The Four Fellows

Last updated
The Four Fellows
The Four Fellows.jpg
From top left clockwise: Teddy Williams, Jim McGowan, David Jones, Larry Banks
Background information
Also known asThe Schemers
Origin Brooklyn, New York, United States
Genres
Years active1953-1957 (one-off reunion: 1979)
Labels
Past membersDavid Jones
Larry Banks
Jimmy McGowan
Jimmy Beckum
Teddy Williams
Jimmy Mobley
Gordon Payne
Alvin Scott

The Four Fellows were an American doo-wop group formed in Brooklyn, New York, in 1953. The combo possessed a more polished and professional style than much of their regional contemporaries, reflecting upon influences from gospel and barbershop music. In the Four Fellows' recording career, they underwent multiple line-up changes with lead singer Jimmy McGowan remaining the sole consistent member of the group until it disbanded in 1956. The group released several singles, but their one and only national hit came in 1955, with the distribution of "Soldier Boy", a Top 10 song on the Billboard R&B charts.

History

The group came together in 1953 when David Jones (tenor) and Larry Banks (bass), both of whom had recently returned from combat in the Korean War, convinced Jimmy McGowan (second tenor) to resume his singing career. McGowan had spent time with the vocal group the Four Toppers, but was forced to break up that band when he was hospitalized with an illness. With Jimmy Beckum (lead vocalist) also involved, the group formed the Schemers. [1] The band members came from varying backgrounds and influences in the music industry: Beckum sang in the gospel group the Brooklyn Crusaders, and Jones and Banks spent time in barbershop acts. After a few public appearances, Beckum left the Schemers, but was soon replaced with Teddy Williams, with whom McGowan had worked during his stint with the Four Toppers. [2] [3]

Thereafter, the group adopted a style inspired by the Mills Brothers, which emphasized collective vocalization rather than an identifiable frontman backed by harmony singers. By 1954, their manager Jimmy Johnson renamed the Schemers to the Four Fellows, in the belief that the new moniker would sound more professional for their upcoming performance on Ralph Cooper's television program Spotlight on Harlem. [4] Later in the year, Johnson orchestrated a recording contract with Derby Records, leading to the Four Fellows debut single "I Tried" paired with "Bend on the River". The single was a commercial disappointment, which lead to the swift ousting of Johnson from his managerial role. He was replaced by Teddy "Cherokee" Conyer, a former saxophonist for Buddy Johnson. An agreement between Conyer and record producer Phil Rose placed the Four Fellows on Rose's newly established label Glory Records. [3]

In 1955, the Four Fellows released a pair of singles, "I Wish I Didn't Love You" and "So Will I", the latter of which partnered the combo with blues singer Bette McLaurin. [5] Finally, a breakthrough came for the group when Rose, who rejected every other song the Four Fellows offered, choose Jones's composition "Soldier Boy". In July 1955, "Soldier Boy" was released, and became a smash R&B hit, reaching number four on the Billboard R&B charts, where it lingered for 15 weeks. [6] [7] Following the single's success, the band made regular appearances at the Apollo Theatre and Brooklyn Paramount Theatre, sharing the bill with the Moonglows, the Nutmegs, and Bo Diddley. [4] A tour in the Midwest followed, reaching its peak with a performance at the Regal Theater in Chicago. [8]

More singles were released in 1955 and 1956, including "Angels Say," "In the Rain," "Darling You," and "Please Play My Song", but none of the records neared the commercial success of "Soldier Boy". [5] For the Four Fellows' final single, "You're Still in My Heart", the group was accompanied by singer Bessie White, who Banks married. [9] In April 1956, Jones left to work with Hal Miller, and was replaced by Jimmy Mobley in time to appear on the "Please Play My Song" single. By the end of 1956, McGowan stood alone as the only original member, recruiting Gordon Payne and Alvin Scott to record an album with Josh White before disbanding in 1957. [4] [10] Banks enjoyed success in the music industry as a record producer and songwriter, penning the song "Go Now" for Bessie White. Although it was not a big hit, a cover version by the Moody Blues reached national audiences in the United States and England. [9]

The "Soldier Boy" line-up performed for the last time together at a benefit for the United in Group Harmony Association (UGHA) in May 1979. In 1980, the UGHA released a live version of "Soldier Boy" on its own independent label. At the eighth annual UGHA hall of fame event in 1998, McGowan represented the Four Fellows to perform "Soldier Boy" with the a cappella group the Sheps. [1]

Related Research Articles

The Penguins were an American doo-wop group from Los Angeles, California, that were active during the 1950s and early 1960s. They are known for their 1954 hit song, "Earth Angel", which was one of the first rhythm and blues songs to cross over to the pop charts. The song would ultimately prove to be their only success. The song peaked at No. 8 on the US Billboard Best Sellers in Stores pop chart but had a three-week run at No. 1 on the R&B chart.

<span class="mw-page-title-main">Doo-wop</span> Style of rhythm and blues music

Doo-wop is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.

<span class="mw-page-title-main">The Parliaments</span> American vocal group

The Parliaments were an American vocal quintet from Plainfield, New Jersey, United States. Originally formed in the back room of a barbershop in 1956, the quintet was named after the cigarette brand. The Parliaments initially performed doo-wop music; after some early personnel changes their lineup solidified with George Clinton, Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. Clinton was group leader and manager, and part owner of the barbershop where the group convened to entertain customers. The group later changed its style, evolving into the bands Parliament and Funkadelic, which found success in the 1970s.

The Turbans were an American doo-wop vocal group that formed in Philadelphia, Pennsylvania in 1953. The original members were: Al Banks, Matthew Platt, Charlie Williams (baritone), and Andrew "Chet" Jones (bass). They came from Downtown Philadelphia.

<span class="mw-page-title-main">Checker Records</span> American record label

Checker Records is an inactive record label that was started in 1952 as a subsidiary of Chess Records in Chicago, Illinois. The label was founded by the Chess brothers, Leonard and Phil, who ran the label until they sold it to General Recorded Tape (GRT) in 1969, shortly before Leonard's death.

<span class="mw-page-title-main">The Clovers</span> American rhythm and blues/doo-wop vocal group

The Clovers are an American rhythm and blues/doo-wop vocal group who became one of the biggest selling acts of the 1950s. They had a top 30 US hit in 1959 with the Leiber and Stoller song "Love Potion No. 9".

The Wrens were an American doo-wop vocal group from The Bronx, New York City. They are best known for their song "Come Back My Love" and "I'm Just the Kind of Guy".

The Harptones are an American doo-wop group, which formed in Manhattan in 1953.

Delbert McClinton is an American blues rock and electric blues singer-songwriter, guitarist, harmonica player, and pianist.

The Cadets were an American doo-wop group, formed in Los Angeles, California, United States. The group began as a gospel group, the Santa Monica Soul Seekers, in the late 1940s. The members were Lloyd McCraw, Willie Davis, Austin "Ted" Taylor, Aaron Collins, Glendon Kingsby, and Will "Dub" Jones. In 1955, the group auditioned for Modern Records, and were accepted. The group decided to switch to the popular R&B style, with the exception of Kingsby, who left to continue in gospel music.

"Rubber Biscuit" is a novelty doo-wop song performed by the vocals-only team the Chips, who recorded it in 1956. It was covered by the Blues Brothers on their 1978 debut album, Briefcase Full of Blues, among many other artists, as well as being featured in the 1973 film Mean Streets.

Bessie Banks is an American rhythm and blues and soul singer, best known for her original 1964 recording of "Go Now," successfully covered in the same year by UK band the Moody Blues.

"Ain't Nobody's Business" is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the Original Memphis Five.

The Danleers were an American doo-wop group formed in Brooklyn, New York in 1958. The group's original and most famous lineup consisted of Jimmy Weston, Johnny Lee, Willie Ephraim, Nat McCune, and Roosevelt Mays. One of many streetcorner vocal groups in Brooklyn, they rose to prominence in 1958 on the strength of the single "One Summer Night", written by their manager, Danny Webb, who also named the group. The single was one of the biggest hits of that year and sold over one million copies. Further releases were not so successful and the group mostly dissolved by the mid-1960s. It continued to tour for several decades with Weston as the main original member.

<span class="mw-page-title-main">My Prayer</span> 1956 single by the Platters

"My Prayer" is a 1939 popular song with music by salon violinist Georges Boulanger and lyrics by Carlos Gomez Barrera and Jimmy Kennedy. It was originally written by Boulanger with the title Avant de mourir 1926. The lyrics for this version were added by Kennedy in 1939.

"You're the Apple of My Eye" is a song written by Otis Blackwell and initially recorded and released as a single in 1956 by The Four Lovers, the precursor to The Four Seasons. Recorded after they were denied the opportunity to record another Blackwell song, "Don't Be Cruel", "You're the Apple of My Eye" was The Four Lovers' first exposure to U.S. national publicity, reaching the #62 position on the Billboard Hot 100 and earning the quartet an appearance on The Ed Sullivan Show. One of two Four Lovers singles that RCA Victor Records released simultaneously, it was the quartet's only foray onto the Hot 100 before the formation of The Four Seasons five years later.

Document Records is an independent record label, founded in Austria and now based in Scotland, that specializes in reissuing vintage blues and jazz. The company has been recognised by The Blues Foundation, being honoured with a Keeping the Blues Alive Award in 2018. Document Records is the only UK-based recipient of the award.

Lawrence H. Banks was an American R&B and soul singer, songwriter, and record producer.

<span class="mw-page-title-main">Varetta Dillard</span> American singer

Varetta Mamie Dillard was an American rhythm and blues singer in the 1950s whose biggest hit was "Mercy, Mr. Percy".

<span class="mw-page-title-main">Lillian Leach</span> American singer

Lillian Leach, also known by her married name, Lillian Leach Boyd, was an American singer who performed lead vocals with the Bronx-based doo-wop group the Mellows. She was noted for her mellifluous voice and wistful singing style. The Mellows recorded several hit songs in the 1950s, including "Smoke From Your Cigarette", "Yesterday's Memories", and "How Sentimental Can I Be?"

References

  1. 1 2 "The Four Fellows". soldierboy.50megs.com. Retrieved August 2, 2016.
  2. Warner, Jay (2006). American Singing Groups: A History from 1940s to Today. Hal Leonard Publishing. p. 204. ISBN   9780634099786.
  3. 1 2 Let's Have a Party (CD booklet). Fantastic Voyage Records. 2014.
  4. 1 2 3 "Remembering the Four Fellows". home.earthlink.net. Retrieved August 2, 2016.
  5. 1 2 "R&B vocal groups, part 2". harmonytrain.com. Retrieved August 2, 2016.
  6. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 154.
  7. "Bend on the River". vocalgroupharmony.com. Retrieved August 2, 2016.
  8. Thomas Bryan. "The Four Fellows - Biography". allmusic.com. Retrieved August 2, 2016.
  9. 1 2 Eder, Bruce. "Bessie Banks - Biography". allmusic.com. Retrieved August 2, 2016.
  10. Rosalsky, Mitch (2002). Encyclopedia of Rhythm & Blues and Doo-Wop Vocal Groups. Scarecrow Press. p. 262. ISBN   9780810845923.