The Ghost (1963 film)

Last updated

The Ghost
Lo Spettro-poster.jpg
Italian theatrical release poster
Directed by Riccardo Freda
Screenplay by Oreste Biancoli [1]
Story by
  • Riccardo Freda
  • Oreste Biancoli [1]
Produced by
Starring
Cinematography Raffaele Masciocchi [1]
Edited byOrnella Micheli [1]
Music by Francesco De Masi
Distributed byDino de Laurentiis (Italy)
Release date
  • 30 March 1963 (1963-03-30)(Italy)
Running time
100 minutes [1]
CountryItaly [1]
LanguagesItalian
English
Box office 175 million

The Ghost (Italian title: Lo Spettro) is a 1963 Italian horror film directed by Riccardo Freda, using the pseudonym "Robert Hampton". The film stars Barbara Steele and Peter Baldwin. Other titles for the film include The Spectre and Lo Spettro del Dr. Hichcock. [2]

Contents

Plot

In 1910 in Scotland, the ailing Doctor Hichcock (Elio Jotta), confined to his wheelchair, presides over seances in which his housekeeper, Catherine (Harriet Medin), acts as the medium. According to Hichcock's theory, shots of lethal poison followed by an antidote could cure his physical disability shortly after. The younger Doctor Livingstone (Peter Baldwin) stays with him in the house to regularly administer this dangerous treatment.

Hichcock's wife Margaret (Barbara Steele) finds living with her husband increasingly unbearable. Possibly suspected by her husband, she is having an affair with Livingstone. She implores him to murder Hichcock, which he eventually does by injecting the poison but not administering the antidote. During the distribution of Hichcock's estate, Margaret and Livingstone learn Hichcock only recently changed his last will and testament. Margaret gets the house and its contents, but only a third share of her husband's bonds, shares, currency, and jewels, kept in the doctor's safe.

Upon Catherine telling them that the key to the safe containing the valuables was in the jacket buried with him, they secretly visit his vault, open his coffin and retrieve it, intending to take a larger share of the valuables. Livingstone opens the safe while Margaret is out of the room with Catherine. It is empty. Later, they hear Hichcock's voice calling to them and experience other poltergeist phenomena, including the appearance of the ghost-like Hichcock himself. One night, Catherine, apparently possessed by Hichcock, speaks in his voice and tells Margaret that his valuables are buried beneath his coffin. She returns to the vault to find a golden box. Upon opening it, she cuts herself. The box contains nothing but a skull. Catherine then insinuates that Livingstone took the valuables for himself when he opened the safe in Margaret's absence. Margaret finds jewels in his bag, much to Livingstone's surprise. Margaret slashes him to death with a razor and drags him into the cellar, where she uses kerosene from a lamp to burn his body.

Margaret is drawn to Hichcock's study by the ringing of his handbell, where she contemplates suicide by poison, pours it into a glass of gin, but does not drink it. She starts feeling ill and sits down when Hichcock appears, alive and no longer disabled. He tells her that he poisoned the box with a non-lethal dose of curare, which is now quickly paralyzing her. Hichcock shoots his accomplice Catherine dead and makes Margaret touch the gun to incriminate her. Finally, he toasts Margaret's ill health with the glass of gin she poured for herself and drinks it. When he realizes it is poisoned, he begs Margaret for the antidote. She laughs and destroys the vial of antidote. Hichcock seals himself inside a secret room behind the bookshelf, locking himself in. The police arrive and arrest the laughing and paralyzed Margaret for Catherine's murder, carrying her out of the room.

When Canon Owens, the parish priest, arrives and hears muffled noises from behind the library bookshelf, he addresses Hichcock's portrait with the words, "I told you, Doctor Hichcock, the devil is a very real person." He then leaves the room.

Production

The Ghost was shot in Rome. It is a Gothic re-imagining of the film Les Diaboliques (1955). [1] [3]

The Italian production crew are credited by aliases. [4] The music score is credited to "Franck Wallace", whom Italian magazine Bianco e Nero and the Monthly Film Bulletin claim is a pseudonym for Franco Mannino. [4] When Beat Records re-released the score, they found the tapes credited to Francesco De Masi who is not credited in the film. [4]

Riccardo Freda had directed Barbara Steele in the horror film The Horrible Dr. Hichcock the previous year. In that film Steele's character was also married to a Doctor Hichcock, but neither character had any connection with those in The Ghost.

Release

The Ghost was released in Italy on 30 March 1963, where it was distributed by Dino de Laurentiis. [1] The film grossed a total of £175 million lira on its theatrical release. [1] Freda said that the censors did not object to any of the film's content. [4]

The film was later released in the United Kingdom in February 1964 [5] [ page needed ] and in the United States on 18 February 1965 in Dallas. [1] [6]

Critical reception

In a contemporary review, The Monthly Film Bulletin stated that "Pictorially the film is a knock-out" while the dubbed dialogue is "more inept than ever". [7] The review concluded that The Ghost was "a splendid exercise in Grand Guignol" [7] Leonard Maltin awarded the film two and a half out of a possible four stars complimenting the film's atmosphere, calling it a "Measured, moody horror, let down by routine plot". [8]

Related Research Articles

<span class="mw-page-title-main">Barbara Steele</span> British actress (born 1937)

Barbara Steele is an English film actress known for starring in Italian gothic horror films of the 1960s. She has been referred to as the "Queen of All Scream Queens" and "Britain's first lady of horror". She played the dual role of Asa and Katia Vajda in Mario Bava's landmark film Black Sunday (1960), and starred in The Pit and the Pendulum (1961), The Horrible Dr. Hichcock (1962), The Long Hair of Death (1964), and Castle of Blood (1964).

<span class="mw-page-title-main">Mario Bava</span> Italian filmmaker

Mario Bava was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter, frequently referred to as the "Master of Italian Horror" and the "Master of the Macabre". His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature. He was a pioneer of Italian genre cinema, and is regarded as one of the most influential auteurs of the horror film genre.

<span class="mw-page-title-main">Riccardo Freda</span> Italian film director

Riccardo Freda was an Italian film director. He worked in a variety of genres, including sword-and-sandal, horror, giallo and spy films.

Ernesto Gastaldi is an Italian screenwriter. Film historian and critic Tim Lucas described Gastaldi as the first Italian screenwriter to specialize in horror and thriller films. Gastaldi worked within several popular genres including pepla, Western and spy films.

<i>Black Sunday</i> (1960 film) 1960 film

Black Sunday is a 1960 Italian gothic horror film directed by Mario Bava in his official directorial debut, and starring Barbara Steele, John Richardson, Andrea Checchi, Ivo Garrani, Arturo Dominici and Enrico Oliveri. Loosely based on Nikolai Gogol's short story "Viy", the film takes place in Moldavia and tells the story of a witch who is put to death by her brother, only to return two centuries later to seek revenge upon his descendants.

<i>The Horrible Dr. Hichcock</i> 1962 film

The Horrible Dr. Hichcock is a 1962 Italian horror film, directed by Riccardo Freda and written by Ernesto Gastaldi. The film stars Barbara Steele and Robert Flemyng.

<i>Castle of Blood</i> 1964 film

Castle of Blood is a 1964 horror film directed by Antonio Margheriti and Sergio Corbucci. The film stars Barbara Steele, Arturo Dominici and Georges Rivière. The film was initially commissioned to director Sergio Corbucci, who had Gianni Grimaldi and Bruno Corbucci set to write the film. A scheduling conflict led to Corbucci's friend Margheriti being hired to complete the film. To avoid going over time, Corbucci was brought in to film one scene.

<i>I Vampiri</i> 1957 film

I Vampiri is a 1957 Italian horror film directed by Riccardo Freda and completed by the film's cinematographer, Mario Bava. It stars Gianna Maria Canale, Carlo D'Angelo and Dario Michaelis. The film is about a series of murders on young women who are found with their blood drained. The newspapers report on a killer known as the Vampire, which prompts young journalist Pierre Lantin to research the crimes. Lantin investigates the mysterious Du Grand family who lives in a castle occupied by Gisele Du Grand who is in love with Lantin. She lives with her aunt, who hides her face in a veil, as well as the scientist Julian Du Grand, who is trying to find the secret to eternal youth.

<i>Nightmare Castle</i> 1965 film

Nightmare Castle is a 1965 Italian horror film directed by Mario Caiano. The film stars Paul Muller, Helga Liné and Barbara Steele in a dual role.

<i>The She Beast</i> 1966 British film

The She Beast is a 1966 horror film written and directed by Michael Reeves in his directorial debut. The film stars Barbara Steele, John Karlsen and Ian Ogilvy.

<i>Double Face</i> 1969 film

Double Face is a 1969 thriller film directed by Riccardo Freda and starring Klaus Kinski, Christiane Krüger and Annabella Incontrera. It is part of the series of Edgar Wallace adaptations made by Rialto Film.

<i>Mill of the Stone Women</i> 1960 film by Giorgio Ferroni

Mill of the Stone Women is a 1960 Italian horror film directed by Giorgio Ferroni, starring Pierre Brice and Scilla Gabel. It follows a journalist writing a story on a sculptor in 19th-century Holland who falls in love with the artist's sequestered daughter; meanwhile, a series of missing person cases seem to encircle the windmill where the artist lives and works.

<i>The Witchs Curse</i> 1962 film

The Witch's Curse is a 1962 Italian peplum-fantasy film, directed by Riccardo Freda.

<i>Tragic Ceremony</i> 1972 film

Tragic Ceremony is a 1972 horror film directed by Riccardo Freda and starring Camille Keaton, Tony Isbert, and Máximo Valverde. Its plot follows a group of young people who find themselves haunted in the hours after witnessing a black mass while lodging at a remote estate during a rainstorm.

<i>Murder Obsession</i> 1981 film

Murder Obsession, a.k.a. Fear, is a 1981 Italian giallo-horror film directed by Riccardo Freda, and starring Laura Gemser and Anita Strindberg.

Luigi Carpentieri (1920-1987) was an Italian assistant director (1940-1949) and film producer (1947-1968). Together with Ermanno Donati, he founded the production company "Athena Cinematografica", which in 1960 became "Panda Cinematografica". All films produced by [[the company were genre films.

Ermanno Donati was an Italian film producer. Along with Luigi Carpentieri, Donati won the Nastro d'Argento award for Best Producer for the film The Day of the Owl.

<i>The Exterminators</i> (film) 1965 film

The Exterminators is a 1965 spy film directed by Riccardo Freda. It was the fourth in the Francis Coplan series of films. It was released in the United Kingdom as The Exterminators and on television in the United States as FX 18 Superspy.

Ornella Micheli was an Italian film editor active from the 1950s through the 1980s. She often worked on the exploitation films and thrillers of directors Lucio Fulci, Riccardo Freda, and Giuliano Carnimeo.

<i>The Hyena of London</i> 1964 film

The Hyena of London is a 1964 Italian horror film directed by Luigi Mangini as Henry Wilson.

References

Notes

  1. 1 2 3 4 5 6 7 8 9 10 11 Curti 2015, p. 88.
  2. Flavia Brizio-Skov, Popular Italian Cinema: Culture and Politics in a Postwar Society, IB Tauris 2011
  3. Curti 2015, p. 89.
  4. 1 2 3 4 Curti 2015, p. 91.
  5. John Hamilton, Beasts in the Cellar: The Exploitation Film Career of Tony Tenser, FAB Press 2005
  6. "The Ghost". American Film Institute . Retrieved 9 July 2015.
  7. 1 2 "Spettro, Lo". Monthly Film Bulletin . London. 31 (360): 78–79. 1964. ISSN   0027-0407.
  8. Maltin 2015, p. 246.

Bibliography