The Jehovahcoat Demos | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | March 2011 [1] | |||
Recorded | 1993 | |||
Genre | ||||
Length | 65:45 | |||
Label | Head Heritage | |||
Producer | Julian Cope | |||
Julian Cope chronology | ||||
|
The Jehovahcoat Demos is an album by Julian Cope, released in 2011. It is technically Cope's twenty-sixth solo album, and the mostly instrumental album contains 15 previously unreleased tracks, written and recorded by Cope throughout 1993 in direct response to having been dropped by Island Records in October 1992. [2]
Julian David Cope is an English musician, author, antiquarian, musicologist, poet and cultural commentator. Originally coming to prominence in 1978 as the singer and songwriter in Liverpool post-punk band the Teardrop Explodes, he has followed a solo career since 1983 and worked on musical side projects such as Queen Elizabeth, Brain Donor and Black Sheep.
Island Records is a record label owned by Universal Music Group. It was founded in 1959 by Chris Blackwell, Graeme Goodall, and Leslie Kong in Jamaica, and was eventually sold to PolyGram in 1989. Island and A&M Records, another label recently acquired by PolyGram, were both at the time the largest independent record labels in history, with Island in particular having exerted a major influence on the progressive music scene in the United Kingdom in the early 1970s.
The album derives its title from Cope collaborator, multi-instrumentalist Donald Ross Skinner, who, throughout the post-Island Records period, constantly referred to wearing his imaginary 'Jehovahcoat'. This being - according to Skinner - the ultimate Julian Cope promo item. [3]
Donald Skinner is a guitarist, songwriter and producer primarily known for his work with Julian Cope. Skinner is commonly known by the name Donald Ross Skinner with the addition of the middle name of Ross attributed to him by Cope after Glenn Ross Campbell, the pedal steel player from The Misunderstood. He is currently a guitarist for Love Amongst Ruin and DC Fontana.
All tracks are written by Julian Cope, except where noted.
Phase one | ||
---|---|---|
No. | Title | Length |
1. | "Boskawen-Un" | 4:42 |
2. | "Hanging Out With Emma Jane When Emma Jane's a Junkie" | 0:43 |
3. | "Sunhoney" | 2:58 |
4. | "Know Alternatives" | 2:15 |
5. | "Preternatural Sitcom" | 3:17 |
6. | "Wrath of Can't" | 2:54 |
7. | "Theme From 'Jehovahcoat'" | 2:41 |
Phase two | ||
---|---|---|
No. | Title | Length |
8. | "Time and Space" | 5:14 |
9. | "Tyrebagger" | 12:49 |
10. | "Headshopping" | 1:55 |
11. | "El Sqwubbsy's Machu Picchu Revelation" | 1:40 |
Phase three | ||
---|---|---|
No. | Title | Length |
12. | "Baby, My Mind Stood Up" | 3:33 |
13. | "Riding on the Crest of a Slump" | 8:54 |
14. | "Albany" | 8:41 |
15. | "Julian the Apostate" (Richard Sanderson) | 3:35 |
In music, transcription can mean notating a piece or a sound which was previously unnotated, as, for example, an improvised jazz solo. When a musician is tasked with creating sheet music from a recording and they write down the notes that make up the piece in music notation, it is said that they created a musical transcription of that recording. Transcription may also mean rewriting a piece of music, either solo or ensemble, for another instrument or other instruments than which it was originally intended. The Beethoven Symphonies by Franz Liszt are a good example. Transcription in this sense is sometimes called arrangement, although strictly speaking transcriptions are faithful adaptations, whereas arrangements change significant aspects of the original piece.
Musicians
Technical
Thighpaulsandra is a Welsh experimental musician and multi-instrumentalist known mostly for performing on synthesizers and keyboards. He began his career working with Julian Cope in the late 1980s, becoming a member of Cope's touring band. A collaboration with Cope in 1993 followed, as the experimental duo Queen Elizabeth. In 1997, former Cope guitarist Mike Mooney invited Thighpaulsandra to fill in for the departing Kate Radley on a Spiritualized tour, where he remained until early 2008. In 1998 he also became a member of the experimental band Coil. He has subsequently released several solo albums. He currently performs and records as part of URUK with Massimo Pupillo and UUUU, a band also featuring Valentina Magaletti and Graham Lewis and Matthew Simms both of Wire.
Sextant is the eleventh studio album by Herbie Hancock, released in 1973 by Columbia. It is his last album with his early '70s Mwandishi-era Band.
My Nation Underground is the fourth solo album by Julian Cope. It produced three singles including "Charlotte Anne".
Skellington is the fifth solo album by Julian Cope, released in November 1989 as a semi-official bootleg for fan club members only. Originally released on Cope's own CopeCo label, it was later reissued in March 1990 through Zippo Records.
20 Mothers is the twelfth solo album by Julian Cope, released in August 1995 by Echo. The album's sub-title is "Better to Light a Candle Than to Curse the Darkness".
Autogeddon is the eleventh solo album by Julian Cope, released in 1994 via The Echo Label. According to the album's sleeve notes, written by Cope, it was "inspired by Heathcote Williams' epic poem of the same name and a little incident concerning my pregnant wife and £375,000 of yellow Ferrari in St. Martin's Lane, London, England."
Rite is an ambient album by Julian Cope and Donald Ross Skinner, released in February 1993 on Cope's own Ma-Gog label. It is the first album in the Rite series and has been described as "a series of lengthy, mostly instrumental jamming freakouts influenced by both Krautrock and psychedelic funk." The album was available as mail-order only.
Citizen Cain'd is the twentieth solo album by Julian Cope, released in January 2005. The album was released as two CDs of 34 and 37 minutes respectively because Cope deemed several of the songs "too psychologically exhausting" for one single listen.
Dark Orgasm is the twenty-first solo album by Julian Cope, released in 2005. It contains eight songs of guitar-heavy hard rock split into two short CDs. Alexis Petridis of The Guardian described the album as "a roughly recorded Stooges-meets-prog concept album about atheism and feminism". It was dedicated to "Freedom and Equality for Women".
You Gotta Problem with Me is the twenty-third solo album by Julian Cope, released in 2007.
Rite² is an ambient music album by Julian Cope, released in 1997. It is technically Cope's fourteenth solo album, but is also the follow-up to the earlier album Rite and is the second in the Rite series.
Rome Wasn't Burned in a Day is the nineteenth solo album by Julian Cope, released in 2003.
The Unruly Imagination is the twenty-fifth solo album by Julian Cope, released in 2009.
Drunken Songs is the thirtieth solo album by Julian Cope, released in February 2017.
Floored Genius 2 - Best of the BBC Sessions 1983–91 is a compilation album of BBC studio recordings by Julian Cope, released in 1993 by Nighttracks.
Floored Genius 3 – Julian Cope's Oddicon of Lost Rarities & Versions 1978–98 is a rarities compilation album by Julian Cope, released in 2000 on Cope's own Head Heritage label.
The Skellington Chronicles is the tenth solo album by Julian Cope, released in June 1993 on Cope's own Ma-Gog label. It contains the previously released 1989 album Skellington and its sequel Skellington 2: He's Back ... and this time it's personal, released here for the first time. Skellington 2 was, like its predecessor, recorded in just two days on April 21-22, 1993.
Rite Now is the eighteenth solo album by Julian Cope, released in 2002. It is also the third album in the Rite series following the earlier albums Rite (1992) and Rite² (1997).
Trip Advizer – The Very Best of Julian Cope 1999–2014 is a compilation album by Julian Cope, released in January 2015 on Cope's own Lord Yatesbury label.