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The kimono (きもの/着物) is a traditional Japanese garment and the national dress of Japan. The kimono is a T-shaped, wrapped-front garment with square sleeves and a rectangular body, and is worn with the left side wrapped over the right side, unless the wearer is deceased. The kimono is traditionally worn with an obi, and is commonly worn with accessories such as zōri sandals and tabi socks.
Clothing is items worn on the body. Clothing is typically made of fabrics or textiles but over time has included garments made from animal skin or other thin sheets of materials put together. The wearing of clothing is mostly restricted to human beings and is a feature of all human societies. The amount and type of clothing worn depends on gender, body type, social, and geographic considerations.
Sewing is the craft of fastening or attaching objects using stitches made with a needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and skin clothing using bone, antler or ivory needles and "thread" made of various animal body parts including sinew, catgut, and veins.
A furisode is a style of kimono distinguishable by its long sleeves, which range in length from 85 centimeters for a kofurisode, to 114 centimeters for an ōfurisode. Furisode are the most formal style of kimono worn by young women in Japan.
Huipil[ˈwipil] is the most common traditional garment worn by indigenous women from central Mexico to Central America.
The 1920s in Western fashion saw a modernization. For women, fashion had continued to change away from the extravagant and restrictive styles of the Victorian and Edwardian periods, and towards looser clothing which revealed more of the arms and legs, that had begun at least a decade prior with the rising of hemlines to the ankle and the movement from the S-bend corset to the columnar silhouette of the 1910s. Men also began to wear less formal daily attire and athletic clothing or 'Sportswear' became a part of mainstream fashion for the first time. The 1920s are characterized by two distinct periods of fashion: in the early part of the decade, change was slower, and there was more reluctance to wear the new, revealing popular styles. From 1925, the public more passionately embraced the styles now typically associated with the Roaring Twenties. These styles continued to characterize fashion until the worldwide depression worsened in 1931.
Fashion design is the art of applying design, aesthetics and natural beauty to clothing and its accessories. It is influenced by cultural and social attitudes, and has varied over time and place.
Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the 5th century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It is possible to reconstruct Anglo-Saxon dress using archaeological evidence combined with Anglo-Saxon and European art, writing and literature of the time period. Archaeological finds have both supported and contradicted the characteristic Anglo-Saxon costume as illustrated and described by these contemporary sources.
Palestinian costumes are the traditional clothing worn by Palestinians. Foreign travelers to Palestine in the 19th and early 20th centuries often commented on the rich variety of the costumes worn, particularly by the fellaheen or village women. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women.
Sportswear is an American fashion term originally used to describe separates, but which since the 1930s has come to be applied to day and evening fashions of varying degrees of formality that demonstrate a specific relaxed approach to their design, while remaining appropriate for a wide range of social occasions. The term is not necessarily synonymous with activewear, clothing designed specifically for participants in sporting pursuits. Although sports clothing was available from European haute couture houses and "sporty" garments were increasingly worn as everyday or informal wear, the early American sportswear designers were associated with ready-to-wear manufacturers. While most fashions in America in the early 20th century were directly copied from, or influenced heavily by Paris, American sportswear became a home-grown exception to this rule, and could be described as the American Look. Sportswear was designed to be easy to look after, with accessible fastenings that enabled a modern emancipated woman to dress herself without a maid's assistance.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years' AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued to wear them until the garments were in such disrepair that they needed to be replaced entirely. Sumptuary laws also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
Walsall Museum was a small, local history museum located in the centre of Walsall in the West Midlands. The holdings of Walsall Museum range from seventeenth-century firemarks to twenty-first century posters. There is also a large collection of costume and textiles; notably The Hodson Shop Collection, a unique collection of unsold shop stock of working-class clothing dating from the 1920s to the 1960s. The museum closed permanently in March 2015. The collections were placed in secure storage and remain under the care of Walsall Council's Museum Service.
The ragtime era helped define new music, but new clothing as well.
The Locksmith's House is a museum in Willenhall, England. The premises, on New Road, consist of a house and backyard workshops, typical of the many family run lock making businesses which once thrived in the town. The house itself was built in 1840, but the period interiors date to 1904, when the Hodson lock making family first lived there. Lock making skills are demonstrated by volunteers using original tools and equipment, such as the floor press and belt driven machinery.
The Utility Clothing Scheme was a rationing scheme introduced in the United Kingdom during World War II. In response to the shortage of clothing materials and labour due to wartime austerity, the Board of Trade sponsored the creation of ranges of "utility clothing" meeting tight regulations regarding the amount of material and labour allowed to be used in their construction. Utility clothing, and later utility furniture, was marked with the CC41 tag. In spite of its austere specifications, utility clothing designs were commissioned from leading fashion designers including Hardy Amies, Norman Hartnell and other members of the Incorporated Society of London Fashion Designers.
Oversized fashion, distinct from plus-sized fashion, consists of clothing and other accessories that are larger than normal and reflect some sort of attitude, message, or trend of the period at hand. While oversized fashion trends from the 1920s to the turn of the century vary from decade to decade, there are many overarching themes that have been expressed during the past one hundred or so years. Masculinity, for example, has played a large role in many of the underlying communications of the fashions, although virility is manifested differently in the clothing depending on the era. Oversized fashion production, furthermore, runs largely parallel with the states of the American and global economies. Modernly, oversized fashion has taken on a new form - primarily in the realm of oversized accessories.
The Kansas City Garment District Museum is located in the Garment District, in the lobby of DST Systems Inc.'s Poindexter Building.
Traditional clothing is one of the factors that has differentiated this nation from neighboring countries, dating back as far as the Illyrian era.
Boro (ぼろ) are a class of Japanese textiles that have been mended or patched together. The term is derived from the Japanese term "boroboro", meaning something tattered or repaired. The term 'boro' typically refers to cotton, linen and hemp materials, mostly hand-woven by peasant farmers, that have been stitched or re-woven together to create an often many-layered material used for warm, practical clothing.
The Khalili Collection of Kimono is a private collection of Japanese kimono assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili, containing more than 450 items. It is one of eight collections assembled, published and exhibited by Khalili, each of which is considered to be among the most important collection within their respective fields.
References
- ↑ Thomson, Jennifer (Winter 2011 – Spring 2012). "The Hodson Shop". Art & Heritage.
- ↑ Wilson, E. & Taylor, L (1989). Through the Looking Glass. BBC Books. p. 240. ISBN 0-563-21443-0.