Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Jean-Baptiste-Camille Corot, or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
Saint-Nicolas du Chardonnet is a Catholic church in the centre of Paris, France, in the 5th arrondissement. It was constructed between 1656 and 1763. The facade was designed in the classical style by Charles Le Brun. It contains many notable art works from the 19th century, including a rare religious painting by Jean-Baptiste Corot.
The Bridge at Narni is an 1826 painting of the Ponte d'Augusto at Narni by French artist Jean-Baptiste-Camille Corot. The painting is on display at the Musée du Louvre in Paris.
Ville-d’Avray is an 1865 oil painting by French artist Jean-Baptiste-Camille Corot. It is on display at the National Gallery of Art in Washington D.C.
View of Venice: The Piazzetta Seen from the Riva degli Schiavoni is an oil-on-canvas painting of Venice executed c. 1835–1845 by French artist Jean-Baptiste-Camille Corot. The painting is at the Norton Simon Museum in Pasadena, but as at 2019 not on display.
A Woman Reading is an oil-on-canvas painting by French artist Jean-Baptiste-Camille Corot, created in 1869. The painting is now in the Metropolitan Museum of Art in New York.
Le Concert Champêtre is an 1857 oil-on-canvas painting by French artist Jean-Baptiste-Camille Corot, now in the Musée Condé of Chantilly, France. A reworking of a composition exhibited by Corot in the Salon of 1844, the painting was shown in the Salon of 1857.
Souvenir de Mortefontaine is an oil-on-canvas painting by French artist Jean-Baptiste-Camille Corot, created in 1864. It is a scene of tranquillity: a woman and children quietly enjoying themselves by a glass-flat, tree-flanked lake.
The Musée des Beaux-Arts d'Arras is located in the old Abbey of St. Vaast in Arras, in the Nord-Pas-de-Calais, France.
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual source that created a desire for people to produce representations which look objectively real.
Jean-Baptiste-Antoine Guillemet was a French renowned landscape painter and longtime Jury member of the Salon des Artistes Francais. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
Gustav Rau was a German medical doctor, philanthropist and art collector. Rau who was born and died in Stuttgart.
Sibylle is an oil-on-canvas painting created c. 1870 by the French artist Jean-Baptiste-Camille Corot. It depicts a model holding a red rose. The painting is in the collection of the Metropolitan Museum of Art, in New York.
The Harbor of La Rochelle is an oil-on-canvas painting by French artist Jean-Baptiste-Camille Corot, created in 1851. It is held at the Yale University Art Gallery, in New Haven.
The Cathedral of Chartres is an oil painting on canvas of Chartres Cathedral by the French artist Jean-Baptiste-Camille Corot, created in 1830. After being sold several times, it has been held in the Musée du Louvre, in Paris since 1906.
Castel Sant'Angelo and the Tiber, Rome is an oil-on-canvas painting made by French artist Jean-Baptiste-Camille Corot, between 1826 and 1828. Its a veduta which depicts the cityscape formed by the Castel Sant'Angelo and the Tiber River, in Rome, Italy. It is held at the Louvre, in Paris. Corot signed it, at the bottom left.
