments by Edward Moxon in London. It contains Shelley's famous claim that "poets are the unacknowledged legislators of the world".
Literature written in the English language includes many countries such as the United Kingdom and its crown dependencies, Republic of Ireland, the United States, and the countries of the former British Empire. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon invaders in the fifth century, are called Old English. Beowulf is the most famous work in Old English, and has achieved national epic status in England, despite being set in Scandinavia. However, following the Norman conquest of England in 1066, the written form of the Anglo-Saxon language became less common. Under the influence of the new aristocracy, French became the standard language of courts, parliament, and polite society. The English spoken after the Normans came is known as Middle English. This form of English lasted until the 1470s, when the Chancery Standard, a London-based form of English, became widespread. Geoffrey Chaucer, author of The Canterbury Tales, was a significant figure in the development of the legitimacy of vernacular Middle English at a time when the dominant literary languages in England were still French and Latin. The invention of the printing press by Johannes Gutenberg in 1439 also helped to standardise the language, as did the King James Bible (1611), and the Great Vowel Shift.
"To the River Otter" is a sonnet by Samuel Taylor Coleridge. Though its date of creation is uncertain, it was possibly composed in 1793. It deals with the image of the River Otter, near Coleridge's childhood home in Devon.
Opium and Romanticism are well-connected subjects, as readers of Romantic poetry often come into contact with literary criticisms about the influence of opium on its works. The idea that opium has had a direct effect on works of romantic poetry is still under debate; however, the literary criticism that has emerged throughout the years suggests very compelling ideas about opium and its impact on Romantic texts. Usually these criticisms tend to focus on poets such as Samuel Taylor Coleridge, Thomas De Quincey and George Crabbe.
The theme of poet as legislator reached its grandiose peak in the Romantic era, epitomised in the view of the lonely, alienated poet as 'unacknowledged legislator' to the whole world.
Elizabeth Kent ('Bessy') (1791–1861) was a nineteenth century British writer on botanical and horticultural matters.
Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's Lyrical Ballads in 1798 as probably the beginning of the movement, and the crowning of Queen Victoria in 1837 as its end. Romanticism arrived in other parts of the English-speaking world later; in America, it arrived around 1820.
The March of Intellect, or the 'March of mind', was the subject of heated debate in early nineteenth-century England, one side welcoming the progress of society towards greater, and more widespread, knowledge and understanding, the other deprecating the modern mania for progress and for new-fangled ideas.
References
- ↑ D Daiches ed., Companion to Literature 1 (1968) p. 416
- ↑ M H Abrams, The Mirror and the Lamp (Oxford 1971) p. 356
- ↑ M H Abrams, The Mirror and the Lamp (Oxford 1971) p. 126
- ↑ D Karlin, The Fgure of the Singer (2013) p. 43
- ↑ Quoted in M H Abrams, The Mirror and the Lamp (Oxford 1971) p. 127
- ↑ R Mitchell, Sympathy and the State in the Romantic Era (2013) p. 196
- ↑ Pacock, quoted in D Hay, Young Romantics (London 2011) p. 207
- ↑ D Hay, Young Romantics (London 2011) p. 207
