The Hi-Jackers | |
---|---|
Directed by | Jim O'Connolly |
Written by | Jim O'Connolly |
Produced by | John I. Phillips Ronald Liles |
Starring | Anthony Booth |
Cinematography | Walter J. Harvey |
Edited by | Henry Richardson |
Music by | Johnny Douglas |
Production company | |
Distributed by | Butcher's Film Distributors (UK) |
Release date |
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Running time | 69 min. |
Country | United Kingdom |
Language | English |
The Hi-Jackers is a 1963 black and white British crime thriller film written and directed by Jim O'Connolly, starring Anthony Booth and Jacqueline Ellis. [1]
Long-distance independent lorry driver Terry meets homeless and unemployed Shirley at a truckers’ cafe and gives her a lift. His vehicle, carrying a valuable shipment of whisky, is then hijacked under cover of a fake road accident. Who tipped off the hijackers about the route Terry would take? Police Inspector Grayson investigates.
Monthly Film Bulletin said: "One or two aspirations towards originality – Carter's proficiency as a cook, a gangster's almost prudish refusal to take advantage of Shirley's helplessness – cannot disguise the formulary nature of this crime melodrama. The plot is thin and unconvincing; the heroine is one of those tiresomely well-spoken young women whose bursts of spirit (she is not averse to moral blackmail) strike one as both incongruous and unsympathetic. The lorry-drivers are quite well characterised, and Derek Francis brings a touch of class to the gourmet-mastermind which seems, less aptly, to have spilled over into the film as a whole. For a struggling haulage contractor Terry has a remarkably luxurious apartment; there's something gratuitously "snob", too, about Patrick Cargill's supercilious police inspector." [2]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "This low-budget crime thriller from the Butcher's studio is set in the rough-and-ready world of trucking. However, British lorry drivers don't have the cinematic glamour of their American counterparts, so identifying the familiar British faces – Anthony Booth (Tony Blair's father-in-law), Patrick Cargill, Glynn Edwards – is the main point of interest here." [3]
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