The House of Dora Green | |
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Directed by | Henrik Galeen |
Written by |
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Starring | |
Cinematography | Bruno Mondi |
Edited by | Martha Dübber |
Music by | Franz Grothe |
Production company | |
Distributed by | National-Film |
Release date |
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Running time | 78 minutes |
Country | Germany |
Language | German |
The House of Dora Green (German : Salon Dora Green) is a 1933 German thriller film directed by Henrik Galeen and starring Mady Christians, Paul Hartmann, and Leonard Steckel. It was based on the novel Diplomatische Unterwelt by Hans Rudolf Berndorff. It was the final German film made by Galeen, before being forced into exile following the Nazi Party's takeover of power. [1] In 1937 it was released in the United States.
Foreign spies wishing to steal a technological breakthrough enlist the unwitting assistance of a cabaret singer, Dora Green. After she discovers their true intentions, she helps the authorities thwart their scheme.
Henrik Galeen was an Austrian-born actor, screenwriter and film director considered an influential figure in the development of German Expressionist cinema during the silent era.
Sweetheart of the Gods is a 1960 West German biographical film directed by Gottfried Reinhardt and starring Ruth Leuwerik, Peter van Eyck, and Harry Meyen. The film portrays the life of Renate Müller, a German film actress who died in 1937 in mysterious circumstances. A variety of rumours about Müller's death had developed, but the filmmakers chose to portray it as suicide following Nazi pressure over her relationship with a Jewish diplomat. Following legal objections from Müller's family, the ending was toned down to make her final fate more vague.
The Lady in Black is a 1951 West German crime film directed by Erich Engels and starring Paul Hartmann, Mady Rahl and Rudolf Prack. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Max Mellin.
The Fate of Renate Langen is a 1931 German drama film directed by Rudolf Walther-Fein and starring Mady Christians, Francis Lederer and Hilde Hildebrand.
Miss Chauffeur is a 1928 German comedy film directed by Jaap Speyer and starring Mady Christians, Johannes Riemann, and Lotte Lorring. It was shot at the Terra Studios in Berlin. The film's sets were designed and part directed by the art director Hans Jacoby.
Nanette Makes Everything is a 1926 German silent film directed by Carl Boese and starring Mady Christians, Georg Alexander and Vivian Gibson. It was shot at the Terra Studios in Berlin. The film's sets were designed by the art director Oscar Werndorff.
Debit and Credit is a 1924 German silent drama film directed by Carl Wilhelm and starring Hans Brausewetter, Mady Christians, and Theodor Loos. It is based on the 1855 novel Debit and Credit.
A Woman with Style is a 1928 German silent film directed by Fritz Wendhausen and starring Mady Christians, Peter C. Leska and Hans Thimig. It was shot at the Terra Studios in Berlin. The film's sets were designed by the art director Hans Jacoby.
A Song for You is a 1933 German musical comedy film directed by Joe May and starring Jan Kiepura, Jenny Jugo and Paul Kemp. It was shot at the Babelsberg Studios in Berlin and on location in Naples and Vienna.The film's sets were designed by the art director Werner Schlichting. It was remade in Britain the following year as My Song for You.
The Empress and I is a 1933 German musical comedy film directed by Friedrich Hollaender and starring Lilian Harvey, Mady Christians and Conrad Veidt. It is also known by the alternative title of The Only Girl. The film was produced as a multi-language version. Moi et l'impératrice a separate French-language version was released as well as The Only Girl in English. The multilingual Harvey played the same role in all three films.
Inge and the Millions is a 1933 German comedy film directed by Erich Engel and starring Brigitte Helm, Carl Esmond, and Paul Wegener. Produced by UFA, it was shot at the Babelsberg Studios in Potsdam. The film's sets were designed by Otto Erdmann and Hans Sohnle. Location filming took place in Berlin and around Lake Constance.
Vienna, How it Cries and Laughs is a 1926 German silent film directed by Rudolf Walther-Fein and Rudolf Dworsky and starring Fritz Greiner, John Mylong, and Mady Christians.
The Divorcée is a 1926 German silent film directed by Victor Janson and Rudolf Dworsky, starring Mady Christians, Marcella Albani, and Bruno Kastner. It is based on the operetta Die geschiedene Frau. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Jacek Rotmil.
Frederica is a 1932 German historical musical drama film directed by Fritz Friedmann-Frederich and starring Mady Christians, Hans-Heinz Bollmann and Veit Harlan. It is based on the 1928 operetta of the same name by Franz Lehar which depicts the love affair between Friederike Brion and the young Goethe.
The Seven Dresses of Katrin is a 1954 West German romantic comedy film directed by Hans Deppe and starring Sonja Ziemann, Paul Klinger, and Georg Thomalla. The film tells the story of a woman's life through seven dresses she wears.
The Daredevil is a 1931 German crime film directed by Richard Eichberg and starring Hans Albers, Gerda Maurus and Mártha Eggerth.
The Weather Station is a 1923 German silent film directed by Carl Froelich and starring Mady Christians, Albert Steinrück and Hans Brausewetter.
I Do Not Want to Know Who You Are is a 1932 German comedy film directed by Géza von Bolváry and starring Liane Haid, Gustav Fröhlich, and S.Z. Sakall.
The Fateful Day is a 1921 German silent film directed by Adolf E. Licho and starring Mady Christians, Kurt Stieler, and Karl Beckersachs.
Battle of the Sexes is a 1920 German silent film directed by Joseph Delmont and starring Paul Hartmann, Eduard von Winterstein and Eva Everth.