The Hoodlum Priest

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The Hoodlum Priest
Hoodlum Priest.jpg
DVD cover
Directed by Irvin Kershner
Written by Joseph Landon
Don Deer
Produced by Walter Wood
Starring Don Murray
Cinematography Haskell Wexler
Edited byMaurice Wright
Music by Richard Markowitz
Distributed by United Artists
Release date
  • March 26, 1961 (1961-03-26)
Running time
101 minutes
CountryUnited States
Language English
Box office$1.3 million [1]

The Hoodlum Priest is a 1961 American drama film by Irvin Kershner, based on the life of Father Charles "Dismas" Clark of St. Louis, who ministered to men in prison and men coming out of prison. [2] During his career Fr. Clark earned the nickname "The Hoodlum Priest". The film was entered into the 1961 Cannes Film Festival. [3] [4] The movie stars Don Murray who also co-produced and co-wrote the screenplay under the pseudonym Don Deer. [5]

Contents

Plot

Father Charles Dismas Clark, a Jesuit priest in St. Louis, dedicates his life to the rehabilitation of delinquents and ex-convicts. By meeting them on their own terms and talking their language, he wins their confidence and their trust. He is primarily concerned with a young thief, Billy Lee Jackson, recently released from the Missouri State Penitentiary. Father Clark helps clear the boy of some trumped-up charges and then gets him an honest job with a produce market. Billy's rehabilitation is further encouraged by Ellen Henley, a young socialite with whom he falls in love. Meanwhile, aided by Louis Rosen, a successful criminal lawyer, Father Clark raises enough funds to open Halfway House, a shelter for ex-convicts readjusting to civilian life. All goes well until Billy's employer fires him for a theft he did not commit. Embittered, he and a friend, Pio, attempt to rob the produce market. They are caught by one of the owners, and he attacks Billy with a crowbar. The panic-stricken boy grabs a gun and kills him. The police chase Billy to an abandoned house, and he hides there until Father Clark persuades him to surrender. Tried and convicted of murder, he is sentenced to death. Before Billy dies in the gas chamber, Father Clark reassures him by telling him of Dismas, the thief who died on the cross, and of how Christ promised him eternal life. After the execution, Father Clark returns to Halfway House and finds his first client, Pio, drunk and repentant. [6]

Cast

Reception

A.H. Weiler of The New York Times wrote: "An unrelievedly grim, serious and action-filled case against an uncompromising attitude toward former convicts and capital punishment, it evolves, through an unpretentious, documentary treatment, as tough and persuasive, if disquieting, drama...There is no doubt, however, as to the film's sharp, authentic pictorial look, since it was photographed largely in St. Louis, whose lower depths rise strikingly before an audience. Its cheap saloons, alleys and slums, photographed in newsreel detail by Haskell Wexler, lend polish and support to the fast pace maintained by the director, Irvin Kershner, whose experience stems largely from television." [7]

See also

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Charles Dismas Clark (1901–1963) was an American Jesuit priest based in St. Louis. In 1959, he created the first halfway house to support men coming out of prison: Dismas House. Clark knew that if a man coming out of prison could be given a decent place to live and a job, he rarely returned to prison. However, if a man did not receive such support he had a very high chance of committing another crime and returning to prison. For his work with ex-convicts, Clark earned the moniker "The Hoodlum Priest." In 1960, actor Don Murray came to St. Louis to film the movie The Hoodlum Priest on Father Clark's effort to create Dismas House.

Walter Wood was an American film producer and businessman.

George G. Moskov, last name sometimes spelled Moscov, (1893–1970), was a production manager, producer, director, and writer of films in the U.S. He wrote Three Blondes in His Life (1961), directed Married Too Young (1962), and produced or served as production manager for over 30 films, including Charlie Chan in the Secret Service (1944), Joe Palooka, Champ (1946), The Prairie (1947), Champagne for Caesar (1950), Chained for Life (1951), and That Tender Touch (1969).

Stephen A. Werner is a college instructor and writer from St Louis.

References

  1. "1961 Rentals and Potential". Variety. 10 Jan 1961. p. 58.
  2. Werner, Stephen (2016). "Frank Sinatra and the Hoodlum Priest". American Catholic Studies. 127 (4): 101–108. doi:10.1353/acs.2016.0074. ISSN   2161-8534.
  3. "Festival de Cannes: Hoodlum Priest". festival-cannes.com. Retrieved 2009-02-21.
  4. New York Times
  5. The making of the movie is described by Dennis Brown “Forgive Me Father, For I Have Cinema’ed,” Riverfront Times, March 10-16, 2013, 11, 13-17.
  6. TCM Synopsis http://www.tcm.com/tcmdb/title/78342/The-Hoodlum-Priest/
  7. "Movie Reviews". The New York Times. 2024-02-15. ISSN   0362-4331 . Retrieved 2024-02-21.