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In the early 1980s, English band The Insane Picnic (styled as the insane picnic) were one of the pioneering D.I.Y. cassette bands, composed of members Peter Ashby, Barry Douglas Lamb and Owen Turley. [1] They recorded several releases for the English independent record label Falling A Records. [2] As well as regularly appearing in many fanzines, they were also often featured in the mainstream music papers with favourable reviews in Melody Maker , Sounds and NME , also featuring on several occasions in the Sounds Obscurist chart and Psychedelic chart and were favourites of pirate radio stations Liverpool City Radio and Andromeda. [3]
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. The Times called the group "one of the most audacious and uncompromising musical adventurers of the post-punk era".
The cassette culture is the amateur production and distribution of music and sound art on compact cassette that emerged in the mid-1970s. The cassette was used by fine artists and poets for the independent distribution of new work. An independent music scene based on the cassette burgeoned internationally in the second half of the 1970s.
Orlando were an English Romo band of the 1990s. They were one of seven core Romo acts featured by Melody Maker in their guide to the Romo scene and were subsequently cited as being "figureheads" of the scene. As well as substantial coverage in Melody Maker, the band also received press coverage from the NME, SelectSmash Hits and Penthouse UK.
Falling A Records is a British Essex, England-based independent record label, founded in the late 1970s by Barry Lamb and Peter Ashby., born out of the D.I.Y cassette movement. It owned a shop in Clacton-on-Sea which sold new and second hand records, distributed fanzines such as New Crimes, Vague, Vox, Flipside, Juniper beri-beri, Blam!, and D.I.Y magazines/comics including the very first copies of Viz. It also distributed leaflets for various causes such as "anti-apartheid" and "anti-vivisection", music and politics being interlinked at the time.
Barry Lamb is an English experimental musician.
"Crush with Eyeliner" is a song by American rock band R.E.M., released by Warner Bros. Records as the third single from their ninth studio album, Monster (1994). Sonic Youth's Thurston Moore provides background vocals. Michael Stipe claims the song was inspired by the band New York Dolls, who, in his opinion, "knew how to exaggerate a song, to make it sound really sleazy and over the top." This was also one of the first songs that surfaced from Stipe after the writer's block that hounded him after the death of his friend, actor River Phoenix.
"Strange Currencies" is a song by American rock band R.E.M. It was included on their ninth studio album, Monster (1994), and was released as the album's fourth single on April 18, 1995, by Warner Bros. Records. The song reached number nine on the UK Singles Chart and peaked at number 47 in the United States. Like "Everybody Hurts" on R.E.M.'s previous album, it has a time signature of 6
8. The song's music video was directed by Mark Romanek.
"Stay Together" is a non-album single by English band Suede, released on 14 February 1994 through Nude Records. It is the last single released while guitarist Bernard Butler was in the band, though subsequent singles from Dog Man Star feature his music. It is tied with "Trash" as the highest-charting single the band has released, reaching No. 3 on the UK Singles Chart. The song also charted in Ireland, peaking at No. 18.
"Just a Day" is a song by Welsh rock band Feeder, released as the band's final single of 2001, notable for being their last with drummer Jon Lee. It was first released on the "Seven Days in the Sun" single as a B-side. Despite having already appeared in the top 20 earlier in the year as a B-side, the single A-side release stayed in the UK top 20 for four weeks, peaking at number 12. It also peaked at number 47 in Ireland. It instantly became a regular to end the band's live sets, but has been occasionally rested from this position for a cover of "Breed" by Nirvana, while never used as one of the "Feeder covers" at Renegades gigs. As of November 2023, "Just a Day" has total consumption figures of 400,000, allowing it to be certified Gold.
No-Man are an English art pop duo, formed in 1987 as No Man Is an Island (Except the Isle of Man) by singer Tim Bowness and multi-instrumentalist Steven Wilson. The band has so far produced seven studio albums and a number of singles/outtakes collections (including 2006's career retrospective All the Blue Changes). The band was once lauded as "conceivably the most important English group since The Smiths" by Melody Maker music newspaper, and a 2017 article of Drowned in Sound described them as "probably the most underrated band of the last 25 years".
"Vow" is a song by alternative rock band Garbage. It was released as their debut single in early 1995 by Discordant, a label set up by Mushroom Records to launch the group, and Almo Sounds in North America.
"Only Happy When It Rains" is an alternative rock song written and produced by American alternative rock band Garbage for their self-titled debut studio album (1995). It was recorded at the band's own studio, Smart Studios, in Madison, Wisconsin, and is known for its tongue-in-cheek lyrics parodying the typically angst-filled themes of mid-'90s alternative rock.
"Milk" is a song written and produced by American alternative rock band Garbage from their self-titled debut studio album (1995). The song was released internationally the following year as the album's fifth and final single. Garbage collaborated with trip hop musician Tricky on a new version of "Milk" for single release. Much media comment was made regarding a rumoured fall-out over the sessions, when it became known that Garbage produced a further mix of "Milk" that only incorporated Tricky's vocals from that session.
"Policy of Truth" is a song by the English electronic music band Depeche Mode, released on 7 May 1990 as the third single from their seventh studio album Violator (1990). It is the only Depeche Mode single to chart higher on the US Billboard Hot 100 chart than on the UK Singles Chart, and it became the band's second chart-topper on the Billboard Modern Rock Tracks chart.
The Sons of Selina were a psychedelic punk group formed in Colwyn Bay, North Wales in 1990. During their nine-year existence they signed to Delerium Records and released two albums and appeared live on BBC Radio 1.
Bang Bang Machine were a cult indie band from Evesham, Worcestershire in England. They formed in 1989 and split up in 1996 after record company troubles. After 17 years they re-released their back catalogue on iTunes in 2013.
"It Only Takes a Minute" is a 1975 song by American soul/R&B group Tavares, released as the first single from their third album, In the City (1975). The song was the group's only top-10 pop hit in the United States, peaking at number 10, and their second number one song on the American soul charts. On the US Disco chart, "It Only Takes a Minute" spent five weeks at number two and was the first of four entries on the chart. The song was subsequently covered by Jonathan King performing as 100 Ton and a Feather in 1976 and by boy band Take That in 1992.
"Take It Easy Chicken" is a song by Chester rock band Mansun first released in 1995. It was the first song that the group ever recorded, and was later re-recorded and released as the lead track of the Two EP, the group's fourth release overall. An instrumental version appears in the PAL version of Gran Turismo 2.
Adem K is an Australian independent rock musician and songwriter. As a founding member of the group Turnstyle, Kerimofski is credited with introducing Casio and toy keyboard integration to the Australian contemporary rock music landscape in the late 1990s and early 2000s.
Hip Priest and Kamerads is a 1985 compilation album by British rock band The Fall, containing tracks taken from their releases on the Kamera label together with a previously unreleased live track from the same era. It was subsequently reissued with a further four live tracks added.