The Incorrigible Dukane | |
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Directed by | James Durkin |
Based on | The Incorrigible Dukane by George Clifford Shedd |
Produced by | |
Starring |
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Cinematography | William F. Wagner |
Production company | |
Distributed by | Paramount Pictures Corp. |
Release date |
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Running time | 40 min. |
Country | United States |
Language | Silent (English intertitles) |
The Incorrigible Dukane is a 1915 silent dramedy and farce produced by Daniel Frohman and released by Famous Players Film Company. Directed by James Durkin, it stars John Barrymore in his fifth feature film. Adapted from the novel [lower-alpha 1] of the same name by George C. Shedd, [3] it is the earliest known surviving John Barrymore feature film. [4] [5]
Through mistaken identity, a rich contractor's son is impressed into the labor force building his own father's dam at Silver Peak. When construction of a dam in Silver Peak, Colorado threatens their land, rancher Crofton (William MacDonald) and his daughter Enid (Helen Weir) confront New York contractor James Dukane, Sr. (William T. Carleton). Dukane sends his son James "Jimmy" Dukane, Jr. (John Barrymore) to manage construction and to deal with the dam's impact on the locals, hoping that the task will help his son mature. However, en route to the construction site, Jimmy is waylaid by a vagabond, and his clothing and identification are stolen. Dressed in the tramp's clothes, Jimmy finally meets with the construction foreman Corbetson (Stewart Baird), who scoffs at his claimed identity and instead puts him to work with a pick and shovel. During his labors, Jimmy learns that Corbetson has been using sub-par materials and embezzling monies from Dukane Sr, and that to hide his crime, Corbetson is planning to blow up the dam.
uncredited
The Incorrigible Dukane was Barrymore's fifth feature film as well as his fifth film under contract to Famous Players. [6] It was James Durkin's first directorial effort for Famous Players. [7]
The Day said that the film had "crystal clear photography [and] homey, every day realistic and intensely interesting settings" that made it a "superb production". [8] Joseph W. Garton said in his book, The film acting of John Barrymore, that the "direction and photography are adequate" and that the "well developed narrative line is unusually strong". [4]
Reviews in the Motion Picture News [9] and the New York Dramatic Mirror [10] were positive, generally acknowledging Barrymore as the main attraction. The New York trade paper Review called it the "best acrobatic show in town". [11] George Blaisdell in Moving Picture World pointed out a few directorial slips, but still predicted that the film would be liked. [12] Variety 's Sime Silverman gave it a negative notice, writing, "... 'comedy' is a misnomer unless one will accept as funny John Barrymore's attempts to imitate Charlie Chaplin." [13]
The Day called the film a "straightforward story told in a hearty boyish style with all the merriment of youth crowded into the four parts required to unfold the plot". [8] The Meriden Morning Record considered it to be a "lively and very enjoyable photoplay". [14] The Grey River Argus said that it was a "splendid drama" that, in terms of Barrymore, "gives us that legitimate actor in his happiest vein". [15] The Ohinemuri Gazette considered it to be a "picture that will be enjoyed by everyone". [16] The New Zealand Truth described it as a "thoroughly amusing filmatisation" and that it had "some exciting scenes during the industrial flare-up and plenty of dramatic and humorous happenings". [17]
This film is extant. A 35mm print is preserved in the George Eastman House Motion Picture Collection, and another print is in the BFI National Archive. [18] Of Barrymore's earliest performances on film, encompassing a few shorts for Lubin and ten feature films for Famous Players, all are presumed lost except this one. [6]
Lionel Barrymore was an American actor of stage, screen and radio as well as a film director. He won an Academy Award for Best Actor for his performance in A Free Soul (1931) and is known to modern audiences for the role of villainous Mr. Potter in Frank Capra's 1946 film It's a Wonderful Life.
John Barrymore was an American actor on stage, screen, and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of Justice (1916), Richard III (1920), and Hamlet (1922); his portrayal of Hamlet led to him being called the "greatest living American tragedian".
Wallace Fitzgerald Beery was an American film and stage actor. He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Of over 250 films created by Porter, his most important include What Happened on Twenty-third Street, New York City (1901), Jack and the Beanstalk (1902), Life of an American Fireman (1903), The Great Train Robbery (1903), The European Rest Cure (1904), The Kleptomaniac (1905), Life of a Cowboy (1906), Rescued from an Eagle's Nest (1908), and The Prisoner of Zenda (1913).
Metro Pictures Corporation was a motion picture production company founded in early 1915 in Jacksonville, Florida. It was a forerunner of Metro-Goldwyn-Mayer. The company produced its films in New York, Los Angeles, and sometimes at leased facilities in Fort Lee, New Jersey. It was purchased in 1919.
Maude Fealy was an American stage and silent film actress whose career survived into the sound era.
Mona Rico was a Mexico-born American actress. Her films include Eternal Love (1929), Shanghai Lady (1929), A Devil With Women (1930), and Zorro Rides Again (1937).
Barney Oldfield's Race for a Life is a 1913 silent comedy short, directed and produced by Mack Sennett. It stars Sennett, Mabel Normand, Ford Sterling, The Keystone Cops and Barney Oldfield as himself, in his film debut. It was distributed by the Keystone Film Company, and released in the United States on June 3, 1913. The film is preserved and was released as part of a DVD box set, titled Slapstick Encyclopedia, and is frequently featured in silent film festivals.
Irene Fenwick was an American stage and silent film actress. She was married to Lionel Barrymore from 1923 until her death in 1936. Fenwick has several surviving feature films from her productions for the Kleine-Edison Feature Film Service, which also has numerous surviving shorts in the Library of Congress.
Are You a Mason? is a 1915 American silent comedy film produced by Adolph Zukor and Charles Frohman, and distributed through Paramount Pictures. Directed by Thomas N. Heffron, it starred John Barrymore as a young husband who pretends to join the Masons as an excuse to get out of the house. It was based on a 1901 play by Leo Ditrichstein.
George Clifford Shedd was an early 20th-century American writer. Several of his novels were adapted into films. His novel The Incorrigible Dukane (1911) was made into a film starring John Barrymore in 1915, and In the Shadow of the Hills (1919) was adapted for the screen as Cold Steel (1921).
Let's Get Married is a 1926 American silent comedy film produced by Famous Players–Lasky and distributed by Paramount Pictures. It was directed by Gregory La Cava and stars Richard Dix and Lois Wilson. The film is based on an 1897 play The Man from Mexico by Henry A. Du Souchet performed by William Collier, Sr. This film is a remake of a 1914 film, The Man from Mexico starring John Barrymore which is now considered a lost film.
Arsène Lupin is a 1932 American pre-Code mystery film directed by Jack Conway and starring John Barrymore and Lionel Barrymore. It was produced and distributed by Metro-Goldwyn-Mayer.The film is based on a popular 1909 play by Maurice Leblanc and Francis de Croisset. Leblanc created the character Arsène Lupin, a charming, brilliant gentleman thief in 1905. Lupin preys on rich villains.
Lionel Barrymore was an American actor of stage, screen, and radio. He also directed several films, wrote scripts, created etchings, sketches, and composed music. He was the eldest child of the actors Maurice Barrymore and Georgie Drew Barrymore, and his two siblings were John and Ethel; these and other family members were part of an acting dynasty. Reluctant to follow his parents' career, Barrymore appeared together with his grandmother Louisa Lane Drew in a stage production of The Rivals at the age of 15. He soon found success on stage in character roles. Although he took a break from acting in 1906–1909 to train in Paris as a painter, he was not successful as an artist, and returned to the US and acting. He also joined his family troupe, from 1910, in their vaudeville act.
The Red Widow is a lost 1916 American silent romantic comedy film directed by James Durkin, produced by Famous Players–Lasky, and distributed by Paramount Pictures. The film was based on a 1911 Broadway musical play The Red Widow by Channing Pollock and Rennold Wolf and starring comedian Raymond Hitchcock. John Barrymore stars in this film in the Hitchcock part of Cicero Butts. Hitchcock's wife, Flora Zabelle, is the leading lady in this film.
Nearly a King is a 1916 silent film romantic comedy directed by Frederick A. Thomson, produced by Famous Players Film Company and distributed by Paramount Pictures. John Barrymore stars in a story written for the screen. Barrymore's first wife Katherine Corri Harris makes her screen debut with him in this picture. Frederick Thomson directed and this is now a lost film.
William Courtenay was a noted Broadway star and later film actor. He was born William Hancock Kelly. At age 19 in 1894, before his Broadway career took off, Courtenay appeared in Alexander Black's slide show Miss Jerry. This was a sort of alternative entertainment to a new device by Thomas Edison called a Kinetoscope à la moving pictures.
Ethel Barrymore was an American actress of stage, screen and radio. She came from a family of actors; she was the middle child of Maurice Barrymore and Georgie Drew Barrymore, and had two brothers, Lionel and John. Reluctant to pursue her parents' career, the loss of financial support following the death of Louisa Lane Drew, caused Barrymore to give up her dream of becoming a concert pianist and instead earn a living on the stage. Barrymore's first Broadway role, alongside her uncle John Drew, Jr., was in The Imprudent Young Couple (1895). She soon found success, particularly after an invitation from William Gillette to appear on stage in his 1897 London production of Secret Service. Barrymore was soon popular with English society, and she had a number of romantic suitors, including Laurence Irving, the dramatist. His father, Henry Irving, cast her in The Bells (1897) and Peter the Great (1898).
Wife Tamers is a 1926 American silent short comedy film directed by James W. Horne and produced by Hal Roach. It stars Lionel Barrymore, Clyde Cook, and Gertrude Astor. It was distributed by Pathé Exchange.
James Durkin was a Canadian-American actor and director of the stage and screen.