The Lace Maker

Last updated
The Lace Maker
"The Lace-Maker" by Caspar Netscher.jpg
Artist Caspar Netscher   OOjs UI icon edit-ltr-progressive.svg
Year1662
Medium oil paint, canvas
Dimensions33 cm (13 in) × 27 cm (11 in)
Location Wallace Collection
Owner Julie Amelie Charlotte Castelnau, Francis Seymour-Conway, 3rd Marquess of Hertford, Johan Pompe van Meerdervoort  OOjs UI icon edit-ltr-progressive.svg
Accession No.P237  OOjs UI icon edit-ltr-progressive.svg
Identifiers RKDimages ID: 237494
Art UK artwork ID: the-lace-maker-209241

The Lace Maker (1662) is an oil on canvas painting by the Dutch painter Caspar Netscher. It is an example of a Dutch Golden Age painting and is part of the Wallace Collection.

The woman is sitting working over a lace pillow on bobbin lace.

This painting was documented by Hofstede de Groot in 1913, who wrote; "48. THE LACE MAKER. Sm. 21. Full length. A young girl, simply dressed, sits in profile to the right. She is working with both hands at a bobbin-lace cushion held on her lap. She wears a green skirt, a bright red bodice with the white under-garment showing at the neck and the elbows, and a light cap embroidered in black. Behind her on the floor in the left foreground lie her shoes; beyond them, in the corner, stands a broom. At the back is a sunlit wall, on which to the right an unframed landscape print is loosely pinned with two nails. Signed "C. Netscher," on the margin of the print, and dated 166- [1662, according to the Pompe sale-catalog] [but 1664, according to Sir Claude Phillips and Mr. D. S. MacColl Translator]; panel [canvas, according to Mr. MacColl], 13 inches by 10 1/2 inches. Exhibited at the British Institution, London, 1818. Sales. J. Pompe van Meerdervoort, Soeterwoude, May 19, 1780, No. 5 (700 florins, Delfos). M. van Leyden, Paris, September 10, 1804 (7000 francs, Paillet) see Ch. Blanc, ii. 221. London, 1807 (£199: 10s.). In the collection of the Marquess of Hertford, London, 1833 (Sm.). In the Wallace Collection, London, 1910 catalog, No. 237." [1]

Related Research Articles

<i>A Young Archer</i> Painting by Govert Flinck

A Young Archer is an oil painting, painted about 1640 by the Dutch Golden Age artist Govaert Flinck. The painting depicts a young black boy dressed as an archer. The painting is in the collection of the Wallace Collection, in London, England.

<i>Catharina Both-van der Eem</i> Painting by Frans Hals

Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.

<i>Cunera van Baersdorp</i> Painting by Frans Hals

Portrait of Cunera van Baersdorp is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.

<i>Portrait of Catharina Brugman</i> Painting by Frans Hals

Portrait of Catharina Brugman is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.

<i>Maria Pietersdr Olycan</i> Painting by Frans Hals

Portrait of Maria Pietersdochter Olycan is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art. It is considered a pendant to the portrait of Maria's husband Andries van Hoorn.

<i>Woman Lacing Her Bodice Beside a Cradle</i> Painting by Pieter de Hooch

Woman lacing her bodice beside a cradle is an oil-on-canvas painting by the Dutch painter Pieter de Hooch, created c. 1660–1663. It is part of the collection of the Gemäldegalerie, Berlin.

<i>A Man Smoking and a Woman Drinking in a Courtyard</i> Painting by Pieter de Hooch

A Man Smoking and a Woman Drinking in a Courtyard (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Mauritshuis.

<i>Courtyard with an Arbour</i> Painting by Pieter de Hooch

Courtyard with an Arbour (1658–1660) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch; it is now in a private collection. It was sold in 1992 for almost seven million dollars.

<i>Interior with a Young Couple and a Dog</i> Painting by Pieter de Hooch

Interior with a Young Couple and a Dog (1662) is an oil-on-panel painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Metropolitan Museum of Art.

<i>Woman Giving Money to a Servant-Girl</i> Painting by Pieter de Hooch

Woman Giving Money to a Servant-Girl is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in a private collection.

<i>Pendant portraits of Maerten Soolmans and Oopjen Coppit</i> Pair of paintings by Rembrandt

The pendant portraits of Maerten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Maerten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.

<i>A Woman Preparing Bread and Butter for a Boy</i> Painting by Pieter de Hooch

A Woman Preparing Bread and Butter for a Boy (1660–1663) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is part of the collection of the Getty Center.

<i>Landscape with a Windmill near a Town Moat</i> Painting by Jacob van Ruisdael

Landscape with a Windmill Near a Town Moat is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael. It is an example of Dutch Golden Age painting and is now in a private collection.

<i>Lucretia</i> (Rembrandt, 1664) 1664 painting by Rembrandt

Lucretia is a 1664 history painting of Roman noblewoman Lucretia, historically attributed to the Dutch Golden Age painter Rembrandt in the collection of the National Gallery of Art. In 2015, Ernst van de Wetering of the Rembrandt Research Project said that "the formal properties and execution of [this] painting, I am convinced, exclude the possibility that it could be an autograph work by Rembrandt", and that the painting recalls Aert de Gelder. The painting is not included in the project's 2015 Rembrandt corpus.

<i>The Lacemaker</i> (Maes) Painting by Nicolaes Maes

The Lacemaker is an oil on canvas painting by the Dutch painter Nicolaes Maes, created c. 1656. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art, in New York.

<i>The Old Lacemaker</i> Painting by Nicolaes Maes

The Old Lacemaker is an oil-on-panel painting by the Dutch painter Nicolaes Maes. It is an example of Dutch Golden Age painting and is part of the collection of the Mauritshuis.

<i>An Old Woman Dozing</i> Painting by Nicolaes Maes

An Old Woman Dozing is an oil on canvas painting by the Dutch painter Nicolaes Maes. It is an example of Dutch Golden Age painting and is part of the collection of the Royal Museums of Fine Arts of Belgium.

<i>The Lace-Maker</i> (Metsu) Painting by Gabriël Metsu

The Lace-Maker is an oil-on-canvas painting by the Dutch painter Gabriël Metsu, created c. 1663. It is an example of Dutch Golden Age painting and is part of the collection of Gemäldegalerie Alte Meister, in Dresden, Germany.

<i>Portrait of a Young Woman with a Fan</i> 1633 painting by Rembrandt

Portrait of a Young Woman with a Fan is a 1633 portrait painting by Rembrandt. It shows a woman holding a fan, pendant to Portrait of a Man Rising from His Chair. It is in the collection of the Metropolitan Museum of Art.

<i>Portrait of Petronella Buys</i> 1635 painting by Rembrandt

Portrait of Petronella Buys (1610–1670) is a 1635 portrait painting painted by Rembrandt. It shows a young woman with a very large and impressive millstone collar. It is in a private collection.

References

  1. 48. The Lace Maker in Hofstede de Groot, 1913 PD-icon.svg This article incorporates text from this source, which is in the public domain .