The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio. A masque involved music and dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Often the masquers, who did not speak or sing, were courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully.
Sir Philip Sidney was an English poet, courtier, scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy, and The Countess of Pembroke's Arcadia.
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music that depicts such life in an idealized manner, typically for urban audiences. A pastoral is a work of this genre, also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.
Robert Sidney, 1st Earl of Leicester, second son of Sir Henry Sidney, was a statesman of Elizabethan and Jacobean England. He was also a patron of the arts and an interesting poet. His mother, Mary Sidney née Dudley, was a lady-in-waiting to Queen Elizabeth I and a sister of Robert Dudley, 1st Earl of Leicester, an advisor and favourite of the Queen.
The Two Noble Kinsmen is a Jacobean tragicomedy, first published in 1634 and attributed to John Fletcher and William Shakespeare. Its plot derives from "The Knight's Tale" in Geoffrey Chaucer's The Canterbury Tales, which had already been dramatised at least twice before.
Henry Herbert, 2nd Earl of PembrokeKG was a Welsh nobleman, peer and politician of the Elizabethan era.
Penelope Rich, Lady Rich, later styled Penelope Blount was an English court office holder. She served as lady-in-waiting to the English queen Anne of Denmark. She was the sister of Robert Devereux, 2nd Earl of Essex, and is traditionally thought to be the inspiration for "Stella" of Sir Philip Sidney's Astrophel and Stella sonnet sequence. She married Robert Rich, 3rd Baron Rich and had a public liaison with Charles Blount, Baron Mountjoy, whom she married in an unlicensed ceremony following her divorce from Rich. She died in 1607.
Lady Mary Wroth was an English poet of the Renaissance. A member of a distinguished literary family, Lady Wroth was among the first female British writers to have achieved an enduring reputation. She is perhaps best known for having written The Countess of Montgomery's Urania.
The Shepheardes Calender was Edmund Spenser's first major poetic work, published in 1579. In emulation of Virgil's first work, the Eclogues, Spenser wrote this series of pastorals at the commencement of his career. However, Spenser's models were rather the Renaissance eclogues of Mantuanus. The title, like the entire work, is written using deliberately archaic spellings, in order to suggest a connection to medieval literature, and to Geoffrey Chaucer in particular. The poem introduces Colin Clout, a folk character originated by John Skelton, and depicts his life as a shepherd through the twelve months of the year. The Calender encompasses considerable formal innovations, anticipating the even more virtuosic Countess of Pembroke's Arcadia, the classic pastoral romance by Sir Philip Sidney, with whom Spenser was acquainted. It is also remarkable for the extensive commentary included with the work in its first publication, ascribed to an "E.K." E.K. is an intelligent, very subtle, and often deeply ironic commentator, who is sometimes assumed to be an alias of Spenser himself. The term sarcasm is first recorded in English in Spenser's poem.
The Virgin Queen is a 1955 DeLuxe Color historical drama film directed by Henry Koster and starring Bette Davis, Richard Todd and Joan Collins. Filmed in CinemaScope, it focuses on the relationship between Elizabeth I of England and Sir Walter Raleigh.
Frances Walsingham, Dowager Countess of Essex and Countess of Clanricarde was an English noblewoman. The daughter of Sir Francis Walsingham, Elizabeth I's Secretary of State, she became the wife of Sir Philip Sidney at age 16. Her second husband was Queen Elizabeth's favourite, Robert Devereaux Earl of Essex, with whom she had five children. Two years after his execution in 1601, she married Richard Burke, Earl of Clanricarde, and went to live with him in Ireland.
Comus is a masque in honour of chastity, written by John Milton. It was first presented on Michaelmas, 1634, before John Egerton, 1st Earl of Bridgewater, at Ludlow Castle in celebration of the Earl's new post as Lord President of Wales.
Dorothy Percy, Countess of Northumberland was the younger daughter of Walter Devereux, 1st Earl of Essex by Lettice Knollys, and the wife of Henry Percy, 9th Earl of Northumberland.
Lucy Russell, Countess of Bedford (1580–1627) was a major aristocratic patron of the arts and literature in the Elizabethan and Jacobean eras, the primary non-royal performer in contemporary court masques, a letter-writer, and a poet.
The Hue and Cry After Cupid, or A Hue and Cry After Cupid, also Lord Haddington's Masque or The Masque at Lord Haddington's Marriage, or even The Masque With the Nuptial Songs at the Lord Viscount Haddington's Marriage at Court, was a masque performed on Shrove Tuesday night, 9 February 1608, in the Banqueting House at Whitehall Palace. The work was written by Ben Jonson, with costumes, sets, and stage effects designed by Inigo Jones, and with music by Alfonso Ferrabosco — the team of creators responsible for previous and subsequent masques for the Stuart Court.
Tempe Restored was a Caroline era masque, written by Aurelian Townshend and designed by Inigo Jones, and performed at Whitehall Palace on Shrove Tuesday, 14 February 1632. It was significant as an early instance in which a woman appeared in a speaking role in a public stage performance in England.
The Gypsies Metamorphosed, alternatively titled The Metamorphosed Gypsies,The Gypsies' Metamorphosis, or The Masque of Gypsies, was a Jacobean era masque written by Ben Jonson, with music composed by Nicholas Lanier. It was first performed on 3 August 1621, and was the biggest popular hit of Jonson's masquing career.
Mary Sidney was a lady-in-waiting at the court of Elizabeth I, and the mother of Sir Philip Sidney and Mary Sidney Herbert, Countess of Pembroke. A daughter of John Dudley, Duke of Northumberland, she was marginally implicated in her father's attempt to place Lady Jane Grey on the English throne and affected by his attainder.
The Princely Pleasures, at the Court at Kenilworth (1576) by George Gascoigne, is an account of courtly entertainments held by Robert Dudley, the first Earl of Leicester upon Queen Elizabeth I’s three weeks visit to his Kenilworth Castle, Warwickshire in 1575. Based on European festival book models, Gascoigne's pamphlet is an idealized version of the courtly revels occasioned to entertain the Queen during her stay at the castle from 9 July to 27 July.
