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The Four Prentices of London is an Elizabethan play by English Renaissance playwright Thomas Heywood, thought to have originated c. 1592.
Thomas Heywood was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece A Woman Killed with Kindness, a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived.
The play is known to have been acted by the Admiral's Men on 19 July 1594. It might also have been performed, under the title Jerusalem, by the Lord Strange's Men on 22 March and 25 April 1592. [1]
The Admiral's Men was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre.
Lord Strange's Men was an Elizabethan playing company, comprising retainers of the household of Ferdinando Stanley, Lord Strange. They are best known in their final phase of activity in the late 1580s and early 1590s. After 25 September 1593, they were known as the Earl of Derby's Men, that being the date of Stanley's accession to his father's title.
The play was entered into the Stationers' Register on 19 June 1594, under the title Godfrey of Bouillon and the Conquest of Jerusalem, but was not published till 1615. The title page of the first quarto states that the play was acted by Queen Anne's Men at the Red Bull Theatre, though the play had a long prior history of performances by earlier companies in earlier venues, as noted above. It was printed again in 1632.
The Stationers’ Register was a record book maintained by the Stationers' Company of London. The company is a trade guild given a royal charter in 1557 to regulate the various professions associated with the publishing industry, including printers, bookbinders, booksellers, and publishers in England. The Register itself allowed publishers to document their right to produce a particular printed work, and constituted an early form of copyright law. The Company's charter gave it the right to seize illicit editions and bar the publication of unlicensed books.
Godfrey of Bouillon was a Frankish knight and one of the leaders of the First Crusade from 1096 until its conclusion in 1099. He was the Lord of Bouillon, from which he took his byname, from 1076 and the Duke of Lower Lorraine from 1087. After the successful siege of Jerusalem in 1099, Godfrey became the first ruler of the Kingdom of Jerusalem. He refused the title of King, however, as he believed that the true King of Jerusalem was Jesus Christ, preferring the title of Advocate of the Holy Sepulchre. He is also known as the "Baron of the Holy Sepulchre" and the "Crusader King".
The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from folio, to quarto (smaller) and octavo. Historically, these terms referred to the format of the book, a technical term used by printers and bibliographers to indicate the size of a leaf in terms of the size of the original sheet. For example, a quarto historically was a book printed on a sheet of paper folded twice to produce four leaves, each leaf one fourth the size of the original sheet printed. Because the actual format of many modern books cannot be determined from examination of the books, bibliographers may not use these terms in scholarly descriptions.
The text of the play in the 1615 volume is preceded by an Epistle to the Prentices, signed by Heywood, and a Prologue that provides yet a fourth title, True and Strange, or The Four Prentices of London.
The old Earl of Boloigne has four sons, Godfrey, Guy, Charles, and Eustace, who are all apprentices due to his loss of his earldom by a usurper. He also has a daughter called Bella Franca, to whom he leaves what little wealth he has left. Godfrey is a mercer, Guy a goldsmith, Charles a haberdasher, and Eustace a grocer. At the beginning of the play, the father says he is to go on a pilgrimage to the Holy Land of Jerusalem to see the Saviour's sepulchre. He bids farewell to his sons and asks them to remain good apprentices.
A Captain enrolls the four apprentices in a crusade led by Robert, Duke of Normandy, King William's son. After a shipwreck, the four brothers are separated and each believes the others to be dead. Godfrey finds himself on the coasts of Spain, helps the Citizen of Boloigne fight against the Spaniards and is created Earl of Boloigne, as his father used to be. Guy is cast away in France, where he is met by the King of France and his daughter, who falls in love with him and who will follow him through the rest of the play, disguised as a page. Charles happens to land in Italy, where he kills the leader of a band of thieves and becomes their captain. Eustace, the youngest of the four, is cast away on the coast of Ireland.
Bella Franca also leaves London to go to Jerusalem. The whole company is united on their way to the Holy Land, but no one recognizes the other members of the family. The four apprentices fall in love with their sister and often fight to win her love. Tancred, the County Palatine, accompanying them, is also enamored with her. She spends her time stopping their quarrels and dismissing their overtures.
In Jerusalem, the apprentices fight against Soldan the Babylonian and Sophy the Persian and defeat them after some reversals of fortune. Finally reunited with their father and sister, they recognize each other. The news of King William the Conqueror's death leads to Robert's succession. King Robert has to crown a king of Jerusalem. Tancred and Godfrey both decline the King's offer. Guy becomes King of Jerusalem, Charles King of Cyprus and Eustace King of Sicily. Guy is united with the King of France's daughter and Tancred with the apprentices' sister Bella Franca.
Heywood's play provided the primary target of the satire in Francis Beaumont's The Knight of the Burning Pestle (1607).
Francis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher.
The Knight of the Burning Pestle is a play in five acts by Francis Beaumont, first performed at Blackfriars Theatre in 1607 and published in a quarto in 1613. It is the earliest whole parody play in English. The play is a satire on chivalric romances in general, similar to Don Quixote, and a parody of Thomas Heywood's The Four Prentices of London and Thomas Dekker's The Shoemaker's Holiday. It breaks the fourth wall from its outset.
Thomas Kyd was an English playwright, the author of The Spanish Tragedy, and one of the most important figures in the development of Elizabethan drama.
Eustace II,, also known as Eustace aux Gernons was Count of Boulogne from 1049–1087. He fought on the Norman side at the Battle of Hastings, and afterwards received large grants of land forming an honour in England. He is one of the few proven companions of William the Conqueror. It has been suggested that Eustace was the patron of the Bayeux Tapestry.
Baldwin I, also known as Baldwin of Boulogne, was the first count of Edessa from 1098 to 1100, and the second crusader ruler and first king of Jerusalem from 1100 to his death. Being a younger son, he was destined for a church career, but he abandoned it and married a Norman noblewoman, Godehilde of Tosny. He received the County of Verdun in 1096, but he soon joined the crusader army of his brother, Godfrey of Bouillon and became one of the most successful commanders of the First Crusade.
Baldwin II, also known as Baldwin of Bourcq or Bourg, was Count of Edessa from 1100 to 1118, and King of Jerusalem from 1118 until his death. He accompanied his cousins, Godfrey of Bouillon, and Baldwin of Boulogne, to the Holy Land during the First Crusade. He succeeded Baldwin of Boulogne as the second count of Edessa when his cousin left the county for Jerusalem. He was captured at the Battle of Harran in 1104. He was held first by Sökmen of Mardin, then by Jikirmish of Mosul, and finally by Jawali Saqawa. During his captivity, Tancred, the Crusader ruler of the Principality of Antioch, and Tancred's cousin, Richard of Salerno, governed Edessa as Baldwin's regents.
The County of Edessa was one of the Crusader states in the 12th century. Its seat was the city of Edessa.
King Leir is an anonymous Elizabethan play about the life of the ancient Brythonic king Leir of Britain. It was published in 1605 but was entered into the Stationers' Register on 15 May 1594. The play has attracted critical attention principally for its relationship with King Lear, Shakespeare's version of the same story.
The Jew of Malta is a play by Christopher Marlowe, written in 1589 or 1590. The plot primarily revolves around a Maltese Jewish merchant named Barabas. The original story combines religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean that takes place on the island of Malta. There has been extensive debate about the play's portrayal of Jews and how Elizabethan audiences would have viewed it.
Wentworth Smith, was a minor English dramatist of the Elizabethan period who may have been responsible for some of the plays in the Shakespeare Apocrypha, though no work known to be his is extant.
The Merry Devil of Edmonton is an Elizabethan-era stage play; a comedy about a magician, Peter Fabell, nicknamed the Merry Devil. It was at one point attributed to William Shakespeare, but is now considered part of the Shakespeare Apocrypha.
The Crusade cycle is an Old French cycle of chansons de geste concerning the First Crusade and its aftermath.
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys.
Augustine Phillips was an Elizabethan actor who performed in troupes with Edward Alleyn and William Shakespeare. He was one of the first generation of English actors to achieve wealth and a degree of social status by means of his trade.
The Children of the Chapel were the boys with unbroken voices, choristers, who formed part of the Chapel Royal, the body of singers and priests serving the spiritual needs of their sovereign wherever they were called upon to do so. The were overseen by the Master of the Children of the Chapel Royal.
Hugh of Fauquembergues, also known as Hugh of St Omer, Hugh of Falkenberg, or Hugh of Falchenberg was Prince of Galilee from 1101 to his death. He was Lord of Fauquembergues before joining the First Crusade. Baldwin I of Jerusalem granted him Galilee after its first prince, Tancred, who was Baldwin's opponent, had voluntarily renounced it. Hugh assisted Baldwin against the Fatimids and made raids into Seljuk territories. He established the castles of Toron and Chastel Neuf. He died fighting against Toghtekin, Atabeg of Damascus.
A Looking Glass for London and England is an Elizabethan era stage play, a collaboration between Thomas Lodge and Robert Greene. Recounting the Biblical story of Jonah and the fall of Nineveh, the play is a noteworthy example of the survival of the Medieval morality play style of drama in the period of English Renaissance theatre.
The Earl of Sussex's Men was a playing company or troupe of actors in Elizabethan and Jacobean England, most notable for their connection with the early career of William Shakespeare.
Edward IV, Parts 1 and 2 is a two-part Elizabethan history play centring on the personal life of king Edward IV of England. It was published without an author's name attached, but is often attributed to Thomas Heywood, perhaps writing with collaborators.