The Hyena of London | |
---|---|
Directed by | Luigi Mangini |
Screenplay by | Luigi Mangini [1] |
Story by | Luigi Mangini [1] |
Produced by | Giuliano Simonetti [2] |
Starring |
|
Cinematography | Guglielmo Mancori [1] |
Edited by | John Alen [1] |
Music by | Francesco De Masi [1] |
Production company | Geosfilms [2] |
Distributed by | Geosfilms |
Release date |
|
Running time | 79 minutes [2] |
Country | Italy [1] |
The Hyena of London (Italian : La jena di Londra) is a 1964 Italian horror film directed by Luigi Mangini as Henry Wilson. [3]
In 1883 London, a gaunt and somber serial killer named Martin Bauer, who as "The Hyena" had terrorized London for three years with a string of serial strangulations, is captured and condemned to hang. After the lunatic is executed, however, his body disappears from his grave and a new series of strangulation killings begins in the same area.
Dr. Edward is convinced that Bauer has returned from the grave. His daughter Muriel is in love with an irresponsible young man named Henry Quinn, who is attempting to see her against her father's wishes. Edward's alcoholic assistant, Dr. Anthony Finney, is secretly in love with Muriel and frames Quinn as a suspect in the recent spate of killings, leading to the young man's arrest. It is later revealed that the killer is Dr. Edward, who stole Martin Bauer's body from its resting place and surgically grafted a piece of the killer's brain into his own, transferring the killer's mad compulsions to himself. The mad doctor is shot dead by the police as he is attempting to strangle Henry Quinn in the woods.
Cast is source from the book Italian Gothic Horror Films, 1957-1968. [1] [2]
Director Luigi Mangini was predominantly a screenwriter, who has claimed to have written over 100 scripts, a number that film critic and historian Roberto Curti described as "a number that must be drastically toned down." [4] Prior to directing The Hyena of London, he wrote films as early as the mid-fifties with Toto all'inferno . [4] Many of his screenplays were written under the pen name Henry Wilson. [5] He debuted as a director in 1963, co-directing a political documentary on Russia with Piero Ghione, [4] shot in the Monti Parioli district of Rome, at Villa Perucchetti. [2]
The film score by Francesco De Masi in The Hyena of London was taken from Riccardo Freda's film The Ghost and was later re-used in the film The Third Eye . [6] [4]
The Hyena of London was distributed theatrically in Italy by Geosfilms on 23 June 1964. [2] The film grossed a total of 44,000,000 Italian lire in Italy. [2] It was released theatrically in the United States in 1966 by Walter Manley Enterprises. [2] By the late 1980s, San Francisco's label Loonic Video released a home video version of the film promoting it as a British production. [7]
This section needs expansion. You can help by adding to it. (November 2019) |
In retrospective reviews, Tim Lucas referred to the film in 1989 as a "forgotten, but fascinating picture from the Italian Golden Age." [7] Curti described the film as obscure in Italy, and found it to be "one of Italian gothic horror's most schizophrenic oddities", finding the film a bit cliche whodunnit, he found that director managed to develop a few atmospheric shots. [2]
Lucio Fulci was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and spaghetti Westerns, he garnered an international cult following for his giallo and horror films.
Mario Bava was an Italian filmmaker who worked variously as a director, cinematographer, special effects artist and screenwriter, frequently referred to as the "Master of Italian Horror" and the "Master of the Macabre". His low-budget genre films, known for their distinctive visual flair and stylish technical ingenuity, feature recurring themes and imagery concerning the conflict between illusion and reality, as well as the destructive capacity of human nature. He was a pioneer of Italian genre cinema, and is regarded as one of the most influential auteurs of the horror film genre.
Lamberto Bava is an Italian film director. Born in Rome, Bava began working as an assistant director for his director father Mario Bava. Lamberto co-directed the 1979 television film La Venere d'Ille with his father and in 1980 directed his first solo feature film Macabre.
The Girl Who Knew Too Much is a 1963 Italian giallo film. Directed by Italian filmmaker Mario Bava, the film stars John Saxon as Dr. Marcello Bassi and Letícia Román as Nora Davis. The plot revolves around a young woman named Nora, who travels to Rome and witnesses a murder. The police and Dr. Bassi don't believe her, since a corpse can't be found. Several more murders follow, tied to a decade-long string of killings of victims chosen in alphabetical order.
The Cat o' Nine Tails is a 1971 film produced in Italy, and directed by Dario Argento, adapted from a story by Dardano Sacchetti, Luigi Cozzi, and an uncredited Bryan Edgar Wallace. It stars Karl Malden, James Franciscus, and Catherine Spaak.
Terror-Creatures from the Grave is a 1965 horror film directed by Domenico Massimo Pupillo. The film was an international co-production between Italy and the United States through M.B.S. Cinematografica, G.I.A. Cinematografica and International Entertainment Corp.
Nightmare Castle is a 1965 Italian horror film directed by Mario Caiano. The film stars Paul Muller, Helga Liné and Barbara Steele in a dual role.
Alberto De Martino was an Italian film director and screenwriter. Born in Rome, De Martino started as a child actor and later returned to the cinema where worked as a screenwriter, director and dubbing supervisor. De Martino's films as a director specialised in well-crafted knock-offs of Hollywood hit films. These films were specifically created films in Western, horror and mythology genres which were developed for the international market. The Telegraph stated that his best known of these film was probably The Antichrist. The Antichrist capitalized on the box-office appeal of The Exorcist (1973) and in its first week in the United States earned a greater box office than Jaws.
Heroes in Hell is a 1974 Italian Macaroni War film written, directed and lensed by Joe D'Amato, produced by Walter Brandi and starring Klaus Kinski, Luciano Rossi and Franco Garofalo.
Kill, Baby, Kill is a 1966 Italian gothic horror film directed by Mario Bava and starring Giacomo Rossi Stuart and Erika Blanc. Written by Bava, Romano Migliorini, and Roberto Natale, the film focuses on a small Carpathian village in the early 1900s that is being terrorized by the ghost of a murderous young girl.
The Embalmer is a 1965 Italian giallo film directed by Dino Tavella, and starring Gino Marturano, Alcide Gazzotto, and Alba Brotto. Dino Tavella had a very short career in the Italian film industry, writing and directing only two films, The Embalmer and Una Sporca Guerra.
Night of Violence is a 1965 Italian film directed by Roberto Mauri and starring Helene Chanel and Marilu Tolo. It was initially banned in Italy on the time of its release, and released in France first as Call Girls 66. It was released later in Italy heavily edited and with some re-dubbed dialogue.
La strega in amore is a 1966 Italian drama-horror film directed by Damiano Damiani. It is based on the novel Aura by Carlos Fuentes.
The Virgin of Nuremberg is a 1963 Italian horror film directed by Anthony Dawson.
Seven Deaths in the Cat's Eye is a 1973 Gothic horror film directed by Antonio Margheriti. It is also a rare example of an Italian giallo that is set in period, taking place some time in the 1890s.
The Sweet Body of Deborah is a 1968 giallo film directed by Romolo Girolami and starring Carroll Baker and Jean Sorel. It was written by Ernesto Gastaldi based on a story by Gastaldi and producer Luciano Martino.
Spirits of Death is a 1972 Italian film directed by Romano Scavolini and starring Ida Galli, Ivan Rassimov and Luigi Pistilli. The film was also released as Exorcisme Tragique.
Frame Up is a 1968 Italian noir-crime film directed by Emilio Miraglia and starring Henry Silva, Beba Lončar and Keenan Wynn. In 1971, the American edit was shortened by several minutes and released as The Falling Man
Something Creeping in The Dark is a 1971 Italian horror film directed by Mario Colucci and starring Farley Granger and Lucia Bosè.
Luigi Carpentieri (1920-1987) was an Italian assistant director (1940-1949) and film producer (1947-1968). Together with Ermanno Donati, he founded the production company "Athena Cinematografica", which in 1960 became "Panda Cinematografica". All films produced by the company were genre films.