Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Jean-Baptiste-Camille Corot, or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
Charles Angrand was a French artist who gained renown for his Neo-Impressionist paintings and drawings. He was an important member of the Parisian avant-garde art scene in the late 1880s and early 1890s.
The Cincinnati Art Museum is an art museum in the Eden Park neighborhood of Cincinnati, Ohio. Founded in 1881, it was the first purpose-built art museum west of the Alleghenies, and is one of the oldest in the United States. Its collection of over 67,000 works spanning 6,000 years of human history make it one of the most comprehensive collections in the Midwest.
Paul Durand-Ruel was a French art dealer associated with the Impressionists and the Barbizon School. Being the first to support artists such as Claude Monet, Camille Pissarro, and Pierre-Auguste Renoir, he is known for his innovations in modernizing art markets, and is generally considered to be the most important art dealer of the 19th century. An ambitious entrepreneur, Durand-Ruel cultivated international interest in French artists by establishing art galleries and exhibitions in London, New York, Berlin, Brussels, among other places. Additionally, he played a role in the decentralization of art markets in France, which prior to the mid-19th century was monopolized by the Salon system.
Wynford Dewhurst RBA was an English Impressionist painter and notable art theorist. He spent considerable time in France and his work was profoundly influenced by Claude Monet.
The Bridge at Narni is an 1826 painting of the Ponte d'Augusto at Narni by French artist Jean-Baptiste-Camille Corot. The painting is on display at the Musée du Louvre in Paris.
Ville-d’Avray is an 1865 oil painting by French artist Jean-Baptiste-Camille Corot. It is on display at the National Gallery of Art in Washington D.C.
A Woman Reading is an oil-on-canvas painting by French artist Jean-Baptiste-Camille Corot, created in 1869. The painting is now in the Metropolitan Museum of Art in New York.
Henry Mark Anthony was an English landscape artist, often favourably compared to John Constable by critics. He exhibited at many major art institutions and travelled widely, being credited with introducing the en plein air style of painting to Britain.
Adolphe Étienne Auguste Moreau-Nélaton was a French painter, art collector and art historian. His large collection is today held in its entirety by French national museums.
The Lane Bequest is a collection of 39 paintings from the estate of Sir Hugh Lane. The collection is mainly paintings by French 19th-century artists, including several by the Impressionists, including masterpieces such as Manet's Music in the Tuileries (1862) and Renoir's The Umbrellas (c.1881), along with many more modest works. The collection is owned by the National Gallery, London, but most of the paintings are now displayed at the Hugh Lane Gallery in Dublin.
James Staats Forbes was a Scottish railway engineer, railway administrator and art collector. He was the uncle of the painter Stanhope Alexander Forbes, and father of the zoologist William Alexander Forbes.
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual source that created a desire for people to produce representations which look objectively real.
Jacques Émile Édouard Brandon was a French artist who is known especially for his paintings of Jewish themes. Most sources list his place of birth as Paris, although some say Bordeaux or Lisbon. He signed his paintings "Ed. Brandon," and his full name commonly is given as Jacques Émile Édouard Brandon, but also as Jacob Émile Édouard Péreira Brandon.
Edma Morisot was a French artist and the older sister of the Impressionist painter Berthe Morisot.
Marie-Françoise Corot (1768–1851) was a French fashion designer (milliner), known as one of the most fashionable of her trade in the first decades of the 19th-century.
Albert Hecht was a French banker, dealer and art collector, considered one of the leading Impressionist collectors of the time.
