Dog Star Man is a series of short experimental films, all directed by Stan Brakhage, featuring Jane Wodening. It was released in instalments between 1961 and 1964 and comprises a prelude and four parts. In 1992, Dog Star Man was included in its entirety in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress. being deemed "culturally, historically, or aesthetically significant" and recommended for preservation.
James Stanley Brakhage was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film.
Greg Curnoe was a Canadian painter known for his role in the Canadian art movement labeled London Regionalism, which, beginning in the 1960s, made London, Ontario, an important centre for artistic production in Canada. While his oeuvre chronicled his daily experience in a variety of media, it was grounded in twentieth-century art movements, especially Dada, with its emphasis on nihilism and anarchism, Canadian politics, and popular culture. He is remembered for brightly coloured works that often incorporate text to support his strong Canadian patriotism, sometimes expressed as anti-Americanism, as well as his activism in support of Canadian artists.
John Richard Chambers was an artist and filmmaker. Born in London, Ontario, Chambers' painting style shifted from surrealist-influenced to photo-realist-influenced. He used the term "Perceptual Realism" and later "perceptualism" to describe his style. He began working with film in the 1960s, completing six by 1970. Stan Brakhage proclaimed Chambers' The Hart of London as "one of the greatest films ever made."
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Joyce Wieland was a Canadian experimental filmmaker and mixed media artist. Wieland found success as a painter when she began her career in Toronto in the 1950s. In 1962, Wieland moved to New York City and expanded her career as an artist by including new materials and mixed media work. During that time, she also rose to prominence as an experimental filmmaker and soon, institutions such as the Museum of Modern Art in New York were showing her films. In 1971, Wieland's True Patriot Love exhibition was the first solo exhibition by a living Canadian female artist at the National Gallery of Canada. In 1982, Wieland received the honour of an Officer of the Order of Canada and in 1987, she was awarded the Toronto Arts Foundation's Visual Arts Award. She was also a member of the Royal Canadian Academy of Arts.
Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. The film archive and theater is located at 32 Second Avenue on the southeast corner of East 2nd Street, in a New York City historic district in the East Village neighborhood of Manhattan.
Wavelength is a 1967 Canadian-American short subject by experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."
David Milne was a Canadian painter, printmaker, and writer. He was profoundly different from most of his Canadian art contemporaries, especially Tom Thomson and the Group of Seven. He is sometimes referred to as the Master of Absence and known for his ability to reduce a painting to its bare essentials.
Fires on the Plain is a 1959 Japanese war film directed by Kon Ichikawa, starring Eiji Funakoshi. The screenplay, written by Natto Wada, is based on the novel Nobi by Shōhei Ōoka, translated as Fires on the Plain. It initially received mixed reviews from both Japanese and international critics concerning its violence and bleak theme. In following decades, however, it has become highly regarded.
R. Bruce Elder, FRSC is a Canadian filmmaker and critic.
Canadian art refers to the visual as well as plastic arts originating from the geographical area of contemporary Canada. Art in Canada is marked by thousands of years of habitation by Indigenous peoples followed by waves of immigration which included artists of European origins and subsequently by artists with heritage from countries all around the world. The nature of Canadian art reflects these diverse origins, as artists have taken their traditions and adapted these influences to reflect the reality of their lives in Canada.
Mothlight is an experimental short film by Stan Brakhage, released in 1963. The film was created without the use of a camera.
G. B. Jones is a Canadian artist, filmmaker, musician, and publisher of zines. She is best known for producing the queer punk zine J.D.s and her Tom Girls drawings.
The Film-Makers' Cooperative is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media.
I... Dreaming is an experimental short film by Stan Brakhage, released in 1988. The film features a soundtrack of Stephen Foster songs, composed by Joel Haertling.
London Regionalism is a Canadian art movement that developed in the late 1950s and 1960s in London, Ontario, Canada. Artists in the movement included Greg Curnoe, Tony Urquhart, Murray Favro, Ron Martin and Jack Chambers.
A list of books and essays about Georges Méliès:
The End is a 1953 American short film directed by Christopher Maclaine. It tells the stories of six people on the last day of their lives. It premiered at the San Francisco Museum of Modern Art as part of Frank Stauffacher's Art in Cinema series. Though the film met audience disapproval at its premiere, it was praised by critics as a "masterpiece" and "a great work of art".
