The Harbor of La Rochelle

Last updated
The Harbor of La Rochelle
The Harbor of La Rochelle by Jean-Baptiste-Camille Corot.jpeg
Artist Jean-Baptiste-Camille Corot
Year1851
MediumOil on canvas
Dimensions50.5 cm× 71.8 cm(19.9 in× 28.3 in)
Location Yale University Art Gallery, New Haven

The Harbor of La Rochelle is an oil-on-canvas painting by French artist Jean-Baptiste-Camille Corot, created in 1851. It is held at the Yale University Art Gallery, in New Haven. [1]

It depicts the harbor of La Rochelle on the Bay of Biscay. Although Corot was producing his renowned grey landscapes by 1851, this painting recalls his earlier style. [1] It is notable for being a finished study that Corot chose to exhibit at the Paris Salon of 1852, as he usually preferred to exhibit compositions of religious or literary subjects. [2]

Related Research Articles

<span class="mw-page-title-main">Claude Monet</span> French painter (1840–1926)

Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in 1874 initiated by Monet and his associates as an alternative to the Salon.

<span class="mw-page-title-main">Camille Pissarro</span> French painter (1830–1903)

Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

<span class="mw-page-title-main">Musée d'Orsay</span> Art museum in Paris, France

The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.

<span class="mw-page-title-main">Jean-Baptiste-Camille Corot</span> French painter and printmaker (1796–1875)

Jean-Baptiste-Camille Corot, or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.

<span class="mw-page-title-main">Barbizon School</span> 19th century artistic movement

The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.

<span class="mw-page-title-main">Charles Angrand</span> French artist

Charles Angrand was a French artist who gained renown for his Neo-Impressionist paintings and drawings. He was an important member of the Parisian avant-garde art scene in the late 1880s and early 1890s.

<span class="mw-page-title-main">Cincinnati Art Museum</span> Art museum in Cincinnati, Ohio

The Cincinnati Art Museum is an art museum in the Eden Park neighborhood of Cincinnati, Ohio. Founded in 1881, it was the first purpose-built art museum west of the Alleghenies, and is one of the oldest in the United States. Its collection of over 67,000 works spanning 6,000 years of human history make it one of the most comprehensive collections in the Midwest.

<span class="mw-page-title-main">Paul Durand-Ruel</span> French art dealer (1831–1922)

Paul Durand-Ruel was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system.

<span class="mw-page-title-main">Wynford Dewhurst</span> English painter

Wynford Dewhurst RBA was an English Impressionist painter and notable art theorist. He spent considerable time in France and his work was profoundly influenced by Claude Monet.

<i>The Bridge at Narni</i> Painting by Jean-Baptiste-Camille Corot

The Bridge at Narni is an 1826 painting of the Ponte d'Augusto at Narni by French artist Jean-Baptiste-Camille Corot. The painting is on display at the Musée du Louvre in Paris.

<i>Ville-dAvray</i> (Corot) Painting by Jean-Baptiste-Camille Corot

Ville-d’Avray is an 1865 oil painting by French artist Jean-Baptiste-Camille Corot. It is on display at the National Gallery of Art in Washington D.C.

<i>A Woman Reading</i> Painting by Jean-Baptiste-Camille Corot

A Woman Reading is an oil-on-canvas painting by French artist Jean-Baptiste-Camille Corot, created in 1869. The painting is now in the Metropolitan Museum of Art in New York.

<span class="mw-page-title-main">Henry Mark Anthony</span> English painter

Henry Mark Anthony was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the en plein air style of painting to Britain.

<span class="mw-page-title-main">Étienne Moreau-Nélaton</span> French painter

Adolphe Étienne Auguste Moreau-Nélaton was a French painter, art collector and art historian. His large collection is today held in its entirety by French national museums.

<span class="mw-page-title-main">Lane Bequest</span> Collection of paintings

The Lane Bequest is a collection of 39 paintings from the estate of Sir Hugh Lane. The collection is mainly paintings by French 19th-century artists, including several by the Impressionists, including masterpieces such as Manet's Music in the Tuileries (1862) and Renoir's The Umbrellas (c.1881), along with many more modest works. The collection is owned by the National Gallery, London, but most of the paintings are now displayed at the Hugh Lane Gallery in Dublin.

<span class="mw-page-title-main">James Staats Forbes</span>

James Staats Forbes was a Scottish railway engineer, railway administrator and art collector. He was the uncle of the painter Stanhope Alexander Forbes, and father of the zoologist William Alexander Forbes.

<span class="mw-page-title-main">Realism (art movement)</span> Painting Movement

Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual source that created a desire for people to produce representations which look objectively real.

Jacques Émile Édouard Brandon was a French artist who is known especially for his paintings of Jewish themes. Most sources list his place of birth as Paris, although some say Bordeaux or Lisbon. He signed his paintings "Ed. Brandon," and his full name commonly is given as Jacques Émile Édouard Brandon, but also as Jacob Émile Édouard Péreira Brandon.

<span class="mw-page-title-main">Edma Morisot</span> French painter

Edma Morisot was a French artist and the older sister of the Impressionist painter Berthe Morisot.

<span class="mw-page-title-main">Marie-Françoise Corot</span> French fashion designer

Marie-Françoise Corot (1768–1851) was a French fashion designer (milliner), known as one of the most fashionable of her trade in the first decades of the 19th-century.

References

  1. 1 2 "The Harbor of La Rochelle". Yale University Art Gallery. Retrieved 2021-11-15.
  2. "Jean-Baptiste-Camille Corot". National Gallery of Art. Retrieved 2021-11-15.