Jean Siméon Chardin was an 18th-century French painter. He is considered a master of still life, and is also noted for his genre paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular impasto characterize his work.
Giorgione was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art.
Frans Snyders or Frans Snijders was a Flemish painter of animals, hunting scenes, market scenes, and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens.
A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural or human-made.
Severin Roesen was a Prussian-American painter known for his abundant fruit and flower still lifes, and is today recognized as one of the major American painters in that genre from the nineteenth century.
Evaristo Baschenis was an Italian Baroque painter of the 17th century, active mainly around his native city of Bergamo.
Fede Galizia, better known as Galizia, was an Italian painter of still-lifes, portraits, and religious pictures. She is especially noted as a painter of still-lifes of fruit, a genre in which she was one of the earliest practitioners in European art. She is perhaps not as well known as other female artists, such as Angelica Kauffman and Élisabeth Vigée Le Brun, because she did not have access to court-oriented or aristocratic social circles, nor had she sought the particular patronage of political rulers and noblemen.
Events from the year 1593 in art.
People often see hidden faces in things. Depending on the circumstances, this is referred to as pareidolia, the perception or recognition of a specific pattern or form in something essentially different. It is thus also a kind of optical illusion. When an artist notices that two different things have a similar appearance, and draws or paints a picture making this similarity evident, they make images with double meanings. Many of these images are hidden faces or hidden skulls.
Isabella in Black is a portrait of a young woman by Titian. It can be dated to the 1530s and is in the Kunsthistorisches Museum in Vienna. The artist and the date are undisputed. Beyond the museum documentation, there are repeated doubts about the person depicted.
Giuseppe Arcimboldo, also spelled Arcimboldi, was an Italian painter best known for creating imaginative portrait heads made entirely of objects such as fruits, vegetables, flowers, fish and books.
Shepherd with a flute, or Boy with a Pipe, is a painting in oil on canvas of perhaps 1510–1515, in recent decades usually attributed to Titian, though in the past often to Giorgione. It is now in the Royal Collection in the King's Closet at Windsor Castle. Since at least 1983 it has been called Boy with a Pipe by the Royal Collection; previous titles the collection recognise include Shepherd with a pipe, and The Shepherd.
Vertumnus is an oil painting produced by the Italian painter Giuseppe Arcimboldo in 1591 that consists of multiple fruits, vegetables and flowers that come together to create a portrait of Holy Roman Emperor Rudolf II. Although Arcimboldo's colleagues commented that Vertumnus was scherzo, or humorous, there were intentional political meanings behind the piece, particularly regarding the choice of fruits, vegetables, and flowers. Arcimboldo's choice to include these items was also an intentional reference to the Roman god, Vertumnus.
The Seasons or The Four Seasons is a set of four paintings produced in 1563, 1572 and 1573 by the Italian artist Giuseppe Arcimboldo. He offered the set to Maximilian II, Holy Roman Emperor in 1569, accompanying The Four Elements. Each shows a profile portrait made up of fruit, vegetables and plants relating to the relevant season. The set was accompanied by a poem by Giovanni Battista Fonteo (1546–1580) explaining their allegorical meaning.
The Cook is a c. 1570 oil-on-panel painting by the Italian painter Giuseppe Arcimboldo, now in the Nationalmuseum, in Stockholm. It is a still life of roasted meats that, when the painting is turned upside-down, form a human face via pareidolia. The painter also produced The Fruit Basket and The Gardener, using a similar effect.
The Gardener, The Vegetable Gardener or Vegetables in a Bowl is an oil-on-panel painting created ca. 1587–1590 by the Italian painter Giuseppe Arcimboldo, now in the Museo Civico Ala Ponzone in Cremona, Italy. One way up it shows a bowl of vegetables; the other way up it shows a human face by pareidolia. The face includes several suggestions of the male and female genitalia, meaning that it can be interpreted as Priapus, the ithyphallic pagan god of fertility and protector of gardens. The same painter also produced The Fruit Basket and The Cook.
The Master of the Hartford Still-Life or simply the Master of Hartford was an Italian painter in the Baroque style who worked in Rome from the 1590s to the 1610s and specialized in lavish still-lifes. Together with the Master of the Acquavella Still-Life, he helped establish a brighter style for the Italian still-life, as opposed to the prevailing dark style of the Netherlands.
Portrait of Massimiliano II Stampa is a c.1558 oil-on-canvas painting by the Italian Renaissance painter Sofonisba Anguissola, now in the Walters Art Museum, Baltimore, USA. It was previously misattributed to Giovan Battista Moroni, possibly due to stylistic similarities with Moroni's The Knight in Black.
The Portrait of Doge Leonardo Loredan is a painting by the Italian Renaissance master Vittore Carpaccio, a painter of the Venetian School and student of Gentile Bellini. The latter also painted a portrait of Doge Leonardo Loredan. It was most likely painted around 1501/02, at the beginning of Loredan's reign. The painting was restored in 2003 with funding from Mara and Chuck Robinson in honour of Prof. W. R. Rearick, and it is now displayed in the Museo Correr in Venice.
Isabella in Red is a portrait of a woman by Peter Paul Rubens in the Kunsthistorisches Museum in Vienna. It is considered a close copy of a lost Titian original.
